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Just One: The True Story of Patient Zero

“Just One: The True Story of Patient Zero” tells the story of the person commonly referred to as “patient zero” — the first Soviet citizen diagnosed with HIV. The official history of the epidemic in the USSR begins with this 1987 case, a crisis that has since affected millions in Russia: those living with the virus and those who have died from AIDS. Yet almost nothing is known about this individual. The few existing facts have long dissolved into myths, propaganda, and misinformation. No photographs, no footage — nothing. The biography of “patient zero” had to be reconstructed from scratch, turning the film into a historical investigation.

Just One: The True Story of Patient Zero

NR 2025
Kick-Off

In the remote village of Kök-Tash, Kyrgyzstan, where conservative norms confine women to domestic duties, an activist organizes a women's football tournament to challenge these patriarchal traditions. Stunningly filmed, visually captivating, and quite evocative, Kick-Off demonstrates how athletics has the power to break taboos, opposing the norms of traditionalism, while promoting gender quality in rigidly patriarchal societies, where women are left with no choice but to occupy the margins of solely inflexible, highly restrictive roles. Sports and play, being the most natural expression of human joy - unbound by limitations and uncontained, are the best response to the sullen "no's" imposed by any form of oppression.

Kick-Off

NR 2025
Piranesi – Visionary of Shadow and Stone

The name Piranesi evokes a world of mystery and imagination. The Italian architect, engraver, and archaeologist gifted us with dreamlike visions – labyrinthine spaces where stairways lead to nowhere and shadows stretch into the unknown. At the same time, he celebrated the monumental beauty of ancient Rome in his iconic vedute – vivid panoramas of the “Eternal City” that spread far and wide across Europe. But who was Giovanni Battista Piranesi, the man behind these extraordinary creations? Very little is known about his life and inner world. This documentary seeks to trace his footsteps, to delve into the enigma he left behind and to bring us closer to understanding the mind of a genius who built entire worlds on paper.

Piranesi – Visionary of Shadow and Stone

NR 2025
Barbara Morgenstern – Doing It for Love

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

Barbara Morgenstern – Doing It for Love

NR 2025
Peng. Von Augenblick und Ewigkeit

Peter Engelhardt - aptly named “PENG” - has dedicated his entire life to good design: as a renowned designer as well as a collector of everything that makes up everyday life in the 50s, 60s and 70s ... The well-known and the nameless, the precious and the superfluous, the special and the everyday. The Engelhardt collection once comprised over 30,000 objects. But the more Peter collected, the more space he needed - and the less money he had. The last stop for the time being: a dilapidated industrial wasteland near Bingen, rainwater and theft the biggest enemies. The preservation of the collection - or rather the fight against its destruction - in the old mine in Waldalgesheim became the 78-year-old's life's work.

Peng. Von Augenblick und Ewigkeit

NR 2025
The Shipwrecked Triptych

Mutiny: Some caregivers party in a New Year’s Eve nursing home. Boarding: A Congolese family living in Germany is visited by a pretend social worker. Adrift: A man crushed by his community wanders in the medieval German countryside. Spanning three interlinked but stylistically distinct films, the triptych navigates the metaphoric and literal topographies of shipwreck as both rupture and reckoning, building a suggestive meditation on exile, identity, and the fractured condition of modern belonging.

The Shipwrecked Triptych

NR 2025
So Long Since I've Known a Spring

Director Alexandra Bidian goes to Romania, the home country of her late father. She invites her mother and sister along to the land where they used to spend their summer holidays, but this time in search of memories. It is her attempt to address and voice things, and her means to understand the man who wrote a lot and spoke very little, and about whom much remains in the dark. When her father came to Germany, he already had a life behind him – including decades of political involvement, which was documented not only by him, but also by the Securitate, socialist Romania’s secret police. Bidian combs through old boxes, reads letters, and peruses files. But instead of answers, she is left with more questions. A road trip to the past, and a letter to her father. Using archival material, family pictures, and interviews with friends and associates, Bidian tries to track down who her father was – and how her own story is intertwined with his life and his actions, as well as with his losses.

So Long Since I've Known a Spring

NR 2025
Hope Road

In an age of overlapping ecological, political, and social crises, the question of care and responsibility takes on enormous significance. Who cares for whom, and under what conditions? How can we think of care beyond normative role models, structural isolation, and exploitation? In light of the climate crisis, wars, growing social inequality, and the profound experiences during the pandemic, one thing is clear: without radically rethinking care work, a more just future cannot be achieved. The group screening brings together three video works that deal with practices of care. Starting from the private sphere, the works develop perspectives on care beyond the neoliberal burden of personal responsibility and examine how solidarity can be conceived and lived.

Hope Road

NR 2025
Killing Time: The Science of Boredom

Repetition is ever-present, life seems to lack meaning, and one feels insignificant. Apathy, melancholy, exhaustion—the same concept under different names. Boredom is a spectrum on which everyone has found themselves at some point. In everyday moments, such as folding laundry, taking a bus, or performing work that has lost its purpose, it becomes a silent companion. The film explores boredom, its causes, and how people cope to avoid frustration and maintain mental balance.

Killing Time: The Science of Boredom

NR 2025
Masterplan – Das Potsdamer Treffen und seine Folgen

In November 2023, right-wing thought leaders, politicians from the AfD, CDU and Werteunion, as well as numerous entrepreneurs, met behind closed doors at the Landhaus Adlon in Potsdam. The topics discussed at the meeting were never intended to be made public. But weeks later, the media company Correctiv published the explosive contents of this conference, as investigative journalists were also present undercover. The revelations caused a stir and triggered the largest protest rallies against right-wing radicalism in the history of the Federal Republic of Germany, with more than three million people nationwide. Suddenly, Germans were discussing a word that hardly anyone had known until then: "remigration." Award-winning documentary filmmaker Volker Heise tells the story in a fact-rich, gripping, and unpretentious way, like a political thriller, bringing together the voices of those who were part of the meeting and those who exposed it to create an illuminating overall picture.

Masterplan – Das Potsdamer Treffen und seine Folgen

NR 2025