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Thomas Ostermeier, insatiable théâtre

His eyes electrify contemporary theater. Co-director of the prestigious Schaubühne in Berlin, this German director captivates French audiences with his explosive and electrifying adaptations of Brecht, Ibsen, and Shakespeare. From his anarchist youth, Thomas Ostermeier has retained a taste for excess and radicalism. After his Richard III, acclaimed last year at the Avignon Festival, he revisits Anton Chekhov's The Seagull at the Théâtre de l'Odéon until June 25, against a backdrop of rock music, references to Article 49.3, and the war in Syria.

Thomas Ostermeier, insatiable théâtre

NR 2016
Solange et Jean Mounier, Véronique et le Centurion de Burzet

Every Good Friday, the inhabitants of Burzet, in Ardèche, repeat the Way of the Cross of the Passion of Christ. In 1992, the filmmaker Jean-Pierre Bozon filmed this ceremony at length and met the main characters in this seven-century-old Way of the Cross. Gérard Courant collected and edited the rushes from this filming and made five films. The second, Solange and Jean Mounier, Véronique et le Centurion de Burzet, is a meeting with Solange and Jean Mounier, interpreters of Véronique and the centurion of the Passion of Burzet.

Solange et Jean Mounier, Véronique et le Centurion de Burzet

NR 2019
Parcours d'amour

How many rounds you do have to spin on the dance floor until all your dreams come true? Eugene, Gino, Christina and their friends are already past their prime. But that doesn't stop them to search for love and sex. They meet in Paris daily in dimly dance clubs where they express their desire for living a full life in togetherness through dancing. And if prince charming is reluctant to appear the well-heeled ladies spent some money for lessons with 'taxi boy' Michel. Michel dances with them for money - and behaves like a real gentleman. In search of love both - men and women - overcome nearly every obstacle, even if in many cases it doesn't bring them closer to their aim.

Parcours d'amour

NR 2015
Innu Nikamu: Chanter la résistance

The origins and evolution of the Innu Nikamu Music and Aboriginal Arts Festival are intimately linked to the territorial roots of the Innu people and to the life of the Maliotenam Reserve community. For centuries past the Innu had followed a seasonal migration cycle, wintering in the northern territories for the caribou hunt and returning every summer to the north shore of the St-Lawrence. Festivities, meetings, traditional games and weddings marked the latter period, and the Festival has become the modern day reincarnation of the ancient summer celebration.

Innu Nikamu: Chanter la résistance

NR 2018
Addicted to Life

To the four corners of the globe, from Chamonix Mont-Blanc to French Polynesia via Châtel, the Swiss Alps, the Pyrenees and the Spanish desert of Almeria, the La Nuit de la Glisse film “Addicted to Life” showcases extraordinary feats from passionate athletes within wild, threatening natural environments. A unique encounter of the close kind with men and women who continually push their limits in extreme situations. In search of new challenges and unique sensations, they spend their lives studying their respective environment in detail. Across mountains and oceans, they bear witness to climate changes that affect the landscape and nature’s elements. From the melting snow caps to the dying coral reefs, pollution threatens to changes the backdrop of our global ecosystem.

Addicted to Life

4.0 2014
Tour de France 1972

1300 meters from the arrival of the 13th stage Carpentras-Orcières Merlette (192 kms), then, in the Col de Sauze, the 14th stage Orcières-Merlette-Briançon (201 kms) of the Tour de France 1972. Filmmaker Gérard Courant photographed Eddy Merckx (yellow jersey), Cyrille Guimard (green jersey), Luis Ocana (white box combination), Lucien Aimar, Lucien Van Impe, Joachim Agostinho (Portugal champion), Felice Gimondi (Italian champion), Raymond Poulidor, Karl-Heinz Kunde, Leif Mortensen, Bernard Thévenet. The stage of Orcières-Merlette was won by Van Impe ahead of Agostinho and Merckx and that of Briançon by Merckx in front of Gimondi and Guimard. This clip is an excerpt from the first episode of Gérard Courant's "Carnets filmés" entitled "Aurore collective".

Tour de France 1972

NR 2012