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The tragic story of two people fighting to break down the walls which stand in the way of communicating...

A man becomes a werewolf after being cursed by a black magic society. Only a jeweled necklace he wears can stop the transformations taking place.

Milan, western suburbs. In one of the nine districts ("zone") of the city, the students of the "Rosa Luxemburg" trade school meditate over the meaning of living in the suburbs. And they do so using their smartphones, filming their days and looking for a common thread among their lives. Crossing and mixing video-diaries, documentary shooting and fictional scenes, the project struggles to take a definite shape: every character and perspective channels the tale in a different direction, escaping from linear narrative lines and bringing us to some kind of archipelago.

A blind professor masterminds the theft of treasure from St. Peter's Basilica in Rome.

In 1981, Federico Spivak, a declining show producer, is offered the opportunity of a lifetime: to bring Frank Sinatra to Argentina. He hopes not only to save the production company founded by his father, Coco Spivak – now in a vegetative state after a stroke – but also to finally earn his respect.

Leo and Ava chase each other—coming close, drifting apart, and searching for their way back. They cannot let go, nor break free. Through the rooms, Ava’s voice echoes across time, carrying to the surface what endures—and what can no longer be held back.

The tormented love-hate relationship between acclaimed director Federico Fellini and actress Giulietta Masina, blending reality and imagination in depicting their lives.

The historic clock of a small town needs to be repaired but there is no money in the town coffers to pay for it. Don Paolo (Peppino Spadaro), the Priest, raises the money by lottery and thinks the surplus should go to the poor. The Communists and Socialists object because they are afraid the priest will get the credit and they claim it as "the people's money." The democratic mayor (Arturo Brogaglia) can think of no solution other than organizing committees and sub-committees. Finally, Rocchetti (Paola Stoppi), the town mechanic who has no answers for town problems and hates the clergy and politicians alike, comes forward and repairs the clock for the sheer joy of work.

Secret agent Perry Grant is called in to investigate a strange case which involves counterfeit money, industrial espionage, and a fashion company that may be functioning as a front for a secret criminal organization.

A man with a past gets married and it seems that he will be able to start a new life, but an unexpected inheritance gets in the way and deteriorates the relationship with his wife.

Men and women in the Horn of Africa and adjiacent regions of the Middle East tell stories of their relationships and contacts with demons and spirits in their life and culture.

Promiscuous teenager Chiara gets herself and her equally debauched peers embroiled in a drug ring run by a dirty cop.

Enzo Jannacci navigated between several genres because he was a "genre" in his own.

A Spanish sea captain is sent to clean out Evil Island, from where pirate bands are raiding Spanish shipping under the leadership of a pirate named Moloch.

After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.

Marquis Eduardo Parascandolo, after having squandered all his possessions for not having cared about his finances, spends his time professing to some young people his philosophy of life.

The young scion of a rich lineage should get married and give an heir to the family. But no one wants to touch his girlfriend before marriage and instead consoled with the beautiful waitress. But things get complicated and suddenly strange deaths begin to hit the family members.

Edoardo Iaschi (known as Eddie Brock) is an Italian indie singer born and raised in Rome. When his song “Non è mica te” unexpectedly goes viral on TikTok, Edo is thrust into the spotlight and forced to confront the realities of adulthood, fame, and a world far bigger than he ever imagined…

After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.

A courtesan sacrifices her relationship with a youthful admirer after the man's father pleads with her. Adapted from Giuseppe Verdi's 1853 opera in the three acts "La Traviata".

The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.

Tina, an old lady, is in town for the wedding of her grandson when a medallion left to her by her late husband disappears. Dissatisfied with the police effort to find it, she sets on the tracks of the thieves herself.

When love blossoms between a young Italian woman and an African student, her family’s disapproval — and a secret — threatens to tear the lovers apart.

A gang of ruthless thugs intent on robbery prey upon a seemingly harmless elderly couple, Vittorio and Sara. The simple plan turns into a terrifying nightmare, as Vittorio's antique clock collection mysteriously turns back time. Now the hunters become the hunted and the old couple becomes a vengeful, malevolent force.

An aspiring singer is torn between the love for a devious ex-flame, the affection of a simple girl and the loyalty to his paralyzed best friend.

Violetta is over and they look back to how their life has changed and how much fans they have. The film also includes songs and behind-the-scenes footage from the Violetta Live 2015 International Tour in Montpellier, France.

A sort of best of popular comedy skits from previous films by various directors.

Frate Francesco/The Passion of St. Francis (1927) aka Santo Francesco was the third Italian film on the life of Saint Francis of Assisi. St. Francis, or Santo Francesco in Italian, was played by Alberto Pasquali, and the film was directed by Giulio Antamoro.

The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.

During World War II an Italian secret agent is sent undercover to kill the head of the resistance in Budapest.

A summer day in Italy. The camera follows the deaf-mute Giacomo and a childhood girlfriend Stefi closely – in the woods, by the river – without wanting to disrupt the mystery of their relationship, between restrained sensuality and childhood games.

