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Everything Will Be

Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?

Everything Will Be

NR 2014
Dakota

Brian and Jack were inseparable; now they barely speak. Their formerly close-knit group has all but disbanded in the wake of encroaching adulthood. But when Jack tries to hang himself from a plant hook while house-sitting, he inadvertently triggers an impromptu reunion that brings the old gang back together and could change everything. Forever. Welcome to DAKOTA: friendship, fistfights, concussions, quarter-life crises, blow-ups, breakdowns, toy guns, telemarketing, love, lies, and breakfast - all in someone else's home. In this dark, offbeat comedy everyone comes together to examine what went wrong. Along the way, they may just remind each other what went right.

Dakota

6.0 2008
Mécanix

This fairytale, with characters as scary as your worst nightmare, is set in an unknown world. Mecanix tells the story of where the last human beings are forced to be the slaves of the strange creatures that rule this strange world. There is only one thing these beasts fear - the embryo of the universe : the origin of everything. The only hope that the humans have is to free themselves from this mechanic environment before they all die. The embryo that the beasts fear is hidden in the last freeborn man. The scientist helping the beasts must vivisect every human of the planet to stop this embryo from growing, and destroy it forever.

Mécanix

6.1 2003
'4'

’4′ originated as a collaborative performance by Deborah Fong, Carol Hackett, Annastacia McDonald and Jeanette Reinhardt as the S.S. Girls, following events and activities of the women’s daily lives on Main Street. The performance was produced by Paul Wong and co-sponsored by the Video Inn. ’4′ explores the lives and personalities of four women as described by one another in the style of a feuding dysfunctional family. ’4′ was developed as a multimedia performance, first staged at Western Front in 1980, then followed by a tour across Canada and into the USA. The scripted multimedia presentations were later adapted to a video work.

'4'

2.0 1981
Walker

Walker is a young Aboriginal foster child whose only playmate is his dog. Jamie is a lonely young white boy who is afraid of dogs, and has some strange ideas about Aboriginal people. Walker ignores the racist jeering and taunting of the bigger boys and reaches out to Jamie. Together, they find friendship and understanding. Walker challenges racist attitudes toward Aboriginal people, and shows how children from different backgrounds can form friendships. This film is part of the Playing Fair series.

Walker

10.0 1991
Swinging

We see John swinging on a swing he built in his studio. He shot the film by himself with the camera placed many feet away, so that while swinging, he continuously made the camera work one frame at a time, holding a remote control using a long cable. This enabled him to record each individual frame at the precise second that he passed by on the swing at a certain position within the arc of the swinging motion, thereby creating the illusion that he was frozen in the air, or flying in circles. In doing so dressed in white against a black background while using one-second exposures in each frame, he created the visual effect by which one perceives him as a series of brushstrokes. This film is a single shot, filmed continuously over one hour.

Swinging

NR 1981