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Blood Oath

On an obscure Pacific Island just north of Australia, the Japanese Empire has operated a prisoner of war camp for Australian soldiers. At the close of World War II, the liberated POWs tell a gruesome tale of mass executions of over eight hundred persons as well as torture style killings of downed Australian airmen. In an attempt to bring those responsible to justice, the Australian Army establishes a War Crimes Tribunal to pass judgement on the Japanese men and officers who ran the Ambon camp. In an added twist, a high ranking Japanese admiral is implicated, and politics become involoved with justice as American authorities in Japan lobby for the Admiral's release. Written by Anthony Hughes

Blood Oath

5.6 1990
Ronan's Escape

This visually stunning short film set in the rural wheat belt of Western Australia, provides a candid insight into the life of Ronan, a 14 yr old boy who's been bullied his whole life at school. This accurate & controversial portrayal of life for someone who has fallen victim to bullying and the repercussions which exist, is told by director A.J. Carter in a unique, exposition intensive format with very little use of dialogue. Ronan's Escape presents arbitrary scenes rather than traditional storytelling which provokes audiences into discussion and interpretation of the scenes on a more personal level while reflecting on their own experiences.

Ronan's Escape

8.2 2010
The Coca-Cola Kid

An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.

The Coca-Cola Kid

5.4 1985
Crossbow

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

Crossbow

5.9 2007
Machete Maidens Unleashed!

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Machete Maidens Unleashed!

6.6 2010
I Am Bish

The film appears at first to be a documentary. Bish, a final year film student, is shooting the documentary for his graduating project. Things change when an unspecified "incident" wipes out the population of Western Australia leaving Bish as the only survivor. At first he enjoys his new found wealth and power, stealing cars, playing golf in expensive mansions and breaking into an Army base to steal an arsenal of weaponry including a Field Gun which he uses to shell the houses of people he didn't like when they were alive. Bish is just starting to become lonely when the zombies arrive and he finds a new lease of life in the challenge of survival. He is preparing to leave Perth when he makes contact with another survivor, Sarah, on the other side of town and he finds the true purpose that had eluded him in his former life - to get to Sarah and get her out of the city. However as the city is now overflowing with zombies this proves to be more than a little difficult.

I Am Bish

3.0 2009
Breaking Plates

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.

Breaking Plates

NR 2024
Live It Up: The Mental As Anything Story

Live It Up is a feature documentary celebrating Mental as Anything, the art-school band whose irreverent humour, visual art and clever pop songs made them one of Australia's most distinctive cultural forces. Following the release of Nips Are Getting Bigger in 1979, the Mentals rose quickly from inner-city Sydney pubs to national fame, becoming masters at capturing Australian suburban life with warmth, wit and playfulness. While success came fast, they never treated it with reverence. Funny, warm and unexpectedly moving, Live It Up explores how Mental as Anything navigated fame, longevity and the pressures of the music industry while holding fast to their humour and creative spirit - revealing why their music continues to resonate today.

Live It Up: The Mental As Anything Story

NR 2026
ECO/FEMINISM

ECO/FEMINISM is an essay film that explores the philosophical theory, ‘ecofeminism’. The idea combines feminism and environmentalism and argues that the oppression of women and the degradation of the environment are interconnected and result from patriarchy and capitalism. This film imagines what a radical restructuring of systems, from patriarchy to matriarchy may look like, and dives into the historical roots of ecofeminism and how it is manifesting currently in climate activism.

ECO/FEMINISM

NR 2024