Lali thinks she’s a modern person. She likes to give advice on her Youtube channel and do tutorials on how to appear younger. But she’s tired of playing a role, it’s time to tell the truth about Lali Land.
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Lali thinks she’s a modern person. She likes to give advice on her Youtube channel and do tutorials on how to appear younger. But she’s tired of playing a role, it’s time to tell the truth about Lali Land.
Carmen decides to find herself, again.
Angela and her cousin Miguel Angel form a team to uncover the mysterious disappearance of the documents of an inheritance awarded to her.
A group of senior high school students make a series of claims to the management of the education system. After frictions and punishments, they take the school, forcing the authorities to dialogue and, thus, achieve some of the changes raised.
An asshole and his little cousin are asked to carry the market from the trunk of a car to their apartment. The asshole takes advantage and makes his directorial debut in this "Documentary" while using his poor cousin as a slave. Great shabby documentary about anxiety, routine and the fragility of existence.
Off-site means a character, an object, or an act that is not visible on the screen, but is part of the scene. "Gniele baila" presents a story about women, immigrants and abandoned Peoples who are invisible but are the most involved in life. This story is related to us by a stubborn and ambitious dancer. Gniele dances regardless of on-site or off-site. As the world turns and everything happens Gniele gets her strength from dancing.
It all starts with the disturbing image of a heart as a symbol of life, along with a compulsive rhythm of systole and diastole. Both serving as engine for starting to delve into the family memories, the social conventions, the existence and its opposite. Produced and edited, quite literally, with an open heart.
In a small town where monotony reigns, a couple of teenagers notice something out of place.
A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.
A woman has to rescue her friend, a prisoner of a psychopath who lives in a mechanical workshop.
A portrait about a Cuban family and Jenni, a professional 100 m sprinter…
Women around the world are often subject to harmful stereotypes depicting them as being weaker or inferior to men. The world of sports is no exception. This film tells the stories of girls who have broken through stereotypes and are participating in sports that are usually dominated by men. It wasn't easy for them to get there, but it was certainly worth it.
A videographic essay born from the desire to explore spaces from an intimate and domestic perspective, subverting the solid approach linked to epic and grandiloquent narratives.
Carmenza is a hard-working colombian woman. She lives in a slum in Antofagasta with her grandson Yorman. She works as a housemaid and tries to raise money for Yorman’s mother, who is ill in Colombia. Carmenza wants Yorman to return with her to their country so he can meet his mother, but he knows that the only option he has to get out of this environment is to stand out in football and be able to play in the local soccer club.
The film covers the last stretch of the career of Javier Herrán, a firefighter stationed in Urioste (Bizkaia). As he approaches retirement, you will get an insight into the workings of a well-oiled group and, particularly, the life of one of the brigade’s most eccentric firefighters with rank of corporal, who does not want to face up to retirement. The film focusing on his journey along with Javier Galbarriartu opens a window onto the work of a profession whose members risk their lives for other citizens. This documentary that discusses life and ageing reveals the feelings of the main character who still seems young, both physically and at heart, and who loves a job that he does not want to give up.
Documentary that involves a tribute to the life and work of Juan Filloy, the writer of the three centuries.
Two friends set out on a trip to a beautiful town in Colombia in order to develop a business project that will allow them to avoid their respective destinations. Juan Felipe does not want to go to work in his father's company and Tomás does not expect to go through the embarrassing process of looking for work. In the middle of their journey, they will learn to know themselves, while they are winding up the details of their condition as millennials who have not yet reached 30. Their life is a contradiction, since they feel like adolescents, although with a much older age advanced, but they are not capable of recognizing themselves as adults willing to assume responsibilities and undertake the process of maturing.
Cristina plans a quiet friday at home. When she goes out to buy nearby, she meets some friends who tell her that Jimena, with whom she has pending issues, has just moved back to Lima.
A fifty year old man living an existential crisis, with family, friends and children, tries to escape from debts and stress.
The outbreak of the economic crisis in Spain led thousands of horses (a symbol of prestige in the years of plenty for nouveau-riches) to be abandoned by their owners. On the southeastern coast of Spain, a 45-year-old British woman, aided by her volunteer helpers, has set up a rescue farm; a modern-day Noah’s Arc that offers refuge and healing to undernourished and tortured horses (and other animals). A humble yet noble tale of perseverance and endurance and a parable for our times, which applies to people as well: once our shine comes off, society deems us redundant.
The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.
As teenagers, they decided to fight for FARC. Now that a peace agreement has been signed in Colombia, the children of Caldono return to their bombed village. The question is how the villagers will welcome them: with forgiveness or retaliation? Activist Farid Julicué dedicates himself to achieving reconciliation between the villagers and the former rebels.
