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Rue du retrait

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.

Rue du retrait

6.3 2001
Brazil's Maria Bethânia

This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.

Brazil's Maria Bethânia

NR 2001
Máxima pena

At the bench, the coach and three reserve players, including a sleepy goalkeeper. The game is about to start. Our team needs to win. The coach paces nervously and relays instructions to the players on the field... But the coach's attention to the ongoing game is repeatedly interrupted by family members, from the youngest to the oldest, who come one by one to remember him that a significant family gathering is about to take place and that his presence is needed. The coach is reluctant to leave the field on account of the importance of winning this game. What is this important gathering? Are his priorities proper?

Máxima pena

6.0 2005
With Sonia Wieder-Atherton

The short documentary starts with Wieder-Atherton telling the story of how she came to fall in love; first with music in general, and then with the cello, and goes on tell how she found her specific style, using the music to try and almost form words of communication. It's a delightful and enlightening interview. This is followed by Wieder-Atherton playing 6 short pieces of quite different styles, from the heartbreaking melodies of Schubert and Brahms to Berio's more edgy modern sounds.

With Sonia Wieder-Atherton

7.0 2003
Rex Steele: Nazi Smasher

This is a brief animated piece featuring the titular character in a fight ostensibly from a superhero serial of the mid 1940’s. The episode shown is Chapter 13 The Bosom of Terror. In it, Rex and his plucky assistant Penny must journey to South America to stop the evil genius Eval Schnitzler and his henchwoman Greta Schultz from boring into an active volcano and releasing the hot magma energy. The drill is hidden inside a temple located in the mountains. The interior of the temple is lined with bizarre statues of Indian women. Rex and Penny crash in the jungle and while Penny repairs the plane, Rex investigates.

Rex Steele: Nazi Smasher

7.0 2004
Broadway. Black Sea

Refugees from the Caucasian republics, Armenians, Azerbaijanis and Russians, meet on the shore of the Black Sea: they work as shop keepers, life guards, karaoke singers, or just enjoy their holidays. It all happens at a place called Broadway, which is no-where to be found on a map, not even the most detailed ones. The temporary inhabitants of Broadway construct a whole world en miniature, consisting of small carts, tents or booths parked in close, haphazard rows. The scenery, which is put up for a few weeks during the summer, bubbles with life – and in no way corresponds with ordinary daily life in Russia.

Broadway. Black Sea

8.0 2002
Chateaubriand's Last Love

One stormy evening in 1829, the aging writer René de Chateaubriand, takes refuge in a mountain retreat at Cauterets, a small town in the Pyrenees. Here, he meets Léontine de Villeneuve, an aristocratic woman forty years his junior, who ignites his passion and who seems to be as equally attracted to him. Under the watchful gaze of the maître d'hôtel, Chateaubriand embarks on what will be his last great love affair, with a woman he will later refer to in his writings as L'Occitanienne.

Chateaubriand's Last Love

NR 2008
Die Pferdeinsel

Katja Steinfurth tries hard to reconcile her love relationship with her married boss and her obligations as a single mother - not always with success. When Tibor, the favorite horse of her son Lukas, behaves strangely aggressive after an accident and is to be euthanized, the horse whisperer Nils Peterson seems to be the last salvation. So Katja sets off with Lukas and Tibor on the way to the "horse island". And in the seclusion of the small picturesque island, the young woman gradually realizes that something has to change in her life.

Die Pferdeinsel

6.7 2006
Septiembre del 75

Flor, the sister of José Humberto Baena, continues the tireless struggle that her parents took until the end of their days: vindicate the innocence and memory of her brother. Baena was a member of the FRAP and was shot on September 27, 1975 after a summary war council. He was accused of the attack that killed policeman Lucio Rodríguez. In the process, no material evidence was presented nor was there any witness. Xosé Humberto always maintained before his family that he was innocent.

Septiembre del 75

4.0 2009
Number 13

In order to authenticate some historical papers in a cathedral town, Oxbridge academic Anderson stays at a local hotel in room 12, initially disregarding the lack of a number 13 as provincial superstition. During the night, noise conspires to keep him awake and the historian is astonished to come face to face with door number 13. Continuing his work, a history of a reformation era witchcraft scandal emerges. The nocturnal disturbances escalate, leading Anderson with no choice but to open the door to room number 13...

Number 13

6.3 2006
Derren Brown: Trick of the Mind

Derren Brown is a unique force in the world of illusion - he can seemingly predict and control human behaviour. He doesn't claim to be a mind-reader, instead he describes his craft as a mixture of magic, suggestion, psychology, misdirection and showmanship. Whatever you choose to call it, his unparalleled performances amaze and unsettle all those who watch him. This is a powerful and provocative form of entertainment, unlikely to be imitated for a long while.

Derren Brown: Trick of the Mind

NR 2004
Royal Opera House: The Marriage of Figaro

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Royal Opera House: The Marriage of Figaro

8.5 2006