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The Shouting Flower

A work about collaboration and process, "The Shouting Flower" approaches political resistance from multiple subject positions--plant, child, filmmaker--in an attempt to model what Anna Lowenhaupt Tsing calls "work across difference." Using images processed in plant material that was gathered at key locations throughout the city, as well as direct animation and audio recorded on a child's toy, the film documents its own creation within a landscape of hostility and neglect.

The Shouting Flower

NR 2018
Soy un ser cuyas raíces // I am a being whose roots

Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish and German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration, labour, exile, and hemispheric relationships.

Soy un ser cuyas raíces // I am a being whose roots

NR 2018
The Moons of Palaver

Both sonically and visually, The Moons of Palaver celebrates the rhythms, patterns, resonance, and lyrical elusiveness that can be found or sought out on any particular evening. The original material is a result of an intervalometer test of soft focus automotive headlights shot in the early 2000’s. In 2017, the footage was rediscovered and reworked into a composite of various arrangements engaging in the filmmakers preoccupation with abstraction. The audio arrangement is a collage of various found material which was originally recorded in the late 1960’s. As a whole, the work creates a spectrum of proximities.

The Moons of Palaver

NR 2018
Midian Farm

If it had happened in America, MIDIAN FARM would be a Hollywood script. Instead, its legacy is memorialized through a compelling point-of-view historical Canadian documentary. From 1971 - 1977, MIDIAN FARM was a back-to-the-land social experiment created by a community of urban baby boomers from Toronto. Part of the youth counterculture movement during a period of social and political re-imagining, its utopian vision eventually collapsed. More than four decades later, filmmaker Liz Marshall unearths a transformative piece of family and Canadian history.

Midian Farm

NR 2018