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Secrets of the Andean Temples: On the Trail of Viracocha

Thousands of years before the Inca, a megalithic civilization was founded at Lake Titicaca which spread 500 miles to Cuzco, following a global flood that destroyed the Earth in 9000 BC. Its architects — Viracocha and his seven Shining Ones — disappeared as mysteriously as they appeared, yet the legacy of temples they left behind still baffles the modern mind. Filmed at Tiwanaku, Puma Punku, Cuzco, Quenqo, Saqsayhuaman, Amuru Machay, Quillarumiyoc, Pisac, Tombomachay, Huayna Picchu, Ollantaytambo, Machu Picchu, Cutimbo, Silustani and Amaru Meru.

Secrets of the Andean Temples: On the Trail of Viracocha

7.0 2017
Liquid Image

September 24th, 2016, North Avenue Beach, Chicago. It was a sunny day. According to the weather report, the temperature was 75°F, with the barometer reading 30 inches high and the wind speed of 13 miles per hour. The time was 2:27 pm, I was standing by the Michigan Lake. In my hand there was a waterproof camera that weighs 2.6 ounces. I pressed the record button on the camera and threw it into the lake. The camera sank into the lake immediately and embarked on a mysterious journey. During the journey, it was elevated, pressed, panned, rotated, and spun by the water. The camera explored the space like a disembodied consciousness, and the moving image it captured was turned into an abstract painting improvised by Mother Nature. Eleven minutes later, the wave delivered the camera back onto the beach with one single long take. This eleven minutes long take later became Liquid Image.

Liquid Image

NR 2017
Nous vengerons nos pères

Their names are Chorowicz, Cyroulnik, Glichtzman, Feldhandler... They were born in France, after the second world war. Their families came from Central and Eastern Europe in the 20s and 30s, fleeing antisemitism and poverty. After the Holocaust, they grew up among ghosts, between anger, a desire for vengeance and a will to change the world. In the 60s and 70s, they became activists. Through their personal stories and the tale of their internationalist and antifascist struggle, the movie shows the audacity of those years of dissent.

Nous vengerons nos pères

NR 2017
Young Guns

Meet the new faces of climbing:
15-year-old Ashima Shiraishi and 16-year-old Kai Lightner are the leaders of a new generation taking the sport to the next level. Ashima, a New York City native, is the youngest person and the first female to climb 5.15a. Kai, from Fayetteville, North Carolina, became a national climbing champion as a high school sophomore. Young Guns follows these two friends and prodigies as they spend their summer vacation in Norway, where the legendary Flatanger cave forces them outside their comfort zone. In the finale, Ashima travels on to Japan to set a new standard on Horizons, a fierce 30-move boulder problem at the cutting edge grade of V15.

Young Guns

NR 2017
Fire With Fire

“We never know how high we are till we are called to rise” could be the motto of this stunningly filmed, high impact and suspenseful motion picture that is based on a true story. Solomon Kalushi Mahlangu is a teenage hawker who is drawn into the liberation movement to fight against an oppressive apartheid South African government. When he and his comrades are accosted by police while on a mission he is charged with two counts of murder. He is in a fight for his life and must prove his innocence.

Fire With Fire

6.0 2017
Nemesis

A car wreck allows a fugitive recovery agent's serial killer prisoner to escape into the wilderness, so she's forced to pursue him. The other driver involved finds the agent while lost in the woods and initially, the female stranger's presence complicates matters, but when the agent suspects her involvement wasn't by chance, the killer intervenes, revealing they were working together as killer and cleaner. They capture the agent, but she escapes. The agent eventually manipulates and regains some control of the situation, setting the stage for a fatal confrontation.

Nemesis

1.0 2017
Camaleón

Chameleon is an installation made up of a projection and a series of hangers-objects used by falconers to transport their falcons and on which they rest during the hunt-folded on the floor of the sals. In the film, Miguel Calderón follows the weights of Chameleon for 24 hours, a falconer who works at night as a bouncer in a bar in the south of Mexico City, and who by day goes hunting his falcon every night, with whom he has developed a relationship. Emotional bond is his closest bond with a reality far removed from the situations of extreme violence to which he has been exposed since childhood.

Camaleón

NR 2017