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Two lovers meet in a hotel, like so many other times. But this time it’s different; one of them has news in his family. This news will lead them to think about whether or not to continue with the relationship. The thing is that this relationship does not mean the same thing for both of them, for obvious reasons.

A unique and extraordinary story about how a group of local surfers have managed to create a community and promote a surf culture against all odds, in a territory with barely 100 days of waves a year.

Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.

Ekhi, a 10-year-old boy, heads out to play football with his friends, like every day. But this isn’t just any old day. The presence of a mysterious young girl will lead Ekhi along an unknown path that will change his life forever.

On a full moon night, two mysterious figures prepare to play chess, while two Egyptian deities wake up to witness this game.

The legendary transgender club The Way Out celebrated its 25th anniversary in 2018. The documentary looks back at the last three decades in the London trans scene, discovering the club's impact on the transgender community through interviews and archive footage. The club closed in March 2020 for the first time in 28 years due to the global Covid-19 pandemic. What does the future hold for this unique place?

The fire of the Rehiletes will guide a man on his way overcoming the end of a deep sentimental relationship

The world we know has changed... Now, we live in Yuggoth.

A concentric collage. This piece belongs to a series of reels and sketches mounted on a camera that go through other films' processes.

At Christmas time, David watches TV while eating nougat. A terror lurks nearby.

"As leaves in the wind" is the story of two transgender women who migrate from their home countries seeking asylum and opportunities in a new continent. Their lives go through structural changes when they meet and take part in a new support network. Made by them for them.

Vera is a sensitive and creative teenager who has run away from home. On her lonely journey in search of affection and a real home, an imaginary presence accompanies her.

Amaranta is a 12-year-old adopted girl who has grown up in Spain and wants to know more about her Colombian origins. On a summer day she decides to secretly investigate her past.

Two women sustain a world where care is in ruins. Gladys, from her everlasting confinement in the house where she works as a live-in servant. Ima, in her everlasting waiting on the seashore for the next ship breaking its nets. Both have unrecognised jobs in which duties invade them until there’s no room for their own lives. It doesn’t matter what time their phones ring. Gladys can never answer, Ima is obliged to answer at all times. They both have to leave their families behind. Spaces that are work, work that is about houses and houses that are not always homes. The memories of their experiences are intertwined in a sensory story that leads us to a question: whose hands are the ones to change the situation?

In Barcelona, in the MACBA square, young, boisterous and talkative people gather to tell how they feel confronted with the world that exists beyond their limited lives, that unknown world that apparently denies them so many things.

El Rio Grind 20 year retrospective. ERG is a skate crew from Tampere, Finland. Over 20 years, they have been filming and making skate movies year after year. This is the director’s visual overview of these days.

Crap disappears so invisibly and odourlessly into Santiago's innards that it seems as if it had never existed. Now it demands to be freed from its dark sewer and to come out into the light.

'...And He Found Me' is a short psychological thriller inspired by John Fowles's novel 'The Collector'. It stars Aniez, Imma Casademunt and Nora Rabbie.

The documentary narrates the events experienced in Ukraine (April 17-May 22, 2022), both in the field of humanitarian volunteering in the rear, and in the vanguard, on the war front line. It also shows the movement of displaced persons (IDP's) and the life of the civilian population in the bombed places, with interviews with soldiers, volunteers and civilians; from the devastated places in the north of Kyiv, passing through Kharkiv, the Donbas region or the Kherson front with Mykolaiv, and then ending in the self-proclaimed and pro-Russian Republic of Transnistria (Moldova), bordering Ukraine.

Assembling the filmmaker’s writing, storyboards, family archives, and haunting outdoor shots, Caballo de Espuma leads to an exploration of memory that blends the lines of reality.

This is the story of a fighter and a trainer, and the strange relationship that they have.

He wakes up dazed and confused in a gloomy room. Tied to a stretcher, he tries to free himself and call for help. His anxiety increases, but the true terror arrives when he discovers his captors: two bizarre creatures who are subjecting him to all kinds of experiments and tortures. Sometimes, things just aren't what they seem.

In 1925 a polar expedition led by the explorer Roald Amundsen managed to reach 88º North, the northernmost latitude ever reached by a man at that time. How to represent the conquest of a place that is an absolutely empty geographical abstraction?

Conceived as an exploration of both harbour piloting areas and Bolex manoeuvring, the film alternates between the studio’s editing table at the facilities of Liaison of Independent Filmmakers of Toronto and various locations on the West shore of Lake Ontario.

"What is registered in a diary cannot be modified, since all the facts, thoughts and idealisations written in it remain forever linked to the date noted at the beginning of each new entry. The passage of time may give it new meanings, but it can never change its content or polish the scratched corners, as the human mind is indeed capable of doing at the cost of nostalgia or oblivion. Returning to certain thoughts and places captured in the black ink of my diary puts me in front of a mirror whose reflected eyes I prefer not to look into."

The lives of Carlos (Enrique Subiela) and Lola (Paula Ojeda) take a dramatic turn when she discovers that her roommate has a drug addiction. She experiences the journey of drugs, from their harvesting in the Afghan desert to their distribution in the dead of night in the urban world.

One doesn't bounce and other one doesn't have a sound.

Abstract, angular lines scratched directly into the unexposed 16 mm film reel tremble across the image. A camera-less film. In Murmullo, Vega has translated conversations between a group of people into abstract drawings, lines, and characters, which she has inscribed directly onto the unexposed color emulsion of the film. A transcription of sound and words into abstraction. A visual murmur.

Father and son. Secrets separate them, unspoken and unembraced grudges. A wall that keeps the silences, the held back tears, the glances and shy contact. Lack of communication. Despite this, the longing to embrace him, all because they are the same story.

There is a monster that lives among us. He floats above people with his eyes closed, hiding from reality. It grabs its victims and drags them to hell, poisoning their positive thoughts into horrible lies. Sometimes the poison is so strong that it kills them. This time, the victim is Alina. Can she survive?

During the first days after the 1973 coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then-political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group called the “Dawsonianas.”

Marina sends a voice note to her brother Julian recalling all the anecdotes they experienced on their trip to Madrid.