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Leonard Bernstein: Reflections

Leonard Bernstein discusses his Boston childhood, his musical growth at Harvard and the Curtis Institute and the influence of great masters like Reiner, Mitropoulos and Koussevitzky. He shares his feelings on the primacy of tonal music and speculates on the nature of the creative process. From Carnegie Hall, scene of his début, to the living room of his home and his private studio overlooking New York's Central Park, Reflections explores the artist's varied and colourful career.

Leonard Bernstein: Reflections

2.0 1978
Stasis

The original camera footage for STASIS is an 8-minute, 8:1 camera zoom. That footage was then printed with an equal but complimentary optical zoom resulting in an image of apparent stillness. Stasis is the image of the stillness in motion. Stasis counterpoints the movements of running water in a stream within a still-camera shot, with a steady zoom from without the filmed image (including subtle sprocket holes and frame lines) to a close-up within the image. “A zoom-out camera shot of a stream in Western Colorado is compensated for by a reverse zoom in rephotography. The tension between these movements creates a drama and a commentary on cinematic illusionism.” -Roberta Friedman. Preserved by the Academy Film Archive in 2009.

Stasis

NR 1976
Tragoedia

This film was conceived about 10 years ago when I heard Norman O. Brown define "Tragedy" as "goat-song" (or as Webster has it: "Greek tragoidia fr. tragos goat + aiedein to sing; prob. fr. the satyrs represented by the original chorus"). I disagree with the last part of the Webster explanation and tend to think that the quality of sound of goats crying did prompt the Greeks to choose this term for their drama. In any case, the film TRAGOEDIA is also ironic (thus, perhaps the Latin of its title) as often is goat "lamentation"; and finally I should quote this from O.E.D.: "As to the reason of the name many theories have been offered, some even disputing the connexion with 'goat.'"

Tragoedia

7.0 1977
Circus World

A vivid, behind-the-scenes look at the Big Top, the Greatest Show on Earth as presented by Ringling Bros. and Barnum & Bailey. Seen from the performers’ point of view, Circus World is a wonderfully human look at the tensions and harmony of families living in a circus environment, complete with The Flying Gaonas, exhilarating highwire acts, clowns, and the amazing feats of Gunther Gebel-Williams, the famous wild-animal trainer. "Circus World" was shown exclusively at the 600-seat IMAX theater at the Circus World theme park in Central Florida.

Circus World

8.0 1974
Near the Big Chakra

Extreme close-ups of 38 vulvas, aged three months to fifty-six years. Intended as an educational film by and for women, but screened to mixed audiences, the women photographed were mostly friends and acquaintances, or children of friends and acquaintances, of the director. The Glide Methodist Church's education division, which specialized in community service related to sexuality and pregnancy, produced the film, despite the director's male colleagues finding the concept unsavory.

Near the Big Chakra

5.2 1971
With Love And Caress

The sculptor Hristo spends years working on his masterpiece - an enormous metal construction, representing the spirit of a modern era. He lives far away from the noise and hassle, in a self-chosen exile by the sea. His difficult faith befalls Lote - the loving and silent wife of the artist. The anglers of the village are compassionate and they help them. One morning guests from the capital arrive. They want to buy the unfinished art piece at any price. The moment is dramatic. The artist wants to finish what he has started but Lote knows that he is possessed by this piece and he will never finish it. One must decide. Hristo is still not sure. Little Patricia came with her parents to visit the artist. Her look turns into a moral judge for the adults. With pain and suffering, Hristo gives his creation away.

With Love And Caress

7.0 1978
Roger Whittaker: Prime Concerts: In Concert with the Edmonton Symphony Orchestra

Baritone Roger Whittaker performs live, accompanied by the 100-piece Edmonton Symphony Orchestra in this concert film. Popular in Europe and Asia, Whittaker enjoyed success in the United States with his hit "The Last Farewell." This concert showcases his considerable vocal talents as he performs "The Last Farewell," "Fire & Rain," "Both Sides Now," "River Lady," "New World in the Morning," "If I Were a Rich Man" and more.

Roger Whittaker: Prime Concerts: In Concert with the Edmonton Symphony Orchestra

NR 1976
Incantation

Using rapidly edited, superimposed images of plants, trees, water, the sun and the moon, Incantation weaves a dynamic tapestry of organic forms and textures, combining its images with a fierce rhythmic intensity so as to suggest a kind of natural force. The film was shot entirely in the camera, in 8mm, according to a pre-arranged, music-like score, and then blown up to 16mm using a home-made optical printer. The accompanying sound track, a chant taken from Islamic liturgy, is breath-based and brings the film into the form of a prayer. Written by re:voir. - Preserved by the Academy Film Archive in 2016.

Incantation

4.8 1972
Images of Asian Music (A Diary from Life 1973-74)

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond…the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA

Images of Asian Music (A Diary from Life 1973-74)

6.7 1974
Quentin Crisp

Five years before the TV adaptation of The Naked Civil Servant made him a household name, Quentin Crisp - dandy, raconteur, life model and former prostitute - welcomed celebrated filmmaker Denis Mitchell into his dusty London bedsit. Crisp recalls the violence and fascination his extraordinary appearance once provoked, offers tips on avoiding housework and subsisting on a diet of stout and meal replacement powder, and ruminates on life as a "minority within a minority - an effeminate homosexual".

Quentin Crisp

NR 1970
Possum Trot: The Life and Work of Calvin Black, 1903-1972

Calvin Black was a folk artist who lived in California's Mojave Desert and created more than 80 life-size female dolls, each with its own personality, function, and costume. He also built the "Bird Cage Theater," where the dolls perform and sing in voices recorded by the artist. The film works on two levels. One is the documentation of the artist's legacy and commentary on women: grotesque female figures moving in the desert wind and the theater with its frozen "actresses," protected by his widow from a world she views as hostile. The other is the re-creation of the artist's vision through the magic of film, as the camera enables the dolls to move and sing and brings theater to life as the artist imagined it.

Possum Trot: The Life and Work of Calvin Black, 1903-1972

NR 1977