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When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.

Your Turn

7.1 2019
Boy 23: The Forgotten Boys of Brazil

The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.

Boy 23: The Forgotten Boys of Brazil

7.7 2016
Letter Beyond the Walls

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

Letter Beyond the Walls

8.1 2019
As Mães de Chico Xavier

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.

As Mães de Chico Xavier

7.8 2011
Laerte-se

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Laerte-se

7.0 2017
Forbidden Love

Paul (Paulo Vilela), not gay assumed that shares a room with his heterosexual friend Daniel (Thierry Figueira). In the course of the plot, Paul falls in love with Daniel. Disgusted and surprised to discover the sexuality of his friend, Daniel turns away from him, which, sad and hurt, decides to confide in her best friend Marina (Giovanna Ewbank), which, until then, not knowing that Paul is gay, cultivates a passion for him. The story then goes on to mix many feelings: love, hate, prejudice and revenge.

Forbidden Love

1.0 2012
Tie

The rubber tapper movement in the 1970s and 1980s, at the Brazilian state of Acre. What is a tie? “It’s the way we found to prevent deforestation. We stand in front of the farm workers and gunmen with our families, women, children and elderly and ask them not to cut down the forest and leave. They are workers too, and we explain them that their future is in jeopardy as well. This heartfelt speech always works. Simple, defenseless, unaware workers are the ones who cut down the forest.” (Chico Mendes. Jornal do Brasil. 13 days before he was murdered.)

Tie

7.0 2018
The Sun Against My Eyes

A man gets home and finds his wife dead. In a silent impulse he takes her body and plunges on the road. This man had never left his hometown, Brasília. When his wife dies, he leaves pushed by this emotional collapse, and submerges the road and it’s fortuity, searching to reconstruct his own reality. She survives in his memory. The road and its environment play an essential part in this man’s process: the landscape and the people, spontaneously. The Sun Against My Eyes follows this trip, from the countryside plateau to the fluminense hills.

The Sun Against My Eyes

2.7 2014