In a sordid account of mutual charity, an alcoholic doctor tries to make a captive heroin addict kick her self-destructive behavior — and vice-versa.

The war in Europe is ending, but the American troops have to find a scientist on the run who is also chased by some surviving SS forces.

Catania, 1960s. At the beach resort run by the charming Rozzo Finocchiaro, Stefano, a blind elderly man, observes and comments with ironic and acerbic commentary on the behavior of the people who frequent the beach and whose lives are intertwined. Passing under his scrutiny are the industrialist Alfredo Condorelli—married to the wealthy Maria Rita and engaged in a clandestine affair with his secretary Rosalba—the stifling Rosa—wife of the former playboy Alfredo—the four bigwigs Roberto, Michele, Armando, and Rocco; the musician Gregorio Alacci; the fallen boss Jano Suarez; the Lanzafame family; and Peppino Di Paternò—a fifty-year-old married to the statuesque Ulla.

NABUCCO may be Verdi's first masterpiece, and not just because of that amazing Chorus of Hebrews which is justly beloved by everyone who hears it. Dramatically, this opera is tightly constructed, with believable characters in an intense conflict over values and beliefs. And Verdi's music, however early in his career, however distant from triumphs like LA FORSA DEL DESTINO or AIDA, is highly animated, revealing inner turmoil and outer passions with beauty and economy. The ensembles are especially impressive, building to satisfying heights of emotional release for the singers and the audience. And Placido Domingo is a wonder to behold and hear. Even though his original voice was baritone, which he managed to transform into a tenor voice, he doesn't SOUND like a baritone to me. B-U-T his performance is so committed, so deeply interfused with Verdi's music, so generously integrated to the younger singers around him, that the waters part.

A celebrity is murdered in broad daylight in the streets of Rome. Behind the murder lies a much more complex truth. The tracks, surrounded by a sultry milonga, leading to a gay commissioner.

The film consists of twelve episodes, all with Monica Vitti as the protagonist.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.

This brave, lonely man who arrives in Corsica, in a poor village, has no idea that he will have to take in this 9-year-old child whose mother has just died and of whom he is undoubtedly the father. His only hope is to find a place for the child, a place where he can get rid of his mother, a place where the child can stay, grow up, eat his fill and become a man. In this long race on foot through the mountains or by hitchhiking, they successively reject all the solutions that are offered, for the taste of freedom, which is more deeply rooted in them than that of security. This common feeling gradually brings them closer together, and after many incidents, they decide to face life and its uncertain future together.

The adventures of the Etruscan Cassiodorus who, after having involuntarily captured a rebel, is named centurion and ingratiates himself with Nero. He tries to take advantage of his role to enrich himself with shady deals, but it goes wrong.

An Interpol agent is tasked with investigating the deaths of several other agents.

Salvo and Valentino are two happy Sicilian friends, who do not want to work, because they know that if they find a permanent job, their girlfriends will ask them to marry them.

The city of Thebes has come under the cruel domination of Sparta. Diomedes and several of his friends strive to throw off the Spartan yoke even while Diomedes romances Dorida, daughter of the Theban governor who's collaborating with Sparta.

In 2053, amidst a devastating pandemic, an old gravedigger from Elementar Corporation insists on burying his wife with just a shovel, rejecting the corporation's new burial technology, the "Cube Of Miracles." Conflict arises when a young gravedigger armed with the "Cube of Miracles" challenges the old gravedigger's traditional methods at the cemetery. The film explores the clash between tradition and innovation, delving into broader themes of man versus machine in a society grappling with AI and automation.

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

Though he is near death, blind Rene, an elderly Italian-French intellectual, continues to make his annual conference abroad accompanied by his self-centered loyal, beautiful assistant Sibilla who may or may not be his lover. Rene's domineering mother strongly disapproves of Sibilla and his continual galavanting, but Rene disregards her and goes anyway. While in Spain, Sibilla falls for a handsome young toreador who also captures the interest of Rene, though it is hard to say whether his feelings for the bullfighter are fatherly or more romantic. It is also unclear as to whether Sibilla and the bullfighter are lovers either. Thus an enigmatic romantic triangle forms until Rene and Sibilla suddenly decide to wed. The character of Rene seems to be closely patterned after Argentine writer Jorge Luis Borges.

Demetrio Cultrera, is a young rich car dealership Sicilian bachelor who becomes engaged to the beautiful and rich Rosalba Giordano. After their wedding, Rosalba's attitude changes when she decides to try turning Demetrio into the modern husband she'd like. This causes a problem, as Demetrius prefers sticking to what he sees as more traditional gender roles. Despite her attempts, Rosalba's persistent attempts to convert him to the rituals of high society, enlightened, or feminine tastes do little more than annoy him. Strongly determined to build a stable relationship with a woman who can fulfill his visions of peaceful married life, he leaves for the Amazon, where he is offered the opportunity to choose and buy a new wife as a slave. The choice falls on the beautiful and docile Manua that he trains to act the way he'd like, then proudly shows to friends and to his former wife, attracting curiosity, envy, and his ex-wife's resentment.