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Matheus is a student who recently lost his parents in a plane crash and his boyfriend in a car accident. Alone and vulnerable he is teleported by an Alien who seeks to steal the humans identities while pretends to be his dead boyfriend.

A young Brazilian woman travels to indigenous, quilombola (communities founded in 19th century by runaway slaves), and rural communities, in search of the ancient wisdom of traditional midwives.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

Pedro, distressed for not bidding farewell to his mother, stumbles upon letters addressed to his father, who vanished 30 years ago, unveiling that his life has been a big lie, compelling him to overcome pride to unveil the truth.

Nonendless search. Unbreakable cycle. Break point. End.

Through testimonies from partners, workers, collaborators, artists, and people who followed the productions of Lira Paulistana, the film tells the story of this cultural phenomenon, a catalyst for the new musical trends of the time, which took place in São Paulo between 1979 and 1986. In addition to showcasing the undeniable importance of Lira Paulistana as a stage for avant-garde music in São Paulo, highlights its significant role in other areas, such as record production, journalism, editorial work, and the visual arts.

For over 40 years, Arco Verde was home to Clube Atletico Olimpico.

Jorge is a private investigator that has a questionable character. He seeks information about the death of a young boy in a small city in the countryside of Brazil, that is full of unfriendly strangers. Nightmares with a woman that he has never seen before, Mariá, torments him. Their meeting, in a haunted woods, will reveal that it is not by chance that Jorge is part of this mysterious investigation.

In its narrow and winding streets, there are still churches, the old and rich houses in ruins and the houses of the poor, recalling the lavish past of the city of Laranjeiras, in Sergipe.

Veronica Oliveira - Faxina Boa is a unique cleaning professional in São Paulo. Through a drift in Vila Buarque, the neighborhood where she was born and returned to work, she tells us a little about her trajectory.

Caio and Mari are two young people living in a relationship that goes beyond any definition. Over ten years, the plot transits between three striking moments where their desires conflict and their relationship is put to the test. The film, originated from the short film of the same name in 2006, proposes a reflection on sexuality, labels and how time constructs and transforms relationships.

Womanizing dentist takes his wife for a vacation in Petrópolis, Brazil. In their hotel, a woman dressed in white visits the room of a different man each night, causing trouble.

A couple, Lauro and Renata, travels to a remote area surrounded by rain forest in Rio De Janeiro. Once they are there, Lauro is told by a bar owner that gruesome murders are taking place in that area. Intending to keep this information hidden from his girlfriend, Lauro and Renata discover they might be not alone when staying in a isolated house.

Rodrigo makes casual sex, with any woman who crosses his way in the night bars. In college, he meets Mariana and falls in love for the first time in his life. Mariana behaves in a dubious manner and demonstrates both tenderness and brutality driving Rodrigo to despair. It is the story of a difficult rite of passage from the fresh youth to mature life.

Laurita, a retired woman from Copacabana, is forced to establish contact with a neighbor, Amanda. The meeting between the two awakens a whirlwind of feelings, memories and discoveries that will mark their lives forever.

After 7 years living abroad, the son comes home to try and reconnect with his father. Over the dinner table they share a meal, memories, grievances and so much more that needed said but never was. After so long apart, what will be different this time?

In Sange Khara, commissioned by Fundação Bienal de São Paulo for the 36th Bienal, Laila Hida offers a landscape where memory is not narrated, but circled – tentatively, tenderly, with the gravity of something sacred and half-forgotten. The project stages a kind of poetic inquiry where images seem to emerge from a re-constructed memory anchored by a 16mm film and expanded through an immersive installation. Characters cross paths, brought together through a tapestry of iconographic and cinematic references: the young woman from The Wanderers of the Desert (1984), the couple in The Sheltering Sky (1990). Two young guys ride their bikes and strike poses on a dirt road as if freshly cast in a rap video summoning an apparition, a construct of a landscape, the desert, the oasis, and the people who inhabit them, filtered through cinema and image.

It tells the story of an old fisherman who remembers the intense love of his youth for Rosinha, who one day disappeared at sea.

Pedro has taken the road and he does not know where he is going. Lucas does not know it either. After meeting at a roadside café, they travel through the Brazilian Savannah seeking for a violent dose of anything.

