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Sector Quicksand

Chandigarh stands as an anomaly amongst the chaotic Indian landscape. Designed by Le Corbusier in 1964 as a utopian vision of what modern independent India could be, his obsession with straight lines and ‘form follows function’ is evident in the urban design of the city. In 2020, the director visits his parents in his hometown of Chandigarh trying to resolve an ongoing disagreement over his life choices. Over this time spent at home where moments of gentle affection seem to be punctuated by a total communication breakdown, the filmmaker starts to suspect that the city might have a more insidious role to play in this unravelling situation. As he spends time within the grid of the house, the larger grid structures around him start becoming apparent. Could it be possible that the design of this city suppresses individuality, which threatens its ideal of order and coherence?

Sector Quicksand

NR N/A
Buen Camino

A visually impaired woman in her 50s and an 18-year-old girl walk the Camino de Santiago. The older woman, Jae-han, is a masseuse who can only make out the dim outlines of things. She is accompanied by a girl named Da-hee. Jae-han dreams of presenting her own style of flamenco in front of the Cathedral of Santiago de Compostela after completing the pilgrimage. However, the journey, which began with a vague longing, turns out to be much more difficult than either had expected.

Buen Camino

NR 2020
Yakiniku ToRaJi

After graduating from Joseon school, ✕✕ enters a South Korean university. Jihoon meets ✕✕’s family and friends, sharing meals, drinks, and songs together. Through these interactions, he naturally grows closer to ○○, △△, and ◇◇, listening to their memories of Joseon school and their lives in Japan. These exchanges erase the space of everyday life and question the sense of mission imposed in its place: For whom is it really when we label those living ordinary lives with ‘identity’?

Yakiniku ToRaJi

NR 2025
Metaphysics of Sound

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.

Metaphysics of Sound

NR 2008
Dancing Cat

By chance, two men open their hearts to cats on the street. One man is a poet and traveler, the other man is a CF director. The poet takes pictures of cats on the streets every day. The CF director follows the cats with his video camera and meets people who feed the cats on the street. These two men begin to feed and name the cats they see often. The men get closer to the cats, while they observe, that often, the passersby look at the cats with unfavorable gazes. On a whim, the men decide to make a movie on these street cats.

Dancing Cat

NR 2011
The Woman On The Ferris Wheel

Kim Jeong-mi wanders the streets due to the death of her loving father and the remarriage of her mother, and is unexpectedly kidnapped by Park Man-soo. Jung-mi is imprisoned in Park Man-soo's apartment. She tries to get out of her apartment by Jeong-mi, but she can't get over Man-su's tactics, and she becomes a partner in the crime. Man-su sacrifices himself to save Jeong-mi, who is in her crisis, after her first crime fails. She finds that Jeong-mi discovers a different side of her Man-su, and she entrusts her body to Man-su without even feeling her love. Seok-gyu, Jeong-mi's ex-lover, encounters opposition from her parents due to the bankruptcy of her Jeong-mi's house. Man-su threatens Soo-kyung and Seok-gyu, who are trying to find her Jeong-mi. At Seok-gyu's plea to save her fiance, Jeong-mi again joins the plot of Man-su's big crime.

The Woman On The Ferris Wheel

NR 1979
The Han River

The film depicts the reality of Joseon at the time through the conflict between the old and the new generation and the ethics between father and son. Park No-in (Yoon Bong-chun) is a boatman who believes in his profession. He intends to pass the ferry he inherited from his ancestors to his son (Lee Geum-ryong). But he doesn't want to be a boatman. When his father's compulsion grows stronger, one night he goes out alone to the riverside, caresses the oar stained by his father's hands, and then abruptly leaves.

The Han River

NR 1938
UFO Sketch

This film introduces Professor MAENG Sunglyul at Woosuk University, the author of UFO Syndrome and a scientist researching into unidentified flying objects. That he is criticized for seeking enjoyment in challenging times reveals the ambivalent gaze of the public towards his study of UFOs. As an explorer of the unknown, he doubts the existence of UFOs, while at the same time considering uncharted or undiscovered territories beyond those defined by mainstream science. In the same vein, the film makes no attempt to draw quick conclusions about UFOs. Rather, it calmly conveys moments of communion between scientific approaches and people’s curiosity of the unknown. Now, it’s time to draw a sketch of UFOs.

UFO Sketch

NR 2021