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Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

One of the most daring and radical shows presented in Brazilian television: "Abertura". It was broadcast between February and October, 1979, with weekly editions, presented by Brazilian filmmaker Glauber Rocha. The video is a compilation of characters, statements, and interviews about the political and cultural situation of the country during the final stages of the Military Dictatorship.

Also known as A World Apart, this Brazilian documentary series by Arne Sucksdorff was produced during his years living in Mato Grosso with his wife Maria da Graça and local collaborators. Filmed between 1970 and 1976, it records everyday life, landscapes, and wildlife of the Pantanal wetlands, highlighting both the beauty of the region and the pressures facing its environment. Combining observational footage with an ecological perspective, Mundo à Parte extends Sucksdorff’s work in På jordens baksida (1972), continuing his exploration of Brazil’s natural world and the communities who live within it.

Residents of the city of Parada 88, contaminated in 1994 due to the explosion of a chemical industry reactor, live in plastic tunnels, the only way of life that can guarantee their survival, since oxygen, which has become a good consumption, used needs to be reused so as not to generate more expenses. One day, Joaquim wins a lottery that gives him enough money to pay for his and his family's oxygen; but to claim the prize, he'll need to go to the ruins of the factory to collect news from a group of contamination experts adventurers posted there.

The first short featuring Monica and Friends. It introduced the song "Feliz Natal pra Todos", which has now become an iconic Christmas theme to the gang. In the special, Monica, Jimmy Five, Smudge, and Angel decide to build a chimney to wait for Santa Claus.

Caseli, a young writer and teacher, creates in his imagination characters who would frequent a motel, the subject of the book he is writing. He and Dilma, his student, decide to spend a night in a motel in Rio, where eight couples meet: - Fábio, visual artist and Stefânia, fashion editor of a magazine; - Ferraz, flirtatious dentist and his secretary Cleonice, shy and virgin; - Vera, wife of Ferraz and Kiko, big boy from Ipanema; - Leopoldo and his wife, an elderly couple celebrating their golden anniversary; - Detective Camilo and his assistant Dorô, who try to catch Vera in the act of adultery; - Renato, on vacation from São Paulo and Cláudia, a woman he recently met in Rio; - Gustavo and Lazinha, a couple who use extravagant artifices to achieve sexual fulfillment. In the middle of the night, the corpse of an unknown man appears, and the arrival of the police determines the most diverse outcomes for those who were looking for just one night of love.

Um é Pouco, Dois é Bom is a Brazilian film, with an urban theme, produced and filmed in Porto Alegre, Rio Grande do Sul, in 1970. The film is divided into two parts (Com um Pouquinho de Sorte and Vida Nova Por Acaso) that have different character cores and independent narrative structures.

Brazilian singer Elis Regina performing at the Villaret Theatre in Lisbon, 1978.

Portrays the life of Vicente Celestino, a singer and composer of Brazilian popular music, who died in 1968. It shows his childhood in Rio de Janeiro, his professional debut at the Teatro São José, his first record, Flor do Mal, his participation as an actor in the Cia. Leopoldo Fróes, the gold record that was offered to him by the people, the numerous operettas and sacred plays in which he worked, his marriage to Gilda de Abreu, and original scenes from the films O Ébrio and Coração Materno, where he acted as both actor and singer.

Deutrudes Carlos da Rocha, a 24-year-old Brazilian, black, illiterate, is a car washer and lives in São Paulo. Through his testimony and also holding the camera, he brings us closer to his experience and vision of the world.

Jorge Amado no Cinema was made for a television program dedicated to the writer Jorge Amado. In this documentary, Jorge Amado is filmed in his home, surrounded by his large family; in a bookstore, during an autograph session of one of his books, in a cinema in Salvador, at the avant-première of the film Tenda dos Milagres, by Nelson Pereira dos Santos, an adaptation of the book of the same name by Jorge Amado. Glauber films his friend with a lot of humor and affection. The camera evolves slowly, incessantly and quickly over the writer, his family members, actors and actresses from Nelson's film, in addition to passing through objects of candomblé rituals that make up Jorge Amado's museum.

A community daycare experience in Vila Kennedy, Rio de Janeiro, where resident mothers works in the neighborhood.

Bento de Souza, a devotee of São João, is not reciprocated by his wife, Inocência, who cheats on him with Trindade, a rogue who lives off Bento himself. That year, disgusted by the rumors about him, Bento decided to expel Trindade from the house.

A millionaire Aníbal sponsor a car racing, the "Youth's Rally". A couple, Helena and Fernando, want to be part of the competition but after a fight between both, they decide to compete in a team only with men and another one with women.

Documents the arrival of progress with the construction of the Belém-Brasília highway, to improve the living conditions of the people in the cities in the interior of the country. It also presents interviews with people from the region, who express their opinion about the benefits brought by the highway.

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others.

"Seven women on motorcycles, through Via Dutra, go to the Baixada Fluminense, a microcosm of Brazil. Diving into the memory and questioning the behavior imposed on women, they seek to rescue the strength of the feminine. The new woman, born in the Brazilian land, incorporates the Amazons and Santa Guerreira. At his side, the new man, more loose and creative. Closing the cycle, the initial road is resumed. " (HBH / QC)

Mario Lago performing at TV Cultura in 1973.

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

The film focuses on Black writer Carolina Maria de Jesus, who lived in a favela.

Rogério Sganzerla’s lost film. The only existing copy was lost in 1992 and the negatives are lost. It tells about the history of Betty Bomba, an exhibitionist woman.

The origins and activities of the Academy, culminating in the election of the first female academic: Rachel de Queiroz.

Unfinished and lost film, which would originate the Cycle of Marginal Cinema of Teresina in Piauí, starringbyClaudete Maria and Torquato Neto,hewas shot using a Super-8 camcorder.

A study of the Inca civilization through its artistic architectural structures.

Tatá is a typical Rio de Janeiro guy, easy living, hedonistic, living in an apartment in one of those buildings where everything goes, in Copacabana, near the beach. One day a beautiful new neighbor, Teresa, moves into the apartment in front of his, and he falls in love.

During an orgy of millionaires, a woman is mysteriously kidnapped and killed. The crime causes quite a stir in local society, as the investigations points to a very known addicted playboy. Although it's never said, the film is vaguely based on a real case happened in 1975, when socialite Ângela Diniz was killed by her lover Doca Street, in Búzios, Brazil.

Documentary about João Nogueira, popular singer and composer from Rio de Janeiro

Super-8 short film made in Recife and Olinda, Brazil.