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Filmemacher

They are just 17 years old when Gaby and Eva receive the offer to play in a feature film that ambitious Hamburg filmmakers want to make. Despite their youth, the girls are suspicious because they have already experienced a lot. On the other hand, that would be the opportunity to escape the difficulties they have been in for a long time. The filmmakers persuade them to cross the border illegally. The girls do not suspect that they should be used by the Springer company to provoke a scandal. But the Ministry of State Security has the action already in sight.

Filmemacher

8.0 1971
Glass Shadows

"Glass Shadows is a sensual formalistic diary, filmed in the early morning light of my studio. The primary images are of my Bolex-filming nude reflection set within window frames, a pane of glass, and light projected by the rising sun. The film moves forward via on-going exploration of reflected and overlapping images––sustained by light, color, and the rhythmic pulse of a leaky kitchen faucet. A fusion of form and subject is inevitable within a work that is the story of its making." - Holly Fisher

Glass Shadows

NR 1976
Junge Ehen

The film looks at the problems of high school students in an 11th grade class in Berlin-Prenzlauer Berg. The focus is on interpersonal relationships. The school, the circle of friends, the parental home, the social milieu, the housing situation and leisure activities form the environment in which the young people find themselves on the threshold to adulthood. The film explores their wishes, thoughts, fears, dreams, hopes and conflicts. Opportunities and offers that go beyond school and can be helpful in resolving problems are also shown. It is up to the viewer to weigh up the different views of the interviewees and form their own opinion.

Junge Ehen

NR 1979
Regard de ma fenêtre

A mind-blowing film which borders on the structural but which manages to avoid being so. A study of colour, stasis, and different modes of multiple-exposure. The film slides from a doctored reality towards fantasy. A large part of the film takes place in one single image that continually changes aspect: the buildings on the square, Place d'Italie, seen from my window from when I used to live in that district in Paris on the eighth floor of a kind of council housing block.

Regard de ma fenêtre

1.0 1974
The Megantic Outlaw

Donald Morrison was born in the town of Megantic Quebec to parents who had emigrated from Lewis in search of a better life. However, the life awaiting them was full of difficulty. When he came of age, Donald headed west and worked as a cowboy, sending money to his parents to pay off the debt on their homestead. Donald's life began to unravel when the owner of the debt claimed that the payments had never been made and evicted the family. This documentary tells Donald's story as he went on the run accused of murder and trying to clear his name.

The Megantic Outlaw

NR 1971
Variations on the Same Theme

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

Variations on the Same Theme

7.5 1977
Johnny Go Home

A two part investigation of the dangers facing teenagers, who leave home for the bright lights of London. The End of the Line followed the case histories of Tommy, a 12 year-old Scottish boy, and Annie, a 16 year-old girl hardened to her homelessness. The Murder of Billy Two-Tone forensically uncovers the facts behind the killing of Billy McPhee, discovering disturbing facts on Roger Gleaves, a child sexual abuser and homeless children hostels owner. His housing empire turns out to be based on sexual exploitation and financial corruption.

Johnny Go Home

NR 1975
La Carmen

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.

La Carmen

6.0 1976
Der Leutnant vom Schwanenkietz

The film describes the activity of an ABV of the People's Police in its section in East Berlin. A mixture of “positive” characters from the beginning, the extensively staged “owl”, who is introduced as a criminal and over the course of time, especially due to the influence of the ABV, develops into a good citizen, and incorrigible characters, with whom the ABV fails with its extensive attempts at rehabilitation and who are arrested after having committed again offenses.

Der Leutnant vom Schwanenkietz

NR 1974