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Uday, a rich businessman, falls in love with a simple girl named Sandhya. He gets to know that Sandhya is terminally ill but still pursues her and teaches her to seize every moment of her short life.

In a family where love stories always end in heartbreak, Simis arranged marriage is seen as a longoverdue new beginning. Her fiancé is charming, successful, and everything her parents hoped for. But just days before the wedding, a whisper of doubt creeps into Simi’s mind — and it refuses to leave.

A lighthearted short film about a young man’s online romance that takes an unexpected turn when fantasy meets reality. A witty take on social media love and the surprises it hides.

After getting released for serving a double life sentence, Sachidanandan returns to connect and live with his family until his past catches up to him, forcing him to protect his loved ones.

A Special Protection Group officer has to identify the threat to the prime minister, who he is protecting, and also the nation.

When Jithu's parents die in a plane crash, his father’s friend takes care of him like his own son. However, his daughter, Sheeba resents this and creates problems as opposed to his wife who reacts the opposite way.

Romance drama starring Shankar and Manochithra

The film revolves around Mr. Shastri, a retired Sanskrit professor who in due course suffers with Alzheimer's goes missing while travelling with his daughter .during this time of missing he gets fascinated with a elephant walking on street and goes to stay with the family which owns elephant. The film is inter cut to depict the human side of relationships with social message in end that only care and affection is medicine for Alzheimer's and there is no other cure for the same.

A project built around the 1993 Hindi blockbuster Khal Nayak, although whether it is a remake, sequel, prequel or an entirely original script built around the source material is yet to be revealed.

Ever since his birth, Deepak has been led to believe that he has brought nothing but bad luck to everyone around him. His dad passes away on the day of his birth, shortly thereafter his mom...

Aaliya is not ready for commitment even after a decade-long friendship with Abhay. She remains indifferent when he follows her to Australia, but is finally shaken when he announces his marriage.

Madhav Dev, a painter of international repute, and his sister Manasi, a renowned writer, both unmarried, are siblings who live for each other. And then one day, Madhav meets Mallika, a girl from an impoverished background, and she changes his life forever.

An MA in philosophy, Raja arrives in Delhi to look for employment and comes across Kusum, a struggling stage actress. They both face hardships in order to make a living.

A comedy centered around three people who each have a lookalike of a lookalike, all with the same name.

Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.

Laawaris is a 1999 Indian film directed by Shrikant Sharma. It stars Jackie Shroff, Akshaye Khanna, Dimple Kapadia and Manisha Koirala.

A small-town girl from MP, Manokamna, gets a decent-paying job. But the work requires her to sell condoms. Will she be able to voice her beliefs while balancing her responsibilities and society?

The film centers on Chandragiri, a village locality in Kasaragod, Kerala. It focuses on how a school was forced to give up their identity to anti-social thoughts and how a teacher fights against this.

A 1994 Tamil drama film written and directed by Manivannan. It stars Sathyaraj and Ranjitha in the lead roles.

Tehzeeb (Hindi: तह्ज़ीब, Urdu: تہزیب, English: Etiquette) is a 2003 Indian Bollywood film directed by Khalid Mohammed. It premiered on 21 November 2003. The film stars Shabana Azmi, Urmila Matondkar, Diya Mirza, Arjun Rampal and Rishi Kapoor in a special appearance. Urmila and Shabana were praised for their roles.

The film is, ironically, about the breakdown of a marriage that began with love. Although the skillful blending of the mystery and relationship drama revolves around the couple, a motley bunch of characters keep cropping up, saying and doing bizarre things that may not always make sense, but as the plot unfolds, it all transforms into a psychological game of 'what' and 'what next?' In short, it's a nail biting psychoanalytic thriller shows the troubling inner workings of a toxic marriage reveal themselves in surprising ways after one of the couple's feuds spins out of control.

Romance blossoms between young Sushrut and Michelle when they meet during the festival of Navratri. When Michelle returns home to the United Kingdom, Sushrut embarks on an adventurous journey through a strange land to win back the woman he loves.

The village of Kanakkodu is free of politics and political parties. Pala Thankachen spread the seeds of politics in the calm atmosphere prevalent there. Consequently, the villagers divide themselves into different political groups.

It is about the lives of a group of intellectuals in Kerala in the latter half of the 1990s.

1986 film by Shantilal Soni

Due to a familial dispute, Ramu is not allowed to marry his lady-love, Lalitha. He is then forced to marry Gouri who struggles to win him over.

A story about two starkly different women that share the same name. Together, they embark on a life-changing journey heading towards the same fate.

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.

A drama film directed by PS Dharan, starring Nasser and Thalaivasal Vijay in the lead roles.

Anwar becomes entangled with a terrorist group after personal tragedy leads him down a dark path. As he infiltrates their network, his true motives and loyalties are revealed in a tense battle between faith, vengeance, and redemption.

Sagar, a singer-turned-alcoholic, decides to mend his ways and rekindle his passion after falling in love with Suma. However, all hell breaks loose when she does not turn up for his concert.

A sex erupting thriller.

Raja, an unemployed youth, does odd jobs to support his family. When his brother, Ravi, an IAS officer, becomes a target for corrupt businessmen Nagpal and Tejpal, Raja has to save him.

