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Figure 1

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

Figure 1

NR 2021
Portrait of Kaye

Restricted by her lifelong agoraphobia, Kaye has spent most of her life within the four walls of her parents’ house. Finding relief from her fears in the faces and lives of old film stars, she pastes their images alongside those of her deceased family on the walls of her house, creating a kaleidoscopic collage that mixes personal history with Hollywood fantasy. Told first-hand via freewheeling monologues, Portrait of Kaye is a bittersweet portrait of a woman forming her own unique identity while navigating the conflicting influences of her mother’s bawdy humour and her father’s anxieties. Now 74 and recently widowed, her infatuation with a younger neighbour gives her an opportunity to explore personal and sexual freedoms that have always been hidden away. Shot over two years, former next-door neighbour and music video director Ben Reed has assembled a unique and touching meditation on family, film and the meaning of freedom.

Portrait of Kaye

NR 2021