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A Stargazer’s Guide to the Cosmos

Amateur astronomer Greg Quicke (a.k.a. Space Gandalf) presents the ultimate beginners guide to the southern sky. The Pearl Diver’s Guide to the Galaxy invites its audience to re-discover both the wonder of the night sky and the fundamental, basic science behind how it works. After a night of stargazing with Greg, people often report a profound shift in the way that they see both the stars and the planet beneath their feet. The aim of this series is for viewers to experience the same thing.

A Stargazer’s Guide to the Cosmos

NR 2018
Glitter

“Sydney. Another symphony of the city...inspired by the hectic, rollercoaster times. Buildings were going up left right and centre...‘Money Makes the World Go Round’ came to mind...I developed a little device which carried lenses in front of the camera, with a motor which made the images actually go around...people in the city...people and money going ‘round and ‘round. The soundtrack was pinball machines and muzak. Sydney was showing off its wealth, spreading out and up...Darling Harbour...more and more sparkling glass. A lot of it was the Emperor’s new clothes...many of those ‘buildings’ are still only holes in the ground.” (Paul Winkler)

Glitter

NR 1990
Hope Road

A refugee from the Sudanese civil war, Zacharia (one of the ‘Lost Boys' of Sudan) lives in Sydney with his wife and daughter. He desperately wants to do something for his former village, now in the newly created nation of South Sudan. His dream is to build a much-needed school, enlisting the backing of numerous Australians. Janet, a dedicated supporter, joins him on a 40-day fundraising walk from Tweed Heads to Sydney along with filmmaker Tom Zubrycki. But will this strategy raise the funds they need? Thwarted by escalating conflict back in South Sudan, and shocked by a broken relationship, Zac must decide what's important in his life.

Hope Road

NR 2017
Peter Brock The Legend: 35 Years On The Mountain

After three decades in motor racing, no other Australian driver commands such broad public appeal as Peter Brock. Peter is an Australian motor sports phenomenon. Widely regarded as one of the most gifted drivers of his generation and an icon in Australian sports, he resisted going overseas to create a spectacularly successful careen in the one country he wished to call home. Peter's record-breaking achievements at Australia's premier race, the Bathurst 1000, are unlikely to be surpassed. Nine wins, seven poles and 12 podiums. Peter truly is "King Of The Mountain". Touring car racing has always been his passion, the ultimate challenge. Taking a car originally intended for road use and pushing to the absolute limit in competition. On bitumen or dirt, Brock has proved a master of the art and it's all detailed in this documentary.

Peter Brock The Legend: 35 Years On The Mountain

NR 2005
Liberty in Restraint

"Liberty in Restraint" is a look at freedom of expression and the daring to follow one's visions, this documentary follows fetish photographer, Noel Graydon, in his quest for authenticity, showing his work in progress, a passion for his art and its themes, and the transgressive activities of the community he moves within. The film also investigates the nature of sexual transgression, the prejudices of society and how an artist can break boundaries. Further themes arise out of the nature of Noel's work in fetish photography, exploring what the BDSM community is all about, details of the fetish items such as leather, latex, rope, chains, etc and how this is becoming increasingly prevalent in the world of advertising, music and fashion.

Liberty in Restraint

4.0 2005
Bondi

“One day at the beach…a typically Australian day…something I really looked forward to, when I first came here as a migrant (Bondi was the first surfing beach I’d ever seen). In the early ’60s there was hardly a weekend I didn’t go to the beach. But it wasn’t until many, many years later that I was filmically advanced enough to make a film about it. The simplicity of just turning the camera on and letting people do what they wanted to in front of the lends appealed to me…the carefree atmosphere appealed to me…the carefree atmosphere of the beach captured with the innocence of early cinema. I didn’t even look through the lens. Shooting horizontal mattes allowed me to play with the density of what was going on…the surreality of the beach, the waves of water and people, the hot and cold of sun and surf, overexposure…heat rising up, surfers riding waves in the sky and into buildings, seagulls ducking beneath the mattes, then re-appearing.” (Paul Winkler)

Bondi

NR 1979