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La cassure

Four policemen have shot down Albert Thoulouse's daughter by accident but are acquitted of all charges. Such injustice infuriates the unfortunate father, who abruptly turns from Jekyll to Hyde. Without giving them a second chance, Albert executes two of the men and swears that he will go to the end of his "mission". But, being reported as suspect N°1, he cannot go back to his home. One night he gets to know Claire, a young movie usherette, who accepts to accommodate and help him.

La cassure

6.0 1984
Antoine’s four Seasons

Ten year-old Anthony has red hair, as did Antonio Vivaldi. For his birthday, his grandfather gives him a book. He would have preferred a video game, but what can you expect from a grandfather who spends his time building violins in his workshop? But this is a magic book! When you draw in it, it plays the Four Seasons: it’s an activity book, a herbarium, a sketchbook... The orchestra playing the music is inside the book, on the other side of each page... drawings come to life and join the orchestra in an imaginary space. The book accompanies Anthony throughout the seasons until his eleventh birthday.

Antoine’s four Seasons

6.7 2012
L’Aventurière

Having faked an automobile accident, an adventuress is taken into the home of a "ganadero" (a landowner of the Camargue), whom she seduces. Her intention is to steal, with the aid of an accomplice, a cheque which represents the proceeds of a sale of cattle. Her plan is foiled however, thanks to the dedication of the ganadero’s young secretary. Entirely shot on location in the Camargue, this is one of the earliest of Feuillade’s surviving films clearly to demonstrate his predilection for systematically mixing documentary and fiction — though the idea seems already to have been evident in the films he shot in Britanny during the summer of 1909, for example La Légende des phares. Unfortunately none of these films has survived complete.

L’Aventurière

7.0 1910
Maniac Summer

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

Maniac Summer

NR 2009
The Taste of Nothingness

The Taste of Nothingness is a meditative exploration of the deliberate self-destruction of a seemingly normal teenager and his intimate friend. With his parents away, Julien has decided to commit suicide, with his friend Niels filming him. First seen naked in bed together, the handsome youths awaken, dress, and begin to methodically discard all of Julien's possessions and attachments. Demonstrating a casual ease with one another and their bodies, they wordlessly record both the mundane and unusual aspects of these last two days of life. The Taste of Nothingness is a challenging but rewarding experimental film that haunts the viewer long after it ends.

The Taste of Nothingness

NR 2007
Mémoire Commune

A character, directly addressing the viewer, attempts, through his or her knowledge, a historical reflection on the Paris Commune of 1871. A series of five tableaux retraces the major phases of the events. First comes the analysis of the Second Empire. Then comes the fall of the Empire and the proclamation of the Republic on September 4, 1870. Based on texts by Jules Vallès, several actors evoke the event in the contemporary setting of the large housing estates of Bobigny. The third part deals with the period October-March 1871, during which the people of Paris felt, little by little, betrayed by the government. Finally, March 18 is the revolutionary day. Inspired by Bertold Brecht's "Days of the Commune," actors perform the episode "Madame Cabet's Canon." The fifth part, entitled "Two or Three Things I Know About Her," directly evokes the work of the Commune, building and imagining a better world...

Mémoire Commune

10.0 1978
Godard Cinema

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Godard Cinema

5.5 2023