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K-Saram: Tale of the Pig Head

About 500,000 Koreans reside in the former Soviet Union. Most of their ancestors were forced to flee during the Japanese occupation / annexation (1910-1945). The name they gave themselves is Koryo-saram. Their language, Koryo-mar, is descended from the Hamgyöng dialect (province of North Korea) and many other variants of Northeast Korean. The documentary sets up a multi-voice narrative characterized by shamanic rituals, digital glitches, voiceovers, texts and sound panoramas. At the same time inter-subjective and deeply personal, the film recounts migration, the diaspora and death with humor and lightness.

K-Saram: Tale of the Pig Head

NR 2021
My Body, My Love: Lesbians, Gays and Transgenders

Gays, lesbians and transgender people - more and more people are admitting that they feel differently than their biological sex suggests. How openly can they live out their sexuality today? The documentary "My Body, My Love - Lesbians, Gays and Transgenders" shows people who live outside the sexual norm: a gay soccer club in Munich, a lesbian couple in Zurich, a gay police officer in Vienna, a transsexual politician. How important was "coming out" for them? Where do they encounter social boundaries? What makes life difficult for them?

My Body, My Love: Lesbians, Gays and Transgenders

NR 2021
Berliner Philharmoniker 2021/22: Silvesterkonzert mit Kirill Petrenko und Janine Jansen

Experience New Year's Eve 2021 with the Berliner Philharmoniker in a cinema near you! The Berliner Philharmoniker and chief conductor Kirill Petrenko said goodbye to the year with a slightly different Viennese dance music. Incidental music by Erich Wolfgang Korngold enriches a Shakespeare comedy with Viennese flair, Richard Strauss celebrates coffee house culture in his ballet whipped cream, while Maurice Ravel delivers an ecstatic, explosive version of the Viennese waltz with La Valse. Another highlight is Max Bruch's First Violin Concerto with Janine Jansen.

Berliner Philharmoniker 2021/22: Silvesterkonzert mit Kirill Petrenko und Janine Jansen

NR 2021
Vom Bauhaus nach Argentinien

“The Bauhaus was never a myth for me. It was a piece of GDR childhood,“ says filmmaker Anne Berrini, who grew up in Dessau, in her partly autobiographical documentary. In 2005, she went in search of photographers Grete Stern and Horacio Coppola, who once met at the Bauhaus. She followed their traces from Germany to Argentina to New York and interviewed friends, relatives, artists and scientists. Whether Buenos Aires, the female psyche or marginalized indigenous peoples – the view of the artist couple was new, avant-garde, provocative. From the role model of women to emigration from Europe to the New World – on her journey, the filmmaker questions perspectives of the past and the present.

Vom Bauhaus nach Argentinien

NR 2021
The Rise and Fall of Richie Myles

The triangle has always been a fairly underrated instrument. It never reached higher than second fiddle or more precise: It just reached triangle. Then came a hero we didn’t know we deserve. A hero that single-handedly revolutionised the whole music industry – nay the world! A man responsible for what the triangled metal stick is today: rock’n’roll. But rock’n’roll changes you. The rise and fall of a triangle soloist. The Rise and Fall of Richie Myles.

The Rise and Fall of Richie Myles

NR 2021
Workshop - Welche Rolle spielst Du?

In 2017, Julia C. Kaiser receives a scholarship as a filmmaker. The only problem is that she can't work. Reasons for this include confusing experiences with the acting production during the shooting of her last film. In order to free herself from this crisis, she organizes a workshop at the Hanover University of Music, Drama and Media as part of the scholarship. Together with the acting students, she tries to find out in recurring and changing film scenes and acting constellations, as well as in personal conversations, when we play which role - and whether we ever fail to do so.

Workshop - Welche Rolle spielst Du?

NR 2021
SADA

Sada, meaning «echo» in Arabic, was conceived as Sada for Iraqi art by the Baghdad-born Rijin Sahakian. Sahakian set up the initiative, which ran from 2011 to 2015, in order to support Baghdad-based artists facing the damage done to the contemporary art infrastructure in Iraq after cycles of war, destruction, sanctions, and continual political insecurity. For «documenta fifteen», Sahakian invited former participants of Sada to produce video work reflecting on their practice and where they are today. The participating artists are Sajjad Abbas, Bassim Al Shaker, Layth Kareem, Ali Eyal, Raed Mutar, Sarah Munaf, and Sahakian herself. This almanac is a valuable historical document about a country destroyed by a bloody war.

SADA

5.2 2021
Freizeit or: The Opposite of Doing Nothing

Berlin. Summer 2018. They are 17 years old. The diverse neighborhood they grew up in is one big construction site, where people have to give way to the dreams of others. They drift through the city and wonder how anyone will be able to live in this city in the future. They are always in discussion: about everyday sexism, the individual's responsibility for the system in which we live. What is happening and what should happen is in contradiction, but they keep the faith.

Freizeit or: The Opposite of Doing Nothing

NR 2021
LeMali 70

In Berlin, a bigband discovers old vinyls from the Malian Bigband era, music which embodied the hope for Malian independence before a coup brought an end to the legendary brass sections. Inspired by these songs, the Berliners travel to Mali to find the heroes of their vinyl-collection. There they research the origins of the songs and bring back the lost brass sections to play with forgotten Malian stars, leading often to heated arguments over the correct beats, and record an album in a studio in Bamako. The film offers a rare insight into the working relationships between artists from different cultures. It captures several key moments which would eventually lead to the production of a truly collaborative album that pays homage to a special period in Mali’s rich musical history.

LeMali 70

NR 2021
Glittering Barbieblood

A young mother and her daughters are sitting under a bridge. The camera scans the surroundings and follows them on a strange journey of changing sensory perceptions, self-discovery and different kinds of society. Like some unruly “painting by numbers”, it feels as if they are flying under the radar of symbols – from a Mercedes star to Barbie’s horse and the ruins of the world’s largest automobile factory in Detroit. How does one grow up in this kind of world?

Glittering Barbieblood

NR 2021
Gehirntattoo

Hans suffers from schizophrenia. He is convinced that a certain group of people wants to take over the rule of water on Earth and that this group is persecuting him because he has discovered their secret. He is convinced that he is on the verge of uncovering a major conspiracy and that he can save the world with his research. Hans has been and continues to be treated for his illness and is on medication. In the waiting room of his psychotherapist, he has met Marie, a sympathetic young woman who has gained his confidence. Hans hopes Marie will help him uncover the alleged conspiracy and delve deeper into his theory, but Marie is interested in something else. She wants to know the broken, destroyed parts of Hans' personality. She persuades him to stop taking his medication, driving him deeper and deeper into his delusion.

Gehirntattoo

NR 2021
Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal

For technical reasons – too massive! – this 50-ton bronze colossus was not demolished in 1993. Today it is listed as a historical monument, along with the associated housing estate. A relic from the old days: Today, the raised fist of the former German Communist Party leader and erstwhile GDR hero Ernst Thälmann in the Prenzlauer Berg park defies the collective forgetting of a not-so-long-ago past instead of heralding the victory of communism.

Kopf Faust Fahne – Perspektiven auf das Thälmanndenkmal

NR 2021
Frozen Jumper

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

Frozen Jumper

NR 2021