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PARADISE LTD.

Two apartments are joined together, the demolition of a wall transfers two small flats into a big one. Seven young people move in and share the living quarters. They all have definite ideas about life and living together and want to make them come true. But they don´t really know what they want. Everyday life causes problems and when a merry-go-round of changing relationships among the young people begins to run quicker and quicker, the constant moving from one room to the other ands before the eyes of the astonished house superintendent with the setting up again of the wall which separated the two walls.

PARADISE LTD.

10.0 1986
Le Moteur de l'Action (A.M.D)

"I found that soundtrack abandonned on a shelf in an editing room. It had been hanging about there for a few weeks before I decided to listen to it. There you are, carefully cellotaped in the correct order of the editing rushes, claps, cuts and wrong frames of a film I don’t know anything about. That soudtrack immediatly appealed to me. Its discontinuary and fragmentary aspect, nevertheles made sense, was a sort of transcription in the world of sounds of what had been so for visual in my other films. Moreover, its contents made of sentences or scenes only just introduced or repeated, of questions about identity and the body, the coming in and out of the characters, scenes of seduction and violence, all that mixture permanently interrupted by the unknown director that give his orders : "Ready ! Motor ! Action !" in short, all this gave the film a mysterious and imaginary atmosphere." Christian Lebrat (Dedicated to Marcel Duchamp)

Le Moteur de l'Action (A.M.D)

NR 1985
El balcón abierto

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

El balcón abierto

9.5 1984
Night of Destiny

A full moon night in a godforsaken region somewhere between Fulda and the Carpathians: On a lonely country road, opera diva Alma Meyer-Efeu and her pianist rush towards another comeback attempt. At the same time, a trio of ladies and their manager race through the night, fleeing from debts, scandals and affairs. And Jutta Schröder, the tabloid gossip, is not far away either. As luck would have it, the seven meet up and end up in a remote castle ruin in their search for a place to spend the night...

Night of Destiny

8.0 1981
Puccini: Manon Lescaut

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Puccini: Manon Lescaut

8.0 1980