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Sweet Pea

Cristiano, aged thirteen, seems to be a teen-ager with clear ideas about his future. One evening he meets May, a stranger, who is probably drunk and, so, she ends up in his bed. An unforgettable night... The morning after, May leaves and vanishes. Some years later, a "surprise" knocks at Cristiano's door: a child, his child, sent there by May, who's vanished again. Abandoned by his own parents, Cristiano will assume his responsibilities and will leave with the child to know Milan, the city he lives in and its people.

Sweet Pea

5.6 1981
Massimamente folle

The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.

Massimamente folle

10.0 1983
From the Pole to the Equator

The title Dal polo all'equatore was first used by the pioneering documentary maker, Luca Comerio, for a compilation film of 1925; it was used again by Yervant Gianikian and Angela Ricci Lucchi for their film of 1985. Much of the original has been re-worked: the 'found footage' has been re-shot, slowed down, tinted, and re-edited with a sound track of minimalist composition. As a result, the exotica of colonial travel and sport take on new and sinister meanings. The acts of violence, especially those of hunting, recur in patterns that suggest visually that war is a logical development. A close examination of the work, starting with the opening sequence of a railway journey, explores the centrality of questions of memory and history to this remarkable and influential film.

From the Pole to the Equator

6.5 1987
Maicol

Maicol's mother Anita (Sabina Regazzi) is distracted by too many concerns to pay him much mind, so Maicol (Simone Tessarolo) seeks fulfillment in his inner life, which is very busy and rich. The five year-old has made a world for himself populated by situations and people from the movie Dune, and anything he says to anyone is unlikely to refer to anything else. When his unmarried working mother takes him with her to the train station for her rendezvous with her lover, he occupies himself during their long wait by exploring everthing in sight. Unused to dealing with anything but his fantasy life, after he gets himself lost he is of no help to the police in their search for his mother.

Maicol

8.0 1988