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Moving In

MOVING IN begins as a documentary on the growing problem of homelessness in San Francisco in the wake of Reagan-era budget cuts and ends as a meditation on the filmmaker's own relationship to the situation. Having moved into a "bad" area as a middle-class artist searching for affordable living and working space, the filmmaker is confronted with his own luxury of choice about where he places himself in the world while surrounded by people who have no real choice. The film uses the filmmaker's "liberal guilt" about his own privilege to raise questions about whether or not it is possible to represent a world that the filmmaker has had little connection to without further exploiting, sentimentalizing or reinforcing the dehumanization of people who are victims of a political system that privileges greed over equality. MOVING IN is at once a film about homelessness and a question about how that situation is represented.

Moving In

5.0 1982
Shadows from Light

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.

Shadows from Light

6.0 1983
El Salvador: Another Vietnam

This political documentary illustrates the turbulent history of El Salvador from the 1920s-1970s, and the role of the U.S. government in that history. The most comprehensive film introduction to that country, examines the civil war there in light of the Reagan administration's decision to "draw the line" against "communist interference" in Central America. Archival material offers an overview of U.S. military and economic policy in Central America since 1948, while footage drawn from sources in the U.S., Mexico, and Europe provides extensive background to the current political and military situation.

El Salvador: Another Vietnam

6.7 1981
Captain Power and the Soldiers of the Future: Future Force Training - Skill Level 1

Prepare for flight training as one of the Soldiers of the Future! Captain Power himself will take all beginning pilots on a simulated flight mission aboard the PowerJet XT-7 - where you will learn special battle tactics and aerial maneuvers. WARNING: Lord Dread and his Bio Creads can strike at any time! In case of an unexpected attack, your service may be needed! (This tape was included in some editions of the XT-7 toy.)

Captain Power and the Soldiers of the Future: Future Force Training - Skill Level 1

8.8 1987
Step Into the Third Dimension

Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.

Step Into the Third Dimension

4.5 1989
Young at Heart

Filmmakers Sue Marx and Pamela Conn document the romance between Sue's father Louis Gothelf and Reva Shwayder, each in their mid-80s. Both artists and residents of the Detroit suburbs, they met on a group tour of England after being widowed, and quickly formed a strong connection over shared interests. The two discuss concerns over living together without being married; Louis also talks about his caring for his first wife during her ten-year struggle with Alzheimer's disease, while Reva talks about the deaths of two sons several years after her husband's death.

Young at Heart

7.3 1987
Beats of the Heart: The Romany Trail Part One: Gypsy Music into Africa

The Romany Trail Part One takes us on a search for the lost gypsy tribes of Egypt, up the Nile to the ancient town of Luxor in the shadow of the great Pharaoh’s tombs. Along the way, from the markets of Cairo to the temple of Karnak, we meet dancing girls and acrobats, magicians, fortune-tellers and even mystics performing an exorcism. The programme culminates in the rhythms of Flamenco, in the gypsy caves of the Alhambra, where some of Spain’s foremost gypsy families celebrate their history.

Beats of the Heart: The Romany Trail Part One: Gypsy Music into Africa

NR 1981
Une étoile pour l'exemple

Ballet legend and choreographer Yvette Chauvire is the subject of this informative documentary that traces her career from the beginning when she burst upon the scene with her 1937 debut, La Mort Du Cygne. Her 1972 farewell performance at the Paris Opera concluded her dancing career. Famed composer Henri Suageut tells the visiting Yvette "I hear my music in your movements." Curiously, an interview with Rudolf Nureyev gives little insight or interest on the dancers or their performance art.

Une étoile pour l'exemple

NR 1988
Coalfields

West Virginia industrial landscapes are collaged on an optical printer through a series of jagged shapes that transform the photographed scenes into a semi-abstract kinetic field. The technique developed by Brand in his earlier films, extends the already complex visual idiom by inlaying social, sexual, personal and political subject matter. Woven into the fabric of the film is the story of Fred Carter, a retired coal miner and black lung activist who was framed by the Federal Government in its effort to undercut the black lung movement and to stop his bid for president of the United Mine Workers Association. His story is told through fragments of documentary interviews and by a poet whose narrative forms a counter theme within the film. The film’s thematic content and formal visualizations sit in precarious balance.

Coalfields

10.0 1984
Gang of Souls: A Generation of Beat Poets

Maria Beatty's documentary exploring the insights and influences of the American Beat Poets. The film conveys their consciousness and sensibility through interviews with William Burroughs, Allen Ginsberg, Diane Di Prima, among others. Also weaves in additional commentary from contemporary musicians, poets and writers such as Marianne Faithfull, Richard Hell, Lydia Lunch and Henry Rollins. Also expands upon how the poets reached new levels of creativity and inspired social change.

Gang of Souls: A Generation of Beat Poets

5.0 1989
Nightslave

Enter the bizarre world of Thraxton Hall, where Jarvis, Lord of the Manor, indulges in his wildest, darkest fantasies! Part torture chamber, part Turkish bath, part homicidal nightmare, this ramshackle monstrosity is actually his imaginary creation, his escape from a dead-end existence, fueled by his passion for silent horror films. But maybe his fantasies are real… this passive video geek turns out to be a bit more then we bargained for! And to this crazy mix a beautiful, buxom blond, scantily clad in black lace and garter belt, who is terrorizes by Jarvis, and Nightslave explodes into reality with terrifying results. A black comedy with an edge, this is one-of-a-kind thriller takes you on a sexy horror ride you don’t want to miss.

Nightslave

4.2 1988