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Screen (I)

Three-channel installation. (Meant to displayed on three 'faux walls' covered by wallpaper, each wall fitted with a 14-inch TV screen hidden behind a double-sided mirror with frame, which functions like a mirror reflecting the videos' viewers' faces when the videos show black screens intermittently.) The three videos were recorded without sound at the artist's home and the following contents are displayed throughout: 1) A breath directed towards a mirror, which blurs it, followed by a wiping clean of the mirror surface; 2) An opening up of a mouth followed by a sticking out of the tongue; 3) A close-up view of an eye-roll.

Screen (I)

NR 1996
Never Give Up!

It depicts high school students suffering from various forms of discrimination that they have suffered in their school life, and while being encouraged by the people around them who are watching warmly, they awaken to their pride and hope and confront discrimination. The story develops between the runaway group, the soccer club, the marriage problem between the main character and the sister who are troubled between them, and the discrimination in the company. Human Rights and Dowa)

Never Give Up!

NR 1997
Small Boat

The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki

Small Boat

5.0 1992