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Contemporary Shroud Fashion

Li Wake travelled to Beijing in June 1998 with a desperate post-modernist passion and had models dressed in his "shroud fashion" walk through the Great Wall, the Forbidden City, the Temple of Heaven, Wangfujing and other venues, and virtually performed a "living dead" shroud fashion show in front of a crowd of people. The footage was then mixed with clips from Pink Floyd's "The Wall" and edited into an MTV format, which was projected onto the wide screen of the Beijing Theatre, where the shroud fashion models moved from the outside of the theatre into the inside of the theatre, walking freely in front of the screen, occasionally delivering ballots to the mailboxes. At this point, revolutionary songs, Enya's score, and funeral marches alternate, and a poppy patchwork of music, video acts, and props combine to form a kind of absurd self-eulogy-like martyrdom ritual.

Contemporary Shroud Fashion

NR 1998
Monk Seongcheol documentary

What did Monk Seongcheol leave for us? Numerous anecdotes left behind by monks such as Jangjwabulwa and Samcheonbae were talked about, and a large number of people flocked to Haeinsa Temple to see the sarira. What is the meaning of the thought of Ven. Seongcheol, who tried to set Buddhism right by valiantly and diligently saying that the middle should be moderate, to modern people? Learn about the pure life at Baekryeonam Hermitage, including the content and meaning of the Baekil Method, the spirit of not possessing anything, and the strict life that the Sangha University students were told not to sleep and study. The position of Venerable Seongcheol, who insisted that Buddhist purification should be done internally rather than externally, and introduces the process of systematizing Korean Buddhism.

Monk Seongcheol documentary

NR 1994
Our Days

This provocative work by director Ike stands as a highly controversial piece. It boldly tackles themes rarely addressed directly in Film Research Club productions, such as imperial war responsibility, political ideology, and revolution. At the time of production, rumors spread within the university that the Film Research Club was engaged in “dangerous activities” (i.e., leftist activism), nearly resulting in the club’s permanent suspension. The narrative shifts dramatically from a fantasy-like beginning to a heavily message-driven second half, deliberately disorienting the viewer. Far from being a lightweight student film, it is an anarchic work filled with a striking and unsettling energy.

Our Days

NR 1990
Focal Distance

Eight-screen installation. An original 15-minute video clip of a street scene at a crossroad was captured and was played on a 25-inch TV screen. One corner of the TV-screened footage was filmed again to produce the 2nd video footage. This re-filming process repeated 7 times using the same focal distance (of the first re-filming's settings), and 8 video footages in 7 generations were produced. The images and sound became more abstract each time. The video installation was first staged in Hangzhou in 1996.

Focal Distance

NR 1994
Idol of Darkness

Ikumi is an up-and-coming pop singer with millions of fans and a promising acting career. She should be looking at the world through rose-colored glasses, but she's got man trouble. The love of her life just isn't sure he can handle Ikumi's fame and fortune. To make matters worse, while shooting on location, a jealous costar finds a strange wooden idol in an abandoned temple and uses it to invoke a hideous demon to be the instrument of her revenge. Will Ikumi's next concert be her last curtain call? She's about to discover that there really are fates worse than death.

Idol of Darkness

NR 1997
PARALYSIS

A surreal puppet animation about one day in the life of an old man. The story takes place in the house where the old man lives. When the old man gets out of the bath and goes down the spiral staircase, a young man in a bathrobe suddenly appears, ranting loudly about something. Surprised, the old man goes after him and finds the young man in the cellar struggling with another man. The man's head falls and rolls. From then on, a dizzying world of images unfolds in rapid succession, the space becomes cosmic, and various objects begin to float. As the artist himself says, "I created this work as a single image", and it is perhaps best to let the flow of images unfold in front of you, rather than trying to read some kind of narrative. The dolls are grotesquely detailed, the sets like works of art. The props and objects have a natural texture. It is a work of such a high standard that anyone who hears that it took three years to make will nod their head in agreement.

PARALYSIS

NR 1992
Tshultrim Danba and Tholing Monastery

Tholing Monastery (Tuolin si 托林寺) is the oldest monastery in the Ngari Prefecture of western Tibet. It is situated in Tholing (Zanda), Zanda County, near the Indian border of Ladakh — more than 1,800 km from Lhasa. It was built in 997 AD by Yeshe-Ö, the second King of the Guge Kingdom. In the Tibetan language, 'Tholing' means "hovering in the sky forever," and is reflected by the location of the monastery, which sits at an elevation of 12,400 feet. This documentary follows an old monk who spent his childhood at the Tholing Monastery, in the 1950s. In 1960, he fled to India, and in 1967 (during the Cultural Revolution), Tibetan residents from in and around Zanda County gathered at Tholing Monastery and demolished most of its buildings within a month. The monastery was allowed to resume Buddhist prayer activities in 1984; upon hearing this, the old monk left his life in India and returned to Tibet.

Tshultrim Danba and Tholing Monastery

NR 1993
Hero's Color

Kim Jin-Wu, devoted half of his life as a police officer, is ordered to arrest So Keum-Cheon of weapons trafficking organization. So Keum-Cheon, who is chased by the police, goes to Hwang Ryong, a boss of gang, to ask help and in return he will remove Baek-Du, the new power of gangster. Then Heo Kuk-Bu, one of Baek-Du's men, designed a plot to cause a power struggle. While So Keum-Cheon is hiding in Hwang-Ryong's hideout where he meets Eun-Ha and falls in love with her, Eun-Ha's mother is attacked to death by Heo Kuk-Bu. Therefore So Keum-Cheon began life-and-death confront with him and the scene is seized by Kim Jin-Wu. All of them fall down and Kim Jin-Wu faces his daughter Eun

Hero's Color

NR 1990