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Nature

While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La Nature, through which he once again observes the delicate cohabitation of human communities with their environment. Gathered from the internet, most of the images that compose the film are fragile, amateur-shot traces from within nature and its tremors that regularly rock these communities. Volcanic eruptions, earthquakes, and tsunamis form the film’s visual fabric, and are set against images of grandiose natural landscapes. A visual elegy, the film resolutely acknowledges the superiority of nature, with its unrelenting force, capable of transcending all human ambition. With this, the filmmaker seems to remind us that humankind will not emerge victorious from the ecological havoc that it has created.

Nature

6.5 2019
Enrico Piaggio: Vespa

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there are condemned to unemployment and misery. Piaggio feels the enormous responsibility resting on his shoulders: the lives of so many families depend on his ability to create new jobs. A project is born in the mind of the entrepreneur: a small, robust, agile and affordable means of transport, capable of relaunching mobility, giving impetus to the recovery of the country’s economic and civil life. To make this dream come true, Piaggio turns to engineer Corradino D’Ascanio, a brilliant designer who uses the experience gained in the field of aeronautics to create the scooter that remains today the symbol of Italian creativity and design: the Vespa!

Enrico Piaggio: Vespa

7.0 2019
The Wound and the Knife (Notes for a Film About García Wehbi)

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

The Wound and the Knife (Notes for a Film About García Wehbi)

3.0 2019
The Warrior Queen of Jhansi

The Warrior Queen of Jhansi tells the true story of Lakshmibai, the historic Queen of Jhansi who fiercely led her army against the British East India Company in the mutiny of 1857. From Queen Elizabeth to Queen Victoria, two-and- a half-centuries of East India Company rule will be reversed by its attempt to crush India’s Warrior Queen. Lakshmibai is known as one of the most prominent figures within the independence movement of India. The passion to free her province from colonial rule led this young woman to become one of the greatest generals of the Indian army, and to go down in history for her bravery, strategic acumen, and as a force to reckon with by the East India Company and the British Raj. The Warrior Queen of Jhansi is the story of the woman who lived and fought for the freedom of her people.

The Warrior Queen of Jhansi

6.4 2019
Un cœur de femme

A small town in the Mediterranean wakes up. Antonia takes refuge and loses herself in the arms of young lover because she isn't managing to mourn her dead husband. Isabelle, an actress, struggles against a disease. Paola is a lawyer who defends women's rights. For her, seducing a man is a challenge laid down, and the challenges follow one after the other. Anghjula, a stay-at-home mother, must also mourn her husband even though he's still alive. Maria stays the course by hook or by crook in her domestic and professional life. Five friends who together chase after their lives.

Un cœur de femme

NR 2019