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Tea War: The Adventures of Robert Fortune

In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea. Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance. In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage. His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. After overcoming innumerable ordeals in the heart of imperial China, he brought back the plants and techniques that gave rise to Darjeeling tea.

Tea War: The Adventures of Robert Fortune

NR 2016
François Mitterrand, à bout portant : 1993-1996

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

François Mitterrand, à bout portant : 1993-1996

9.0 2011
Tenir la distance

It is with Yann Dedet, the great French film editor known for his work with Truffaut and Pialat that the Belgian Joachim Lafosse has chosen to edit his fifth film, L’Économie du couple (After Love), the chronicle of a divorce and its emotional and economic repercussions on the couple and their children. The film shows that the interaction, sometimes fluid and sometimes tense, between two collaborators depends on an “economy of the couple”, whose intimacy is bared to the outside world when the critical step of a first screening for the producers arrives.

Tenir la distance

NR 2017
De la cage aux roseaux

A journey into contemporary French cinema through a series of exclusive interviews with the leading figures of GLBT French cinematography: André Téchiné, Catherine Corsini, Gaël Morel, Olivier Ducastel, Jacques Martineau and other old acquaintances of our film festival. This documentary offers an interesting insight into the official and non-official cinema from the point of view of gender identity. A look behind the scenes: discussing issues like censorship and self-censorship, women' cinema and misogyny, transvestism and homo-eroticism, cinema d'auteur and popular cinema (was the Nouvelle Vague homophobic?). From past to present, from Jacques Demy to François Ozon.

De la cage aux roseaux

8.0 2010
Alexander the Great: The Macedonian

A close look at Alexander the Great - from Macedonia to India. Alexander the Great has always enjoyed a unique status in history. To the Greeks and Romans, he was a hero, to the Arabs, he was a prophet, to Westerners, he is a myth. Alexander the Great Hellenized the ancient world and spread Greek civilisation single-handedly throughout, as far as the borders of India, by relentlessly pursuing his sworn enemy Darius the Great, King of Persia. But what remains today of the "real" Alexander? Of his life and environment? Through the many depictions of the hero and the archaeological traces of his triumphant conquest, this film portrays the legendary figure, who has always been, and continues to be, a great source of inspiration, even for artists of today.

Alexander the Great: The Macedonian

6.3 2011
Holy Field Holy War

Film art as a vehicle for denounce. This time, documentary film maker Kowalski chooses the seemingly quiet Polish landscape, a land chosen for gas drilling, making a careful examination through a cautious revision of the tracks left on the fields and the sincere confessions of discontentment of the farmers who witnessed the terrifying consequences of the intervention of great international corporations in the fields of Poland. The landscape in this resource-exploited land is infested by an invisible menace. With a special interest in the gaze of the oppressed, Kowalski delivers a somehow melancholic film, revealing a declaration of love to the land and nature before they go into oblivion.

Holy Field Holy War

NR 2014
La Voie Bonatti

In October 2010, two of France's top mountaineers, Christophe Dumarest and Yann Borgnet, fulfilled a mountaineer's dream: a six-day alpine-style ascent of Walter Bonatti's great routes through the Mont Blanc massif. Dumarest and Borgnet first climbed the north face of the Grandes Jorasses; they then climbed the Grand Capucin and the Pilier Rouge du Brouillard, completing their feat with the ascent of Mont Blanc. Their paragliding descent in Chamonix completes their feat with a touch of fun. The climbers and the director made the ethical choice not to use helicopters to shoot the film.

La Voie Bonatti

10.0 2011
Matière Première

The journey proceeds on desertic lands. Starting with the laborers quarrying red dirt at open-air mines, it follows the iron ore all the way to the ocean, aboard the world's longest train. At the end, the wrecks scattered on the beach announce the voyage's end. Meanwhile, bound for prosperous countries, the cargo of valuable ore is heaped into the holds of ships at the dock. This film uses the pinhole camera device, one of the earliest ways of capturing reality. The technique yields an unusual perception of the desert's geology, light, machines, and men.

Matière Première

NR 2015
Un bébé pour mes 40 ans

The attractive Béatrice Laune has a brilliant career, recently crowned with the award for best advertising creativity of the year. A well-deserved reward, as Béatrice has devoted her entire life to her work. The only fly in the ointment is that, for some time now, the young woman has been fainting every time she is confronted with a baby! The medical diagnosis attributes these episodes to a repressed desire to have a child as she approaches her 40th birthday. This situation disturbs Béatrice to the point where she becomes fixated on one idea: having a baby for her 40th birthday!

Un bébé pour mes 40 ans

6.8 2010