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No, I Am Not a Toad, I Am a Turtle!

Elke Marhöfer's observational essay takes its title from a Korean Pansori song. One of three musical interludes performed in the film, this song tells the story of a turtle locked in a futile circle of evasion with a hungry tiger. Marhöfer's film is concerned with the formal attributes of Pansori music – its traditions of storytelling and the transmittance of an alternative knowledge. The film journeys through natural landscapes, small town streets, forested mountains and busy shipping channels as it looks at the divide between the traditional and the modern. Shot in 16mm, this measured and lyrical film is an exploration into the boundaries between humans, animals and things.

No, I Am Not a Toad, I Am a Turtle!

NR 2012
On Our Own We Are Free To Do Many Things

On Our Own We Are Free To Do Many Things ocuses on the construction of the Romanian Palace of the Parliament (known as the Casa Poporului); the heaviest, most expensive and largest civilian administrative building in the world manically commissioned by Nicolae Ceauşescu in the 1980s. The film considers the problem of making a redundant legacy workable, such as the Casa Poporului that Ceauşescu left behind – too big to demolish, too big to utilise.

On Our Own We Are Free To Do Many Things

NR 2012
Entremundos

Social hotspots can be found everywhere. Recognizing this, rapper Carlos Zamora started his project Rapflektion in Braunschweig and the surrounding area, to educate teenagers to communicate responsibly, respectfully and without violence through rap. For the past seven years he has been travelling to Latin American countries known for their drug cartels and violence. Other than church initiatives, Zamora's rap workshops for disadvantaged youth are frequently the only projects available for these teenagers.

Entremundos

NR 2018
Bis an DIE GRENZE - Der private Blick auf die Mauer

Sunday, August 13, 1961 Since early morning, the pavement in the heart of Berlin has been torn up. Construction workers have begun erecting a 43-kilometer-long inner-city wall. West Berliners stand stunned on one side, East Berliners on the other, facing each other at the sector border. The entire city is in shock. Citizens take their cameras and video recorders out of their closets and document the events. From then on, many Berliners and visitors to Berlin produce their own documentaries about life in a changed city.

Bis an DIE GRENZE - Der private Blick auf die Mauer

NR 2012
Boomtown St.Georg - Ein Stadtteil wehrt sich

Using the example of Hamburg's Bahnhofviertel St.Georg, the film depicts a development that is often observed in large cities: A district, formerly considered dirty and criminally, is suddenly "discovered" by wealthier sections of the population. As a result, dilapidated apartment buildings are being renovated and divided into condominiums, rental prices are rising, shops are also becoming more chic and expensive. In the course of this "upgrading", the previous social structures are dissolving, long-established residents are visibly displaced. The film has a say to long-standing tenants and traders, prostitutes and activists of the "Recht auf Stadt" network as well as investors and urban planners who talk about their ideas and goals for St. Georg.

Boomtown St.Georg - Ein Stadtteil wehrt sich

NR 2014
120 years of Eintracht Frankfurt

The German football club EINTRACHT FRANKFURT is set to celebrate its 120th anniversary in the Commerzbank Arena (stadium) in the most extraordinary and unprecedented settings on Saturday, June 29th, 2019. Together with the hr-Sinfonieorchester and many other artists, the club is set to embark on a unique journey back through time, and through their history. There will be musical highs and lows, in the style of the "moody diva". Also, the thrash metal legends TANKARD will perform the club’s anthem 'Schwarz-weiß wie Schnee' together with the Sinphony-Orchestra, for the first time.

120 years of Eintracht Frankfurt

NR 2019