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Short film and segment from Tales of Death 2.

Two men from the same community go out to work and their lives intersect in an unexpected way.

"Living Sculptures" shows images transformed into surreal bodies.

This documentary features “Poetas Vivos”, a Porto Alegre-based Poetry Slam Collective and its members. Slam poetry performed by Cristal, Agnes and Felipe Deds. It also addresses Black resistance in poetry and the lives of these poets.

Amigos

Is the woman invisible in samba? Invisible, but essential. What keeps a foot structure almost always invisible. It is necessary to give birth to the samba that in the parades of carnival was deferred to the detriment of the plastic, of the esthetics of a product offered to the world that does not necessarily reflect the reality. Here, at the origin, the woman appears in the segments sustaining the institutions maintainers of the "roots", although the environment remains dry of machismo, they lead wings of composers, they play firm in the battery, they succeed like carnavalescas; are at the forefront of projects to preserve the intangible heritage of their associations. Many are inserted in samba wheels, currently the niche where the most samba root is exposed.

We are invited to immerse ourselves in this documentary about the trajectory of Elaine Patricia, a young black woman of 20 years who has experienced various challenges, especially racial prejudice. The protagonist still inspires us with a history of overcoming, by breaking with paradigms rooted in the social context and at the conclusion of the dreamed high school.

The Pig Man is chased by assassins who want to stop him from changing a cruel reality.

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Short film about a teacher who begins to have a relationship with one of his students.

Short film about a boy who is always late.

The umutina indigenous people tries to save their culture; but the poorty and the rising influence of the evangelic christianism turn this dream to melancholy

Portrait of a new generation of drag queens that, coming from different social classes and guided by new technologies, seeks more visibility in society.

From her mother’s pregnancy until she’s 13 years old, the life of Vitória is the common thread of a narrative about land reform, Worker’s Party government, Landless Workers Movement and about Brazil.

When all hope seems lost, we must always remember to keep a light on. Not even to stumble in the dark.

A Memory for the Light

A camera in hand, a script on paper, and violent coercion is all it takes to convince friends and produce a Gold Production.

"Production of Gold" is the first Deslegendário Webseries and finally we give you the prologue of this dystopia. Once again, Lucas Stuvok has his sleep interrupted by some madman who plays the idea of him doing something with no concept with his friends, it is the fool's turn to produce any audiovisual content for a festival that promises to give fame prize and money to the one who can perform a Gold Production!

Renan, a corrupt politician about to be arrested, plans to kill Mario, a fisherman identical to him, and steal his identity, but after suffering a shipwreck he is rescued precisely by whom he planned to kill. From there, suspicions arise and not everything ends up as it seems.

A short film about the experiences of Izah and Murilo as they go through their gender transition process.

Pearls with a small mutation reappear on a South Atlantic coast, when a musician is attracted to the edge of the beach. They are the same pearls that would have led the pearl hunting profession in Japan to extinction. A young beatnik is called to take the pearls back to their place of origin. A reinterpretation of the myth of the siren song.

Just a business meeting, like any other business meeting.

Trapped in phosphene, raw documentary footage reveals its digital self, receding into its abstract infancy, a memory-image unspooled from its dependency on referents, affected by its own internal life. A computer sees without eyes, an algorithm imagines.

In the age of overexposure on social networks and its dangers, Martin, a brilliant and seductive Stalker, acts by stealing belongings of people who cross his path, in order to recreate a parallel existence. This beat routine will escape your control and lead you to an unexpected escalation of crime.

"The Color of Tuesday" is a short fiction that addresses the relationship of empathy and mourning for a suicide.

Rosa has worked since girl to help at home, now begins the process to retire. In the same job for more than 45 years, she can not prove her length of service. Desperate Rose seeks nature in balance to fight and retire

In the Baixada Fluminense, independent cultural groups started a film movement that takes the cinema to the viewer. For more than ten years, these cineclubes have played a fundamental role in the social construction of peripheral regions and open the debate for the transformation of everyday life in these cities. The documentary shows the performance of six of Baixada Fluminense's main cineclubes: Cineclube Mate with Angu, from Caxias; Cineclube Getúlio hole, from Nova Iguaçu; Cineclube Donana, by Belford Roxo; Cineclube Cinema of Guerrilla, of São João de Meriti; Cinux Xuxu with Xis, from Austin; and Feminist Faction Cineclube, from Caxias. The movie clubs take the movies to the squares, bars, schools and wherever else you have room to display. To promote cineclubes is to preserve the possibility of meeting, identifying with others and the pleasure of sharing and motivating people.

Beto, a former resident of Beira, sees the feeling of insecurity in his neighborhood grow. A group of neighbors wants, in a meeting, to approve the installation of security cameras and gates, to avoid actions of criminals in the place. The images have an important role in the process of convincing, so Beto asks for help from Carneiro, a cameraman who owes him favors to defend his idea. The two make images by Beira, with the intention of presenting them at the next meeting when the installation will or will not be decided. The sense of insecurity continues to grow and Beto moves internal and external forces to avoid the installation of cameras and gates in the neighborhood. Although he hates to admit it, he knows in his heart that Beira has changed.