Night falls in Madrid, Eva and María’s eyes cross paths.
La Plata. The rain The beginning. The after. Footprints in the city. The absent presences.
After closing his eyes our hero wakes in another world. There he awaits the arrival of someone on top of the mountain. Together they will walk deep into the woods with the intention of rescuing their dearest loved one from the clutches of a mysterious secret society... (ALTER)
Grandmother Verónica and her husband Pastor, without money, live in the rural area of the municipality of Güepsa, Santander. Her tragedies are minimal, but traversed by the history of violence in Colombia, while around her, her neighbors struggle to stay alive in the daily routine of the countryside.
Andrés, the Mummy, is 15 years old and has disappeared. The police investigate in the institute where he studied. The students silence the jokes of which they were constantly object, the teachers say they do not know anything.
A group of inmates decide to take on a workshop to act the life of Andrés Bazán Frías. Bazán Frías was born in poverty at the end of the XIX century and was known for stealing food to give to his neighbors. In 1923 he was murdered by the police. He became known as the "Robin Hood tucumano", and is now hold as a saint amongst the inmates.
In the midst of winter, a Venezuelan woman exiled in Brooklyn deals with daily work, a recurring appearance and unsettling messages from back home.
Iris joins her friend Cárol in her "rebellious phase".
Over and over.
Sumercé follows veteran activist Don Eduardo, rising political leader César Pachón and agricultural educator Rosita as they fight their government’s decision to allow companies to carve up the campesinos birthright in rural Colombia and the country's access to fresh water.
This document is a consecutive and linear collection of situations and characters (Mario Poggi, el Hon. Antonio Córdova Quezada) that are appearing without a greater objective than the search itself.
Martín, a 40 years old physicist, decides to take part in a film workshop. As he starts writing a script based on his deceased mother's story, his own life goes through a crisis.
A documentary that invites you to delve into the thoughts that Bruno goes through as he questions and experiences his gender.
"Salka in the no man's land" is a feature film that fiction the reality about migration and the situation of women in Mauritania through a trip aboard the desert train, bordering the troubled border between Mauritania and Western Sahara .. ..the so-called "no man's land". Salka is a young Mauritanian who lives in the Zuárate region, in the north of the country, who does not accept her future in her country.
Aquí y allá is an essay film that studies what being at home means. The filmmaker uses photographs, maps and Google Earth to connect places around the globe; not just from her own past, but also from the complex migratory history of her family that stretches back to Hitler-era Germany and Mao's China. Reality and the virtual prove equally confusing: however much you zoom in, you never get closer to home.
A couple suffers a serious car accident. Ernesto, who was driving, feels guilty that Isabel has become paralyzed from the waist down. In search of calm, they move to the countryside, where her aunt Clara will be able to take care of her. Against all odds, Isabel begins to recover miraculously. Clara is a religious woman but she is afraid, god isn't the one who is helping her niece. Unconcerned by Clara's fears, Ernesto will wander confused and trapped in a mysterious tragedy.
El Barro de la Revolución takes place in the Philippine rainforest and reveals the inner life, without the usual mandate of the camera, of the military, social, political, emotional and educational actions of one of the guerrilla units that Polo visits with his complicity. It is a shared and solidary project, which shapes a story in which the daily duties and urgencies acquire an extreme political and poetic relevance. In short, and from our perspective as spectators, we are once again questioned about the indissoluble condition of the intimate and personal in the political sphere.
Héctor, a villager from the south of Chile disconnected from his family, avoids assisting Rosa, his mother who lies prostrate, leaving her in the care of her sister Elena who neglects her own existence because she has to take care of her. From her bed Rosa watches as time passes and her daughter is consumed by her. Rosa will subtly concoct a plan, which will change the roles of the house forever.
Anna, who has moved abroad, returns for a few days to Barcelona. Back in her home city, she is haunted by her past love Alex as she walks through the neighborhood in which they used to live. However, mass tourism has greatly transformed the city, and, when Anna discovers that their old apartment is now an Airbnb rental, a flood of memories overwhelms her.
Romulo´s life is the art and now, after a series of failures, he fall in a spiral of discredit and stress. A call gives him the last chance to put his talent back on the top. Art is madness and Rómulo is full of art.
From Frank O’Hara to Bayaguana, an agitated season with good friends.
Suppose one day you wake up and you’re on your own. Literally, absolutely on your own as if by magic or as if somebody were granting you a wish you’d made someday in the past. Everybody had disappeared
A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.