To celebrate the 10th anniversary of Seja o Que Eu Quiser, the album that marked the beginning of Lagum’s journey, the band presents an exclusive Live Session in one of Brazil’s most iconic landmarks: the Sugarloaf Cable Car. Suspended between the sky, the sea, and the city of Rio de Janeiro, the group revisits the songs that helped shape its story through new arrangements and an intimate atmosphere. The recording also marks a historic milestone, making Lagum the first band ever to perform a live session inside a moving cable car. More than a celebration, the project is a tribute to a decade of music, friendship, and connection with their fans.

A librarian's strategies for silencing noisy readers are shown with horror and comedy. The setting and suspense guarantee the entertainment value of this horror short film full of frightening images.

Two young film students, Pedro and George, who spend more time watching films than studying, go to the video store to pick up some films for another weekend of student procrastination. There, the two rent a film that was mistakenly delivered by a member of a family of sadistic cinephiles. Unaware that they have an incriminating DVD, Pedro and George run the risk of participating in a bloodthirsty film where they will be hunted.

Ultra low budget, shot-on-video Brazilian horror involves a devil worship cult sacrificing women to Satan.

Alice Chains performance at SWU Festival 2011 at Parque Brasil 500, Paulínia, Brazil on November 14th, 2011. Them Bones / Dam That River / Rain When I Die / Again / Check My Brain / It Ain't Like That / Your Decision, Got Me Wrong / We Die Young / Last of My Kind / Down in a Hole / Nutshell / Acid Bubble / Angry Chair / Man in the Box / Rooster / No Excuses / Would?

Guilherme gathers his friends for a group video call. He has a proposal to make money on the internet. But the deal went down the drain when they realized the demon is using technology to act.

Dani is about to get married and travels with three other friends to Bariloche for her bachelorette party. The girls expect a fun and peaceful trip, but when they arrive in the Argentine city, things start to go wrong and the group has to make do: Karen forgets to book a place and, from there, the situation only gets worse. Together, they will need to find practical solutions to their problems and experience completely unexpected adventures.

Since the 70’s, Cyro Matoso is making films without any kind of sponsorship and a highly limited budget. He has enjoyed many years working with culture, developing his creativity and, above all, creating his art.

One evening, two hungover friends drink wine while discussing their fascination with the song "Mama" by Valesca Popozuda.

Huang , a Chinese retired general, lives alone in the city center. Traditional and conservative, he hardly leaves the house. One day, Huang receives an unusual visit from his grandson.

A young man from Brasilia struggles to connect with his autistic brother. His quest for understanding leads him to study music therapy in Argentina and traditional music in India.

The history of Simião Martiniano.

A vision of the different forms of handicraft production in the interior of Paraíba.

"The Cowgirl, the Showgirl and the Pig" is a short film directed by Stella Carneiro and Ary Zara. It premiered in Directors' Fortnight of the 78th Cannes Film Festival as part of the La Factory des Cineastes program.

When their parents win a trip to Hawaii, siblings Luccas and Gi are left with two strange nannies. After discovering the nannies' evil scheme, they must protect a hidden diamond linked to their parents' secret lives.

By Those Hands that Lead Me tells the tale of Amora’s (Fernanda Marques) life: An orphan girl, who dreams of being a photographer. At 22, while working in a library with her friend Fran (Bruno Suzano), she goes through the challenges of becoming an independent woman, having to deal with the pain of losing her parents. The feature film debut of Brazilian actor/director João Côrtes, By Those Hands that Lead Me is a nuanced coming-of-age film about love, empowerment and overcoming your fears.

The starting point is an unlikely name, Primavera das Neves, a translator of Lewis Carroll, Daniel Defoe and Julio Verne, who disappeared without a trace in the 1960s. Could it be a pseudonym? The search for a name found an extraordinary woman and a life dedicated to beauty and truth. And then a letter arrived warning that the story was only just beginning.

Free adaptation of Machado de Assis' "Dom Casmurro". Bento marries an actress, and soon afterwards she gets pregnant. Then, he begins to suspect the child isn't his, but his best friend's.

After her mother’s death, a trans woman returns home to care for her sick father, who once rejected her. Amid conflicts and silences, their forced coexistence exposes old wounds and tests the limits of affection.