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The urban legend of the "cotton girl." The dead girl appeared in the bathrooms of schools to terrorize children.

Antônio wants to give his girlfriend, the prostitute Ioiô, a star. He meets a Salesman who claims he can get one for him, with certificate included! After many negotiations, Antônio finds out he has been taken in.

Built as a letter to JK in his centenary, the film shows what remained in the memory of Brazilians 26 years after his passing in a car accident in August 1976.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

In the middle of his crazy day, a man tries to remember if he closed a window at home.

"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal journey across times and space. Through travel, photographs, letters, and phone calls he explores the unpredictable ways in which immigration creates both bonds and distance between people and places. "Bs.As." received various awards including the Premio Foco Galicia (Tui, 2007).

To celebrate the life and the work of a multifaceted creator – playwright, poet, partner of the most important names of Brazilian pop music and, above all, an enlightened character of the Brazilian cultural history - director Miguel Faria Jr. gathered an incomparable cast of partners, singers, friends and rare images from the archives recalling Vinícius’ genial simplicity, with the spontaneity, the humor, and the freedom of a person chatting over a bar table, exactly how the eternal Vinícius would enjoy.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.

Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.

This program from the Brazilian Historical Panorama series proposes a reflection on the 60s in Brazil based on its audiovisual memory. With excerpts from texts and opinions by Augusto Boal, Lygia Clark and Torquato Neto, among others, scenes from movies and newspaper headlines, the documentary allows the 1960s to speak for itself.

The body of a dead transgender woman is being prepared by others trans people for the burial. Later it is delivered to the original family, that decides to bury her as a man. A trans person cortege moves toward the wake to reclaim the deceased’s built identity.

At the end of a tough workweek an assistant congressman and his friend go to an abandoned room in the Capitol building to relax and smoke a joint. While trying to unwind the assistant congressman complains about his job. He is doing all he can to cover up his boss' scandalous sex affair but nothing seems to be working. "Things can't get any worse", he proclaims. . . but they do!

The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.

Jorge, a frustrated funeral home office boy, falls in love with a name: Laissa Golf, and deducing that such a name can only be a hot one, he travels through the city of Alvorada in search of that great love or the romantic disappointment of n ° 1,347.

In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil

This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.

Grupo Galpão's adaptation of the play "The Imaginary Invalid" by Molière

José Costa is a Brazilian ghost writer. Returning from a ghost writers convention his airplane is rerouted to Budapest. His life is also rerouted when he meets Krista and with her help, learns "the only language in the world which, according to the tongue-wagers, the devil respects.

João Moreira Salles' "Nelson Freire" is a film-documentary about the great Brazilian pianist, who is certainly among the five great pianists of the world today. Nelson Freire is a quite discreet / shy person and João Salles respected this feature of his personality. During almost two years he followed the pianist around the world to compose a film, made of 31 thematic sections to cover the many aspects of the life of this genius of the piano.

Three black teenagers walk around town. The two boys laugh at their own racist jokes while the girl watches them in silence.

This documentary gives a look without prejudice into Down syndrome, exposing families and individuals with Down syndrome. Parents discloses their experiences from the moment the doctors tell them that their babies have Down syndrome and how they supersede their initial rejection by the feeling of the motherhood and parenthood. But the most important, the director and writer shows how the patients with Down syndrome may succeed in their lives, dancing, practicing sports, reading and even loving and getting married.

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Four people with different values and standards meet in the urban chaos of Copacabana. Rita and Waldick come from the country, and befriend two Rio de Janeiro native guys, upon arrival: the playboy and surfer Paulo Roberto and a pimp called Tim.

A coming of age story about a boy in RIo de Janeiro, Brazil who, after his father's death, finds out about his family and where he came from.

The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal.

Short inspired by the dramas of George Kuchar, it starred Elio Copini, Everson Schütz and Coffin Souza. Despite being an extremely homemade production and made with friends in a moment of supreme fun, it shows what director Petter Baiestorf thinks about religions and their fanatical followers.

The city of São Paulo in its continuous process of construction and deconstruction, seen from the microcosm of a construction site, its workers and as several machines in full activity.

Documentary about the birth of bossa-nova, in Brazil, and the major stars of this musical style.

Documentary about the frustrated insurrection of 1935 that resulted in the consolidation of the absolutist government of Getúlio Vargas in Brazil (1930-1945).

Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.

History of Renner, football club champion Gaúcho undefeated in 1954. A rescue of the time formed by players, former workers of Renner companies, who overcame Grêmio and Internacional. The feat made alive in the memory of several generations

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

Documentary on the life and times of one of the most prominent Brazilian samba composers, Cartola (Angenor de Oliveira).

A humble family receives a real Greek gift: a luxury car, which cannot be sold for two years. To make matters worse, no one knows how to drive. Time passes, and the automobile ends up having quite unusual uses.

"Ao Vivo em Goiânia" is the fourth DVD of the Brazilian musical group Banda Calypso, recorded in Goiânia on October 5th and 6th, 2007, it brings a show full of new songs, with only 4 songs already known. It was released in November of the same year. It brought a different show full of musical influences, and a participation of the duo of composers, Edu & Maraial (Edú Luppa and Marquinhos Maraial).

Botinada chronicles the origins of punk rock in Brazil, its first phase (1976-1984) and the whereabouts of its protagonists. Were 4 years of research, interviewed 77 people, thousands of hours in editing rooms, 200 hours of video and many rare and unpublished images compiled for the first time. Botinada brings out this amazing story told by punks who experienced body, soul and leather jacket this chaotic journey.

Brazilian short film, directed by Julia Murat.

The film tells the story of the knight Jorge before he became a saint.

Thiago lives with his family on an isolated farm in the arid backlands of Minas Gerais, Brazil. As the story unfolds and Thiago is forced to confront separations and betrayal within the home, Thiago begins, little by little, to see and understand a place that he had never been able to before, thus slowly letting go of his innocence.

Penthouse residents of Rio de Janeiro, São Paulo and Recife open up their homes to reveal their thoughts on social inequality, politics, and the world that surrounds them. As well as discussing more intimate subjects such as their desires, fears, insecurities, prejudices and personal histories. This is a film about height, status and power.

Smilingüido and Piriá go out into the woods to do research for Mestre Formisã's class. What they do not know is the great discovery they would make: an invasion of the Sauvitas Ants in a large area of the forest. The two friends need to run to tell the queen what is happening, leaving the Formigamigas before an impasse: Did the Sauvites break the agreement? What if the Sauvites do not back down?

Franjinha, the inventor kid in Monica's gang, tired of reading the comics, invents a new device to read the stories: a kind of a story-processor, that swallows the printed pages and projects the scenes in movement, on the wall.