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DAU. Natasha

Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.

DAU. Natasha

5.6 2020
Hobson's Choice

Maggie Hobson (Patricia Routledge) decides to marry Willie Mossop (Michael Caine), the gifted but underpaid bootmaker in her father's shop. Despite Willie's objections, they marry and set up for themselves and, within just one year, take almost all of Henry Hobson's trade. Hobson (John Barrie), a heavy drinker, is told by his doctor that one of his daughters must return home to look after him but they all refuse apart from Maggie who, seeing her chance, agrees to help but on one condition: Willie is to take over the business, with Hobson relegated to the position of a sleeping partner with no say in the running of the shop.

Hobson's Choice

NR 1962
Cordelia

Cordelia ia a troubled, damaged soul who is only just recovering after some unnamed trauma; she is an actor rehearsing a play and comes to stay in a creepy London mansion flat occupied by her twin sister Caroline and Caroline’s boyfriend Matt. When they leave her alone there Cordelia strikes up a friendship with Frank the charming, but strange and unreliable young man they can hear practising his cello in the upstairs flat – a relationship which quickly becomes very disturbing.

Cordelia

5.1 2019
The Call Centre

Paige, an introverted, unassuming young woman spends her days setting up people's life insurance in a drab North London call centre. She is bored of her life, longing for intimacy and connection that she unexpectedly finds on the phone to a charming customer called David. Convinced there was something between them she decides to break the rules to go and find him. An adventure first fuelled by loneliness and lust turns into something much darker when Paige finds herself out of her depth with a total stranger.

The Call Centre

4.3 2020
The Academy of Armando

Alan Yentob profiles the stellar career of one of the great satirists of our age, Armando Iannucci, whose impressive body of work includes The Day Today, The Thick of It, Veep, The Death of Stalin and The Personal History of David Copperfield. With contributions from key collaborators such as Chris Morris, Steve Coogan, Julia Louis-Dreyfus, Rebecca Front, Jesse Armstrong, Michael Palin and Peter Capaldi, imagine... sheds light on Iannucci’s unique creative process.

The Academy of Armando

1.0 2025
The Tulse Luper Suitcases, Part 1: The Moab Story

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

The Tulse Luper Suitcases, Part 1: The Moab Story

5.2 2003
Raising the Wind

'Carry On' director Gerald Thomas helms this comedy caper featuring early appearances by James Robertson Justice, Sid James, Leslie Phillips, Kenneth Williams, Liz Fraser and Eric Barker. The film follows the hi-jinks of a group of music students who move into a shared flat in order to cut costs and have somewhere to practice their instruments. Things get tricky when Mervyn Hughes (Phillips) accidentally sells one of his compositions to an advertising agency and risks losing his scholarship. Can he and his friends find a way to raise the money to buy back the song rights?

Raising the Wind

6.3 1961
The Quiet Ones

When Charlotte’s father dies, she inherits his huge debts. With only a brief period of respite, she turns to her newfound Friend Danni to make money from their social media exploits to solve her money woes. Danni enlists the help of three of the sexiest stars on social media that she can find. One complete narcissist, one misanthrope, and one absolute lunatic. Together they create wild and edgy content to post behind a paywall – but it’s not long before each personality begins to grate on the other and Charlotte is caught up in a deadly war of escalating egotism and dangerously self-destructive personalities.

The Quiet Ones

5.0 2025