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In India, a country in the throes of a human-wildlife conflict crisis, a unique anomaly exists in the villages of the Charotar region of Gujarat. Here, people live in harmony with India’s largest freshwater predator - marsh crocodiles, or muggers. Charotar has had less than 10 attacks in the last 10 years even with growing populations of both humans and muggers. But it’s a little more complicated than just tolerance. Phir Bhi (Even So) follows the crocodile-friendly people of Charotar to understand what makes their coexistence with their reptilian neighbours possible and what threats it faces. This is a story of how the power of community and the unrelenting work of grassroots conservation organisations can make a big difference to our shared future with animals.

A comedic short film that tells the fictional life of Eduard Schulze in 10 scenes.

Alba is a transsexual woman who has left behind an unresolved past, a sudden evening thunderstorm forces her to go up on the terrace, an unexpected meeting will upset her life.

As a major retrospective of her work takes place in Paris from May 2026, this documentary looks at the fascinating life and work of Hilma af Klint (1862-1944). A relative unknown, the Swedish painter was a pioneer of abstract and modern art, pre-dating Kandinsky and Mondrian with many of her mystical paintings only discovered decades after her death.

The directorial debut of Jacob Hart, Blood Bond tells the story of Mathew, who is something of a loner, meeting someone who has just a bit too much in common with him...

During a cozy evening in front of the tv with sparkling wine and creamy tarts, Betty tells her friends Stefan and Gesa about her four-month stay in a neurological research institute, which results in them eventually revealing absurd and formative experiences from their own pasts. In the background other figures lurk, waiting for their chance to butt in and add their own to cents.

A young girl travels to the old house of a relative to be in solitude. She spends her time alone playing, writing and sleeping.

This film denounces intensive livestock farming by evoking the imprisonment, sadness and resilience of a cow separated from her calf, in a heavy and poignant atmosphere.

Report on the creation of the painting "Xota Valseada", by Lito Portela. An afternoon where the union of painting, dance and music was celebrated.

Artist and filmmaker Karimah Ashadu presents an intimate portrait of body builders in the heart of Lagos’ slums striving to attain a hyper-masculine ideal, continuing the artist’s research into issues of socio-economic independence and patriarchy within the context of West African culture and society.

Setlist: "Ride the Lightning (Metallica cover)", "Enter Sandman (Metallica cover)", "Creeping Death (Metallica cover)", "For Whom the Bell Tolls (Metallica cover)", "St. Anger (Metallica cover)", "Blackened (Metallica cover)", "Master of Puppets (Metallica cover)", "Seek & Destroy (Metallica cover)", "One (Metallica cover)"

'Canto rodado' (rolled stone) as a stone rounded by the erosion of a watercourse or other natural process, as the act of singing, as a form of division in a poetic work, as something displaced and rolling around, as something repeated, rehearsed, and 'rolled' through the language of film.

In a sport dominated for decades by border collies and conventional thinking, an unfancied, backwater team gambles on Hustle — a tiny, mercurial whippet considered too untrainable for the sport. From that moment everything changes. What unfolds is an intimate, uplifting story of community, belief and overlooked talent, as they chase their dream all the way to Flyball’s greatest stage: Crufts.

Hsiao Le tries to reconcile with her friend by inviting her to fulfill their old promise to set off fireworks at the summit of a mountain. Through their conversation, she realizes that the changes in their lives are irretrievable, forcing her to confront the reality of their altered relationship.

Summer, the Pont d’Arc, the Chauvet cave, tourists: the film presents a lively territorial study with musical accents that open up gaps in space and time. This is a dream chronicle of a drift along the Ardèche, between canoes and underground caves.

Graffiti documentary covering the history of graffiti, the opinions on the topic from a wide range of people and a close insight into a graffiti crew based in the West Midlands.

Seeikokan III is a direct animation work using ephemera and excess 16mm footage from the production of Available Light.

Three figures, each isolated from society, go on a journey of transformation. One trapped in a room of voyeuristic eyes, another whose body is changing in ways they can’t comprehend and the other hidden behind a mask they cannot remove. They each struggle to free themselves, accepting transformation; breaking the mould and becoming their true selves.

On the reality and appearance of migration on both sides of the border.

An intimate look at American artist Nancy Atakan, who has spent 50 years balancing life as a visible minority in Istanbul.

As the vampire Ray Von Rabenstein looks out from his balcony at the luminescent moon. He reminisces about the incident that turned him to what he is. And after, with determination, accepts his role as the moon prince.

In Germany, the memorable performance by reggae artist Alborosie and his band, the Shengen Clan, at the 2025 Summerjam Festival.

Six disabled comedians perform on a bare sound stage, confronting taboo subjects from transphobia to religion. With no laugh track or live audience, the onus falls on cinema-goers to decide what is laughable.

A gloomy room, a female body, a mirror in which clouds of smoke incessantly drift away. We are also surrounded by hypnotic whispers.

A journey through a universe shaped by voices.

Anthony Handfield and his best friend Clouse Hinsky are two party fuelled boys walking home from a party, but they discover that Anthony's father has been murdered and his severed head pickled! The killer possesses a deadly perfume and Anthony must stop him!

After Vivian’s grand-mother’s passing, her children are trying to empty her house. During a break, they stop to look at family pictures all together. Reminiscing about the past, they remember Krinkrin, the plush they all used to share. To avoid conflict, Vivian proposes a deal: finders, keepers. The hunt is on: who will get it?

Rectangle Boundary explores the concept of the image and its spatial boundaries. The work deconstructs the perimeter as a static element, revealing dynamic shifts along the edges of a rectangular structure.

In 2001, Francisca finds herself torn between two worlds: the one she left behind, with her father fighting in the streets of Argentina, amidst the chaos of the corralito, and the new one in which she experiences profound emotional distress as she adapts to her new life in Spain.

Explores the fragile choreography of connection and detachment, through a moment of social rupture in a public park. A woman’s voice recounts a story that unfolds alongside a single, tremulous image: a table and two stools in the snow – abandoned, or expectant – filmed by an unsteady hand.​

From an idea by Giuseppe Vespo.

Meditation of thought carried out by circles.

A short film.

This is the treacherous tale of a man knowing too little of what he wants and a woman believing too much in what she hopes to be true. Their story centres connectivity, the sweetness of feeling and how small actions can build a picture that is overwhelmingly big and increasingly mythical. Uncertainty courses through its veins but here it breathes. This film is made up of the hours of VHS footage that couldn't make it into the 30-minute-long film Fitting Room that will follow it. Here we will see Callum and Imani return, in a few months after the world of Nothing Belongs To Me Alone ends. Its title is borrowed from a poem I wrote. The documentary aspects also capture the filming of Fitting Room and allow the relationship between these two people to play amongst reality.

Solposto is a very curious place. We accompany Miguel and Maruxa in their daily lives as residents of the village.

Photographer Chris Gleave reflects on his experience capturing the 1996 IRA bombing on Manchester City Centre.

Félix, a young actor in the midst of a personal reckoning, finds himself torn between the expectations of the public and the industry, and a deep unease at having to play yet another role that no longer reflects who he is. One night, an unexpected encounter shakes up his world. Drawn to the possibilities of a vibrant world where he could finally be himself, Félix faces a choice: continue performing a role that no longer belongs to him, or take a leap into the unknown to fully embrace his transformation toward a new identity.