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Fire Under Your Ass

The German homosexuals to whom the third film "Feuer unterm Arsch" is dedicated are visibly less enthusiastic about safe sex, let alone safe sex 'with Mother Earth', which Allen Ginsburg envisions for dealing with an AIDS-like contaminated earth. In Berlin, the gay capital of Germany, Praunheim encounters a party atmosphere during his research. "There's no one who thinks safe sex is good," say some of them, yet they plead for reason, "you also have to have the freedom to fuck yourself to death," is the extreme response of the boys, who do not want their painstakingly acquired identity as gays to be reduced to an AIDS identity through voluntary restrictions. Praunheim has also tracked down politically active people in Germany, but according to his observations, they are identified with the unpleasant truth and avoided according to the Cassandra principle.

Fire Under Your Ass

10.0 1990
Masters of the Canvas

When pop artist Peter Blake confessed that his fantasy was to be the mysterious masked wrestler Kendo Nagasaki, who never speaks and never removes his mask, little did he know what the consequences would be. Poet and television producer Paul Yates, also fascinated by the persona of Nagasaki, read the article and proceeded to research the possibility of Blake painting Nagasaki's portrait as a centrepiece for a film which would also, he hoped, include an exclusive interview with Nagasaki himself. Does he exist outside the ring and, if so, who is he?

Masters of the Canvas

NR 1992
Raumkonkurrenz bei der Prachtlibelle Calopteryx haemorrhoidalis

The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.

Raumkonkurrenz bei der Prachtlibelle Calopteryx haemorrhoidalis

NR 1991
Wer Kollegen hat, braucht keine Feinde

The employees in the software department allegedly lack "creative power". At least that's what high-flyer Dr. Heller suspects. The new head of the media company wants to make a name for himself. This includes ignoring specialist Georg Meier's software and preferring cheap US products. Suddenly, Georg, who was once so successful, is left with nothing. What's more, he has fallen head over heels in love with Heller's employee Sylvie. Georg has only one choice: to strike back...

Wer Kollegen hat, braucht keine Feinde

8.0 1995
A TV Dante (Cantos 9 to 14)

These six video segments (10 minutes each) were originally developed for broadcast on Channel 4 as the second installment in the larger, never completed, series comissioned for Peter Greenaway and Tom Philips' A TV Dante (1989). But it was never aired. Ruiz's treatment of the six Cantos can be taken together as a bridge between his previous visions of hell in Mémoire des apparences AKA Life is a Dream (1986) and La Chouette aveugle (1987) and themore recent series of essay videos that he has made for Chilean television under the title Cofralandes (2002).

A TV Dante (Cantos 9 to 14)

5.5 1991
Wondrous Myths & Legends: The Mystery of the Loch Ness Monster

This home video release features two episodes from the Wondrous Myths and Legends series, in which schoolgirl Lisa and her brother Nick accidentally discover the Cavern of Mythos, which allows them to travel into another world where the great myths of history are fact -- and they've become active participants. In "The Mystery of the Loch Ness Monster," Lisa and Nick are transported to Scotland, where they encounter the famous Loch Ness monster and discover he's not the menace they expected. And "The Valor of St. George, the Dragonslayer" finds Nick and Lisa in medieval days, where Nick is believed to be a valiant knight and is sent out to do battle with a ill-tempered, fire-breathing dragon.

Wondrous Myths & Legends: The Mystery of the Loch Ness Monster

10.0 1999
Far Far Away

With her green bow in her hair, a naïve Dorothy from the Wizard of Oz embodies an aspect of the artist’s own personal context. She is dreaming about going beyond the confines of her urban surroundings, amongst thousands of flickering windows in apartment blocks, to travel somewhere over the rainbow. As she stumbles upon her yellow brick road, a bedside telephone, her communications take her far far away, becoming entangled in her obsession with connecting to this far away place. Swept into a cyclone of dizzying imagery, she becomes somewhat more realized, sceptical about who she is and her dreams. Much like the ubiquity of television, her dreams are nothing more than commodified imagination that has nonetheless shaped her life. In this fairy-tale land, she desperately tries to find her way back home.

Far Far Away

NR 1995
21 études à danser

In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc. The question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ? New ways of telling a story: this is, without a doubt, a critical challenge for dance today. Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.

21 études à danser

7.0 1999
A Taxi for Aouzou

In this wonderful hybrid of fiction and documentary, we become the close companions of Ali Baba Nour, a Chadian cab driver who explains his hopes and dreams, his challenges in a difficult and often violent society, and his optimism for the baby he and his wife are expecting. In this urban poem, we are treated to the color and movement of Ali Baba Nour's city. It is a generous postcard that one might send to a friend, telling of an unforgettable acquaintance and place.

A Taxi for Aouzou

8.0 1994