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A village, a scenario seemingly inert, Santa Barbara, Catalonia region. The suspicious silence of the streets early in the morning keeps us alert. Something unexpected can emerge from a corner, when suddenly appear the voice of heaven, of the proclamation, which introduces us to his entrails municipal. Oyez,Oyez,Oyez! is one typified and picturesque portrait of a people that could be anything, a paper on the intangible heritage of this place defined by splashes of the daily life of its members.This stage gradually comes to life through her characters and of the routes of these linked spaces. Unveiling his usual ritual meaning and so the effect that the essence of this place causes in them, one can get to understand the meaning of its essence.

Se fa saber

8.0 2013
The Kingdoms of the Himalayas

Himalayan Kingdoms is a journey in search of the roots of Buddhism. A journey through the most mountainous region of the planet, among Nepal, China and India. It is the Kingdom of the inaccessible nature, where rivers like the Ganges or Indus are born, where people still retains their old customs and where it is still possible to find groups of nomads who drive their herds of yaks through fantastic scenarios situated at the foot of the ceiling of the world.

The Kingdoms of the Himalayas

NR 2010
Fiori di Strada - We Are Not the Crazy Ones

The film is a reflection on the medieval folk tradition of "benandanti" ("good walkers"), who believed they had special powers to fight witches, ogres and demons threatening harvests and children. Who are the "benandanti" of today and who are the witches and ogres of our times? Can these assigned roles be put into question? The film analyses three stories, trying to recover the sense of truth and the truth of the sense, starting from the relations between individuals and the respect that every statement of the human race deserves.

Fiori di Strada - We Are Not the Crazy Ones

NR 2015
The Protocols of the Elders of Zion

Compilation of tapes and footage produced in Gavriil Pavlidis' private studio. The story evolves from the first successful experiment in the creation of the Hyperborean race, found footage of the first Zionist migration to the European continent, to the story of Lemi Vlam, a Zionist activist from the esoteric school of Athens, who at the time of production resides in Seville, Spain. Lemi Vlam reveals the deepest secrets of Zionist ideology from European territory and the plan for the coup in Myanmar by this elite. Lemi's life is in danger, and in this film, along with material provided by him, it serves as the character's last gasp before a horrible fate...

The Protocols of the Elders of Zion

NR 2013
Hijos de la Tierra

“Children of the Earth” is the testimony of people linked to nature who open their hearts to transmit to humanity the wisdom that Mother Earth treasures. People who have inherited their knowledge from their ancestors and whose practice shows that we have a living pharmacy within our reach, as long as we take care of nature.They are medicine men and women who propose “an initiatory journey”, a plea in favor of natural medicine. They also emphasize that the materialism and stress to which current society subjects us prevent us from searching for consciousness, leading us to distance ourselves from nature. In this way, the documentary leads the viewer to reflect on the current health system. But it also tries to make people see that the great challenge is to once again be able to think about the common good, the Earth, our greatest provider of life.

Hijos de la Tierra

NR 2013
María, memorias de una niña de la guerra

The film, directed by Pedro Grimaldi, with his mother as the protagonist, narrates the events unleashed in Jerez since the occupation of the military rebels on July 19, 1936. It is a tribute to the "wounded generation", the one who lost their childhood in the context of the war and the postwar period. Girls and boys who had to mature quickly. But, above all, it is a recognition of a generation of resilient, brave and fighting women who were doubly victims: by the violence of the war itself and by their status as women.

María, memorias de una niña de la guerra

NR 2016