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Lucie sur Seine

Louis works for a dry cleaner in the Parisian suburbs. He lives in a council flat with his wife, Chantal, who works as a cashier in a local supermarket. Their relationship is tumultuous and lackluster; Louis longs to escape his humdrum existence. He wants to find a truck to drive to Lebanon. To carry out his plan, he commits a robbery at the supermarket where his wife Chantal works. His plan goes wrong when he fatally wounds a store employee and a security guard. He manages to leave the supermarket unharmed, his loot in his pockets. However, one person witnessed the gruesome scene: Lucie, another cashier. Why does this woman, who seems to have all the evidence to incriminate him, remain silent? Louis is determined to get to know Lucie to better understand the intentions of this mysterious man.

Lucie sur Seine

7.0 1982
Faubourg St Martin

Imagine a slightly dilapidated three star hotel in the tenth arrondissement run by a very distinguished lady with moral fibre and panache, Mrs. Coppercage. Alongside tourists visiting Paris, Mrs. Coppercage rents three rooms to three women at a monthly rate. Each woman is marked by life, yet they go on as best they can, never closing their eyes to the world around them, or to the men who impatiently await them. Faubourg Saint Martin opens as a love story and ends like a song as shots ring out and punctuate the chorus.

Faubourg St Martin

5.4 1986
Police

Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

Police

6.0 1985
Adieu Bonaparte

This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet and falls in love with two young Egyptian brothers, reflecting complex themes of colonial desire, affection, and personal connection.

Adieu Bonaparte

5.9 1985
Boulez-Répons

In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

Boulez-Répons

NR 1985
Our Nazi

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.

Our Nazi

8.7 1984
The Big Brother

The plot in this story weaves around like a New Year's reveler at four in the morning, heading first in one direction and then in another, with the intention of going home if things would just stop moving. Bernard (Gerard Depardieu) is a doctor whose Hippocratic oath was a hypocritic failure -- the not-so-good doctor kills his wife because she is having an affair, and he kills her lover too. Then he joins the French Foreign Legion. On his way to the former French colonies in Africa, the plane he is in crashes, and Rossi, a "friend" on the plane with some overweight in carry-on money, shoots Bernard and takes off, leaving him for dead. He is nursed back to life and health by friendly villagers and just his luck, he not only manages to make his fortune in Africa, he also nabs a French passport from a dying man who will clearly not need it anymore unless the Pearly Gates have a French guard.

The Big Brother

6.1 1982
Let Sleeping Cops Lie

This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear.

Let Sleeping Cops Lie

5.5 1988
Take Your Ten Thousand Francs and Get Out

In 1980, Lionel Stoléru—France’s Secretary of State for Migrant Workers—introduced a "repatriation grant" of 10,000 francs (known as the "Stoléru million"), paid to immigrants who agreed to return permanently to their countries of origin. One Algerian family decided to leave France. Upon arriving in the small rural town of Boufarik, Algeria, in a brand-new Peugeot 404, they caused a scandal. Their liberated ways drew the villagers' ire, and the two children knew nothing about Algeria or local customs. The film was selected for the Cannes Film Festival in 1981, and in 1982, it won the Critics' Prize at the Chamrousse International Comedy Film Festival.

Take Your Ten Thousand Francs and Get Out

9.7 1981
Frankenstein 90

French cybernetics genius Victor Frankenstein carries on the work of his notorious ancestor and creates a monster, albeit one with a penchant for philosophy, etiquette and occasional bouts of murderous rage. But when the creature develops a hunger for l'amour, Frankenstein and his understanding fiancé use a cache of freshly murdered strippers to build the creature a beautiful yet dutiful bride. Can the undead find true love in a cold world, or will the French ways of passion unleash some monstrous surprises upon them all?

Frankenstein 90

5.8 1984