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Delicatessen

Guest Meier is every restaurant owner's worst nightmare. He behaves like Croesus when dealing with the staff. With his snobby and abusive conduct, Meier even manages to expel other guests from the restaurant. Meier sharply criticizes his ordered food after just a single bite and demands a completely new meal "on the house." The restaurant's chefs Harald and Tim feel their professional honor is grossly insulted. Together with waiter Peter, they discuss how to put this "problematic guest" in his place, working themselves meanwhile into a rage. Will diplomacy triumph over barbarous brutality or is violence sometimes indeed a solution? And what does an instant photo camera have to do with all this?

Delicatessen

NR 2015
Tour de Force

Belgium, of all places. What's Belgium got besides chocolates and fries? No matter, this year it was Hannes' and Kiki's turn to choose the destination of their annual bike tour with their closest friends. They all looks forward to the adventure, after all they know that what counts the most is the time they spend together. It's only after the tour has begun that Hannes tells his friends that he's suffering from an incurable disease. The trip is to be his last. At first, the group is shocked and helpless, but after they hit the road again, they embark on a wild and one-of-a-kind adventure. Through Hannes, they realize how precious life is. Equipped with a list of things that still remain to do, and aware that nothing will be the same after this trip, they celebrate life as they never did before.

Tour de Force

7.2 2014
My Name Is Not Ali

Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

My Name Is Not Ali

6.3 2011
Schandfleck - Der Usedom-Krimi

A supermarket operator from Ahlbeck (Usedom) is found dead, naked, in the spa gardens of neighboring Swinemünde in Poland. Inspector Julia Thiel and her Polish colleague Marek Wozniak are investigating together. Only initially does everything look like a sexual offense. The woman wanted to meet one of her cashiers to offer her a new apartment in Poland in exchange for an old, run-down house on the German side. However, it is said that the inspection of the apartment never took place. A case that particularly challenges Julia Thiel.

Schandfleck - Der Usedom-Krimi

6.4 2015
Hanna's Homecoming

After three years at boarding school, Hanna is returning home to her little village to help her father's butcher’s shop during her break. Soon she learns that she is not welcome in the village. Everyone remembers the horrific news story about her mother’s death which was followed by the discovery of three dead men in the marsh. Superstition rules the village and everyone believes her mother was a witch that lured the men into the marsh directly to their death. While struggling to make friends, she meets extroverted city girl Eva. Thinking she has finally found a friend, Hanna’s confidence, and with that her "power", starts to grow, while scary accidents begin to happen around her.

Hanna's Homecoming

4.5 2019
Bollywood lässt Alpen glühen

The inhabitants of St. Maria curiously register the exotic film crew who want to shoot a Bollywood blockbuster in their home village. This is the brainchild of former local Franzi, now a production assistant in the city, who never wanted to return due to heartbreak: the ambitious Franzi has had enough of her home village and is pursuing a career in film in Vienna. When an idyllic and authentic backdrop is needed for a Bollywood movie, she quickly suggests her former home. The Indian crew is thrilled and invades the sleepy mountain village with huge catering buses, llamas and exotic dancers. Two cultures that couldn't be more different collide...

Bollywood lässt Alpen glühen

NR 2011
Weihnachtsengel küsst man nicht

The pre-Christmas season is anything but contemplative for Lina, model and advertising jingle singer, and her best friend Nettie, who runs an event and partner agency: the two can hardly save themselves from second-class Christmas orders. And it's not for the first time that Lina and Nettie are preparing for lonely holidays. Nettie has long since given up hope of still finding the right one, and Lina's dream man Alex, a married doctor, has not yet separated from his wife.

Weihnachtsengel küsst man nicht

6.0 2011
The Wild

In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.

The Wild

NR 2013
Seyfo 1915 - The Assyrian Genocide

In the shadow of the First World War, the genocide of the Christian Assyrians took place almost unnoticed by the world public. This first systematic genocide of the 20th century was committed by the Young Turks (Ottoman Empire) and would not have been possible without the support of some Kurdish local rulers and their family clans. The Assyrians are the indigenous people of Mesopotamia and have lived in Mesopotamia for thousands of years. The film includes testimony from several European, Turkish and Assyrian historians, as well as genocide researchers, including Professor Taner Akcam, Dr. Gabriele Yonan and Professor David Gaunt. The film includes testimony from survivors of the genocide. Various journalists and publicists also have their say with well-researched information in this documentary. The Assyrians refer to the Genocide as "Seyfo" (ܣܝܦܐ), which translates as "sword".

Seyfo 1915 - The Assyrian Genocide

10.0 2015
Friendship of Men

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.

Friendship of Men

4.3 2018
In den besten Jahren

40 years after her husband is shot and killed by a terrorist while on duty as a police officer during a routine traffic check, Erika Welves (Senta Berger), aided by a journalist (Felix Eitner) finds evidence leading to the murderer. For the killer has vanished. Is living in freedom. Because the state is protecting him, keeping him safe. He in turn has supplied information concerning other terrorists. Erika Welves considers this blatant injustice. But now, finally, there is a chance at revenge...

In den besten Jahren

10.0 2011
Men Show Movies & Women Their Breasts

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

Men Show Movies & Women Their Breasts

4.1 2014
Der Duft von Holunder

Once Sofie Möller left her idyllic hometown with the aim of making a career in the big city. Now she returns with her mother Agnes to attend the funeral of her grandmother and to revamp her empty house for sale. It does not take long for Sofie to be confronted with her past, which apart from the grandmotherly love consisted of many personal injuries. When she meets her former boyhood friend Tom Sommer again, Sofie has come to the time to rethink her own emotional life.

Der Duft von Holunder

4.2 2011
Detour

Alma and Jan are having an affair and yet Jan does not want to admit it. In order to force him to recognize their relationship, Alma secretly takes Jan's small son, Juri on a trip. Accompanied by the delivery man Bruno, the two drive in the direction of Berlin. At a rest stop, he tries clumsily to get closer to Alma but she rebuffs him. In doing so, Alma unwittingly injures him in such a way that he drops all his inhibitions. Whereas Bruno until now was acting covertly in the hope of establishing contact, he now wants to take for himself what has been denied him.

Detour

5.4 2017
Taxi

Hamburg, mid 80s, Alex is a cabby. The sound is hard, pubs are dark and loud, people constantly argue about anything and everything, people smoke all the time, and not just cigarettes. Alex wants love and freedom and sleeps with Dietrich. It's far from being love, but the sex is okay. With Marc, a little person full of dignity, she finds more than that. The rest is struggles with her passengers, the indifferent and the doomed, brutes as other nuisances. This sort of life could go on and on, Alex could drive away from her own life and in doing so lose Marc and not getting rid of Dietrich. Wouldn't there be a small monkey with the same invincible desire for freedom as hers.

Taxi

5.6 2015