Savithri, who does not have any kids with her husband, decides to adopt her sister's child. Things take a turn when her sister meets her child after many years and yearns for him.

The film is an emotional drama based on the generations who have suffered ]he divide families following the partition of India and Pakistan in 1947.

In colonial India, newlyweds Amal and Rajni face separation when she returns to her family. Their peaceful village life shatters after Amal's beloved teacher is arrested as a freedom fighter.

The sequel carries forward the tale of power and revenge which exploded in Rakht Charitra 1. The rebel leader turned politician, Pratap consolidates his political base but is forced to retread the path of vengeance once again after a rival from the past, Surya Narayan Reddy chooses to avenge the assassination of his family. Surya swears vengeance against Pratap after his family is wiped out in a bomb attack and Pratap is hell bent on decimating his enemy, even if it means separating ways with his mentor and political veteran, Shivaji.

A mysterious stranger arrives in a village situated in the Thar desert and crosses paths with a veteran cop investigating a case of brutal killings.

Ganesh comes to Chennai to pursue his studies. A group of goons are on his pursuit. A kind hearted Ganesh is eventually forced to go back to his old ways to fight them and restore order.

Vasanth and Aaranya, a couple move into a serene row house, eager for peace and privacy, but a violent storm leaves them trapped inside, unsettling supernatural disturbances threaten to unravel their marriage. Vasanth must uncover the truth behind these supernatural occurrences before everything falls apart.

Manasilloru Manimuthu is a 1986 Malayalam film directed by Sasikumar. The film stars Mohanlal, Suresh Gopi, Urvashi and Sankaradi in lead roles.

A drama short film about two friends who regularly get to meet every weekend and they spend a Sunday chatting and how things take a turn from there.

Ajay leads a life as a gangster and is known for his short-temper which made him mercilessly murder a man named Ramesh for falling in love with his sister Asha. Years later Ajay takes up employment as a bodyguard to a politician Satyendra Pal Choudhary's daughter Priyanka alias Priya; only to find himself trapped in a world of deceit, lies, politics and crime.

Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.

Brothers Kishan and Karan grow up in Bombay. Karan soon leaves to study in America while Kishan enters into a life of crime, falling under the sway of Anna Seth, a drug lord. When Karan returns to Bombay, Kishan intends to keep him as far away from his criminal life as possible, but things don't go as planned.

Carry On Jattiye is a Punjabi movie starring Sargun Mehta, Jasmin Bhasin and Sunil Grover in prominent roles.

Newly-weds Rehaan and Shaina move to Romania after the former is offered a job. When Shaina senses paranormal activity around her, she learns that her husband is harbouring a secret from her.

Having moved to the city of Khojpuri to pursue his scientific investigations into the uses of onions, Hunsilal soon discovers a novel way to tackle mosquitoes, and is celebrated by Raja Bhadrabhoop. However, he soon learns that things may not be as they seem, that the mosquitoes may not be the pests (or even the insects) he once assumed them to be, as he gets drawn into an undercurrent of revolution and discovery, precipitated by his burgeoning love for his colleague Parveen. Inspired by the traditional Gujarati Bhavai, 'Hun Hunsi Hunsilal' is interwoven with an absurdist, innovative soundtrack and presents a satirical, modern day tragic fable about fascism, revolution and the power of stories, all shot beautifully, in what is one of India's most powerful and relevant films to date.

Thank You is a 2013 Malayalam drama thriller film written by Arun Lal and directed by V. K. Prakash, starring Jayasurya, Honey Rose and Sethu. The film is produced by Shahul Hameed Marikar under the banner of Marikar Films and features music composed by Bijibal, whilst cinematography is handled by Arvind Krishna and is edited by Babu Rathnam.[1] Although the film earned back it's revenue from satellite rights, it did not run well in theatres. The film is shown to be a reflection of the current socio-political system, based on the violence against women. It revolves around a person who arrives in Trivandrum city who takes a ride from place to place in an Autorickshaw. His name or whereabouts are not revealed, and he just travels from place to place in the auto rickshaw. The questions about his whereabouts form the rest of the story.

Murali returns to his home in Kerala after working in the Gulf for seven years. He decides to settle in his hometown, but things do not go as expected.

A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.

Raju who rents his Badshah for weddings, meets Baagi who has been in quench of real love after her step-parents try to get her married against her wish. How did she escape that marriage is the crux of the story.

A young man meets his childhood love one rainy night in the city of dreams. When they both realise that the desire for more can ruin what is special between them do they listen to their head or their heart?

Horticulture professor Happy arrives in Shanghai and the other Happy along with husband Guddu also lands up in the Chinese city at the same time. Gangsters who’ve come to kidnap Happy and her husband, pick up the wrong Happy, while Guddu and his wife Happy are escorted to a university to deliver a lecture.

Koodikazhca is a 1991 Indian Malayalam film, directed by T. S. Suresh Babu and produced by Thomi Kunju. The film stars Jayaram, Urvashi, Jagadish and Usha in lead roles. The film had musical score by S. P. Venkatesh.

Two step sons of an honest noble man choose different professions. One becomes a police office and the other turns into a goon. The rest of the film revolves around how the two confront each other.

Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?