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New Underground History of Japanese Violence: Vengeance Demon

A brother and sister live as outcasts from their hamlet due to a belief that mental illness runs in their family. A group of villagers plot to steal their property by beating and hanging the brother and gang-raping the sister. Believing the brother to be dead, scheming to kill the sister, and making both deaths look like accidents... unbeknownst to them, the brother survives and proceeds on a mission to slaughter those responsible in the hamlet.

New Underground History of Japanese Violence: Vengeance Demon

5.4 1969
Police Precinct Part 14

An elderly woman, Ume Matsumoto, informed the First Investigation Department that her son Hirasaka, who runs a shoe store, had disappeared. The detectives had a bad feeling which hit the mark, an unidentified drowned body is identified as Hirasaka. Some prime real estate he owned was also mysteriously sold. Suspecting that this is a planned murder and fearing the escape of the criminal, the Department begins to investigate secretly, without creating an investigation headquarters.

Police Precinct Part 14

NR 1960
Wakai toppū

On his way back to Yokohama, a young boy named Kenji Hase encounters a girl named Yoshiko who is being harassed by the Kaminaryu gang. He rescues her and they head towards Yokohama in Yoshiko's car. In Yokohama, there is an uproar because Kenji's father, Shozo Hase, a customs officer, has been accused of stealing confiscated drugs. The story unfolds with thrilling action as Kenji bravely confronts the gang of villains who framed his father and kidnapped him, all while seeking justice and vindicating his father's innocence.

Wakai toppū

NR 1960
No Greater Love

In 1943, Japan is amidst the Pacific War. Sobei Sonoda is one of the wealthiest landowners of the San'in region. His land spread for miles, as far as the eye can see. People treated him with respect. But even the richest must think about the future. One day, he decides to arrange a marriage between his only son, Junkichi and the daughter of an even more powerful family. Sobei, hoping to benefit from this union, soon discovers that his son was in love with a lower class girl.

No Greater Love

NR 1966
The Last Gunfight

Japanese police detective Saburo Fujioka is suspected of corruption, demoted, and sent to the city of Kojin. Kojin is the scene of fierce fighting between rival gangs. Fujioka is assigned to investigate the death of the wife of gangster Tetsuo Maruyama of the Kozuka gang, probably at the hands of one of the Oka gang. During a gang gunfight, Maruyama is rescued by Detective Fujioka and the two become friends. But Maruyama insists on avenging his wife's murder, even if it means conflict with his new friend.

The Last Gunfight

6.2 1960
Crazy Love

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.

Crazy Love

4.3 1968
Fighting Tatsu, the Rickshaw Man

Richshaw man Tatsu has wandered to Osaka from Tokyo. He has quarrels with Kimiyakko, a geisha, and throws her into the river. But later, he falls in love with her. Yasaburo, the oyabun of the Nishikawa Gang, loves her very much too. However, as he likes Tatsu's dynamic personality, he volunteers to become a go-between for their marriage. Yasaburo gets tipped off by Yajima who wants to take over the territory of the Nishikawa Gang, and is arrested and imprisoned. After his release, Yajima tries to kill him. Ginjiro, a lover of Tamaryu respects Kimiyakko as an older sister and a follower of Tatsu, is murdered. After the third marriage ceremony just between Tatsu and Kimiyakko, Tatsu goes off to the place of fighting.

Fighting Tatsu, the Rickshaw Man

7.5 1964
若い川の流れ

The story follows Misako Kitaoka, a junior college graduate and Nitto Lease sales department employee, as she grows through work, love, and friendship. For the sake of the company's managing director and his wife, Misako recommends her colleague Tensuke Sone to Fusako, the managing director's daughter and best friend. Fusako and Sone meet at the executive director's Karuizawa villa, but for some reason Kensuke becomes angry when he learns that Misako is the one who recommended him...

若い川の流れ

NR 1968
Okatsu the Fugitive

Okatsu the Fugitive is the third film in the "Ohyaku/Okatsu" series. Okatsu; a "tomboy" who is good with a sword. Her father has found her a man to marry and actually she doesn't seem too upset about the situation. At the same time, a bunch of farmers are being slaughtered by a corrupt group running a tobacco smuggling ring. They're being investigated by a man who is documenting their crimes and when they find out about it, they torture him for information but get none. It's not long before he and Okatsu's mother wind up dead and she sets out for revenge.

Okatsu the Fugitive

6.4 1969
Ako

A day in the life of Ako, a 16-year-old Japanese girl, and her friends and co-workers. An alarm clock wakes her in a dorm; she gets ready for work and travels to a large bakery. We see her with friends, chatting and laughing, as well as working. They go out, seven of them jammed in an old Pontiac: bowling, then to an amusement park, then driving around. Car trouble may put her at risk. Is she going to be okay? One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Michel Brault, Jean Rouch, and Gian Vittorio Baldi.

Ako

6.8 1964