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Les Guignols, les 10 premières années

A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.

Les Guignols, les 10 premières années

5.3 1999
Shakedown: Return of the Sontarans

The space solar yacht Tiger Moth under the command of no-nonsense Captain Lisa Deranne is on a cruise taking some rich misfits on a voyage through space. Unfortunately on their travels they have picked a stowaway, a shape-changing Rutan, a race that has been at war with another race, the Sontarans, since the dawn of time. The Rutan has important news regarding the war and the Sontarans, and upon hearing the news, attack the Tiger Moth and take it over. The Rutan hides itself among the crew and one by one the Sontarans and the human crew are murdered by the Rutan. The Sontarans plan to destroy all life on the Tiger Moth. Can Lisa find out who the Rutan is before the Sontarans destroy her ship and her life?...

Shakedown: Return of the Sontarans

6.4 1994
Madeline and the Bad Hat

One day the Spanish Ambassador moves into the house next-door to Madeline's school. And he brings with him his son a BOY. Pepito, the Bad Hat, as Madeline calls him, is a boy with a capital "B". Sticks and stones are nothing compared to Pepito's antics. Despite all efforts by Madeline and crew to teach him to tame him, he follows each dastardly deed with another that's much worse, until... one day he goes too far, and with Madeline's help and anticipated friendship must learn his lesson.

Madeline and the Bad Hat

NR 1991
Schpergsche Lichtmess - ein Männerfest

The Candlemas Festival in Spergau in the district of Halle, one of the few examples of a traditional custom that is still largely true to the original. Archival footage from 1925 allows a comparison with current footage of the festivities. In interviews, participants talk about the significance of this custom. The colorful costume of the Candlemas runner consists of many colorful ribbons and floral decorations, which are intended to represent the reawakening of life and spring. The runner, together with other costumed figures such as the singer, trader, peep-box man, kitchen boy, sausage stick bearer, registrar, pritcher, black maker, egg woman, the pea (straw) bear, bear leader, horses and soldiers, parade through the streets from house to house, delighting the locals. The crowning glory of this Candlemas celebration, which takes place every 1st Sunday in February, is a fun party in the marquee with music and dancing.

Schpergsche Lichtmess - ein Männerfest

NR 1990
Hans Warns: My 20th Century

German director Gordian Maugg creates this curious documentary/reenactment of the life of Hans Warn, adventuring sailor-turned-photographer. Born in Bremen in 1899, the young Hans signs on to the good ship Herbert in 1914, but not before he persuades his mother to buy him a camera. What starts as a hobby soon develops into a passion. Soon Hans is documenting his life on the high seas and his ship's six-month capture during World War I. Later, Hans marries the girl next door, Wilma, but their family life is sporadic because of his seafaring career. Maugg uses a wide palette of cinematic tricks and devices to recall the early years of the century, including sepia tinting, decorative intertitles, distressed footage, and other idioms of early silent documentaries.

Hans Warns: My 20th Century

10.0 1999
Home Stories

This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.

Home Stories

6.9 1990
Alle haben geschwiegen

In a small town in southern Germany, Rick, Lutz and Georg try to live out their frustrations in extended drinking bouts. In the "Paloma" pub, they look for confirmation in sexual adventures. They rape several girls, and none of the victims have the courage to talk, because everyone in the small town knows each other. Then one day, the body of a strange 20-year-old girl is found behind the rest area not far from the town, abused and strangled. She was hitchhiking to Landshut. The police initially investigate without success. No one claims to have seen anything and the case is finally filed away as unsolved. Only years later does Andi, one of the suspects, begin to talk, apparently driven by his conscience. He claims to have been there when Lutz, Georg and the landlord of their local pub committed the crime. The wall of silence threatens to topple...

Alle haben geschwiegen

4.0 1996
In the Land of the Deaf

Anyone who has ever ventured to the "Land of the Deafs" will have been struck by the strangeness of the choreographed signs with which deaf people express themselves. Developed ages ago, these signs constitute a veritable language. As precise and subtle as speech, they are as effective as spoken language in making a declaration love or providing a detailed technical description. Jean-Claude, Jeanine, Eric, Cyril, Alain, Juliette, Guy, Aurélien and René have one thing in common - they are all profoundly deaf. So they dream, think and communicate in sign language. Which means that they see the world differently. Viewers embark with them on a discovery of the distant land of the deaf, where sight and touch assume enormous importance.

In the Land of the Deaf

6.4 1992