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you're a plant whisperer and for me, it's enough

you’re a plant whisperer and for me, it’s enough studies the materiality of the analog image and the relationship between the musicality of the image and sound, in an attempt to create an introspective atmosphere. The video consists of two monochromatic shots generated using a VHS video mixer, each combining with a figurative image shot on Super 8 film. Treating colour as a conductor of emotions, all the images evoke inaccessibility, perfection and dream, in parallel with a meditative and transcendent soundtrack.

you're a plant whisperer and for me, it's enough

NR 2019
Farewell Regent

What happens when the largest redevelopment in North America dismantles the place where social housing began? Will the community and its residents ever be the same? Farewell Regent is a 90-minute documentary that captures the Regent Park community of downtown Toronto (the place where social housing began in Canada) in the midst of the largest housing redevelopment project in North America. With this transition, it will go from a site of 100% social housing to a mixed-income community where condo units will outnumber the social housing units 4 to 1. The documentary profiles past and current tenants, city officials, developers and housing advocates to get an inside view of the complex issues, emotions and drama that are involved in such a massive redevelopment.

Farewell Regent

NR 2019
Don't Believe The Hype

DBtH! is a silent looping video intended for screening on public surfaces in gay neighbourhoods across Canada. It beckons viewers with sensuous displays of queer public affection paired with scrolling text that both provokes and informs. This site-specific work claims public space for queer intimacy and political imagining at a time when Canadians are being encouraged by both the federal government and LGBT civil society organizations to celebrate the so-called 50th anniversary of the decriminalization of homosexuality.

Don't Believe The Hype

NR 2019
Beyond The Spectrum: Maussan's UFO Files

Watch his story unfold as we recount his rise as a journalist covering some of the most controversial UFO events seen across Mexico in history. Jaime Maussan started his career in journalism at some of the highest profile news agencies in Mexico, including 60 minutes and TV Azteca. His ambition and powerful desire to tell stories at a feverish pace led to the creation of his own news reporting agency Tercer Milenio which still has a growing base of over 2 million viewers a week internationally.

Beyond The Spectrum: Maussan's UFO Files

NR 2019
Laughing Fishes Gave Me a Lift

"Laughing fishes gave me a lift is a meditation on the time I spent in the Yukon, Canada, this winter. Every day of the three months I lived there was marked by going out onto the ice of the Yukon River and collecting sound recordings. The images followed. The film reflects on the vastness of the white expanse, the punctual yet overarching human presence in this landscape, the dialogue between a personal, physical relationship that one is bound to have by living on this land and the unfading notion of a romantic wilderness associated with it." -Alisa Vostikalp

Laughing Fishes Gave Me a Lift

NR 2019
BIRTHMARK

Inspired by a flashback about his birthmark, filmmaker Lester Alfonso is convinced that making a film will help confront a distant trauma rooted in cultural superstition. A follow-up to his award-winning film Twelve (2009), BIRTHMARK is a wry, sensitive, and candidly confessional exercise in creative anthropology. Soliciting fellow mark-bearers to add their testimonies to his own, Lester documents his journey to find peace and forgiveness, and to quiet the voice in his head. “It’s not only about the marks we are born with but the marks we imagine for ourselves.”

BIRTHMARK

NR 2019
Water Over Glass

In "Water Over Glass," the tension of a mind adrift and in conflict with itself is captured and bookended visually by the vast mutability of sea and sky, where water and air surfaces suggest both static and the dissolution of the individual. A doppelganger, a crime scene and the tidal erasure of what might have taken place: discomfiting moments in a bright, almost psychedelic, arc. Assembled from 16mm, Super 8, and digital video, stop motion collage and digital compositing animation, "Water Over Glass" works backwards from an original story by Jason Zumpano and its musical articulation—Vancouver outfit The Cyrillic Typewriter’s 2018 album of the same name—to suspend a visual form over a sonic narrative.

Water Over Glass

NR 2019
Lover Man

The heart of the matter is friend and mentor Mike Cartmell in an outtake from Alan Zweig’s Vinyl (2000). Mike insists that listening deeply to music, the music of Coleman Hawkins for example, is an authentic relationship, equal to human company. The movie closes with Hawkins playing one of his signature tunes, the jazz standard Lover Man, along with Cozy Cole (drums), Barry Galbrath (guitar), Johnny Guaneri (piano) and Milt Hinton (bass). The midsection is occupied by an outdoors swimming pool, along with a voice-over extolling the virtues of frustration.

Lover Man

NR 2019