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The democratization of cinema: A cinema that falls apart as a popular art to become an elitist glamor. Cinema for whom?

Short documentary that has the theme of love relationships and how they have evolved over the years. The idea is to demonstrate similarities or disparities that may exist between different couples of different ages and periods. Through interviews, several important issues related to romantic relationships were addressed, thus being able to obtain an overview on romantic love with the mixture of all these interviews.

A boy recalls his memories with his late grandmother.

The encounter of two ghosts in a jewish cemetery in São Paulo set the haunting stage for this dark coming of age, where mourning heritage and mourning love is to understand who lives or who dies.

Fiore in love travels and talks to Daren on his distant planet and sets off in his crystal bubble across the universe in search of true love.

An independent Brazilian film set in the hinterland.

What happens when your land is being claimed as event zone for the two biggest sport events of the planet? A question that applies to the multi-ethnic urban Indigenous community of Aldeia Maracanã in Rio de Janeiro, Brazil, as they face increased pressure ahead of the 2014 FIFA World Cup and the 2016 Rio Olympic Games. The Indigenous group lives right next to the sport stadium that stages the finals of both sport events. They wish to maintain their land as an Indigenous meeting place, like it has been since the early 20th century, but that does not correspond with the plans of the Brazilian authorities and the corporations coming with the sport events. From within the Indigenous settlement, the film explores how the arrival of the sport events is being experienced, how the pressure rises and how the community resists.

In an imprecise time, a continuous walk and a constant threat. Traces in the sand reveal memories that they seem to be unaware of, but not entirely.

From the 60's, the neighborhood of Pedra de Guaratiba, in Rio de Janeiro, was invaded by a varied artistic community.

Morada das Ixtranhas is a documentary experiment that contains a story of the multi-artistic collective Casixtranha. Through closings, transArtivisms, performances and interviews we tell our story in Araraqueer - São Paulo.

After years of loneliness, Mr. Nakashima befriends a helper robot, making his days happier. One day they receive a threatening visit.

An employee comes to work in Brazil, but finds some difficulties.

Follows Marcos Vinicius during four stages of his life (childhood, adolescence, youth and adulthood) and all the difficulties he goes through due to his color and upbringing.

“With blurred vision it is difficult to see anything around. My eyes have grown tired of this artificial light. My lungs pull the air in a spasm even though I don't remember holding my breath. Just another craze. Adrenaline fills me. The air is always the same, I need to get out. My legs hurt, crack. If in the last 24 hours I got out of bed, it is a source of personal pride. I'm wasting time. I need to get out. Get out of that room, get out of the scenario I created myself. Get out of me.”

The body re-exists and insists. It is never a closed envelope, but a channel of passage and trance among the most diverse spiritual dimensions (Obatala Film). Film-devotion, film-offering, film-gift. Shot in the mythical Ile-Ife, the sacred city of the Yoruba people and founded by the Orisas, this film seeks to sensory affirm the vertigo of coming into contact with Obatala, orisa creator of the world, of light. Trance of sparks of light, of bodies in spiritual connection.

A dog enters a bar full of cats.

Experimental film about friends hanging out.

The story of a maid who sees herself as a supporting character in her own life.

Come and see Kitty and Mimmy's house! Episodes: Let's Help Our Friends, Things That Stick, Borrowing Things, It's Bedtime, Playing at Friends' House, What Vehicle Is That? Let's Sleep Alone.

In the former Midwest of Brazil, a man tormented by his past seeks redemption by taking justice into his own hands.

In Itapetim’s countryside, deep inside Sertão do Pajeú in the Pernambuco backlands lives Leonardo Bastião in a rammed earth housing, a poet who, even without knowing how to read or write, built through his improvised metrical poetry and his relationship with the local environment an overwhelming cultural universe. After a lifetime of anonymity, videos of Leonardo declaiming authorial verses surfaced online and reached millions of views and even gave birth to a book transcribed by fans. In 2019, at the age of 74, the illiterate poet reflects on life, nature and homesickness, while scholars of popular culture try to explain the media and linguistic phenomenon that is his life and work.

The region of Cunha, in the Paraíba Valley, the burnt clay brick, pau-a-pique and rammed earth motivate to highlight the vernacular construction processes that are still alive, involved in the construction process of the three unique projects. In the exercise of re-imagining architecture through the daily process of transforming the primordial material that will shape the projects, the team proposes to reveal the works for the day-to-day work of two potters in the region: Zé Taubinha and Burrico.

A young man wanders in a caatinga where dawn never comers, and aimlessly he meets a talking rookie. Without knowing who he is, he will have to face his past.

“Minha Deusa e Eu” is a performance documentary about the encounter with the inner Goddess in the person of contemporaneity. Bringing an experimental language, the director and protagonist of the short film Gabrela Viera proposes a journey of self-knowledge through Ayahuasca medicine. The narrative is illustrated with elements of indigenous and Afro-Brazilian culture, mixing documentary footage and body performances to portray Gabrela's process during a ritual at the Chamado da Floresta house.

She knew the solitude of the streets of São Paulo, but her faith and determination would change the course of her history.

A first-person documentary which aims to investigate, within the director's dyke experience, the most diverse performances of masculinity, taking into account her last three relationships and also interviews with her father.

From a territory of violence to the search for a safe space, the LGBTQIA + population relearns the meaning of family, love, and respect, while rediscovering and redefining the pains of the past, seeking the right to live fully with their peers.

What seemed to be a young couple's trivial uneasiness is redefined as a result of important news: Jéssica is pregnant and reveals it to Zói. While she seeks warmth and dialogue, he turns to a reflective state of mind further enhanced by the uncertainties of job hunting. Nonetheless, the women around him become decisive in the task of making him see the root cause of the problem: the cycle of paternal absence that he himself went through in the past but now is in a position to change.

Glitches, errors, ideologies and unexpected readings by AIs working in a museum of contemporary art.