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The Light Fantastic

While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.

The Light Fantastic

6.0 1960
Tonite Let's All Make Love in London

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

Tonite Let's All Make Love in London

4.5 1967
The Colony

A railwayman from St. Kitts, a bus conductor from Jamaica, a family of singers from Trinidad and a nurse from Barbados ... Philip Donnellan's Birmingham-based film gives a voice to West Indian immigrants who movingly describe their experiences of trying to integrate into a surprisingly unwelcoming ‘mother country’. Shot in 1964 the film provides an important snapshot of Britain in the early stages of momentous social change and first-generation Afro-Caribbean immigration.

The Colony

10.0 1964
The Hostage

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

The Hostage

NR 1964
The Brigand of Kandahar

1880. British India. Robert Case, a half-caste lieutenant, is unjustly discharged from the British Army. He joins the rebel Bengali tribesmen offensive against the colonial enemy. They capture a foreign journalist and Case recounts his story of false accusation on trumped-up charges, instigated by the bigotry and racism of his commanding officers. Following a successful attack by the British against the rebels Case is brutally shot by Colonel Drewe, his accuser. The journalist returns home determined to report the true story of The Brigand of Kandahar.

The Brigand of Kandahar

5.6 1965