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Father, Mother, What Should I Film Today?

Staying at their vacation home in the South of France, parents and filmmaking daughter have different ideas about what it is to make a film. The exuberant parental motivation is immediately diverted into interviews and resulting cinematic experimental arrangements that play with the realization of the film ideas. The result is an experiment between image description and moving image, which paints the portrait of a family that has a passionate relationship to the image of the nature that surrounds it.

Father, Mother, What Should I Film Today?

NR 2012
Ménage à trois

Rudolf Buth, 86, leaves his 45-year-old apartment due to loneliness and moves in with Pauline Pappert and Therese Heinze, also 86, who have lived together for ten years. Initially, their different lifestyles clash, but the women win Rudolf over with empathy. Rudolf charms them, with Therese feeling the need to educate him and Pauline enjoying flirting. However, their joy is short-lived. The documentary “Ménage à trois” captures their story of finding companionship in old age.

Ménage à trois

NR 2012
Biotope

Life in Neuperlach, a Munich suburb, is quaint. It is a safe neighborhood, where people know and greet each other. Everybody has their own backyard; single car garages are lining the narrow footpaths and everything is groomed. But for some time now that peacefulness is troubled, because refugees are supposed to move in next door. As some of the residents are afraid of the noise to be expected, they are putting up a noise protection wall. Biotope shows the life of the locals and gets to the bottom of the reason for building that wall.

Biotope

NR 2018
Touching Feeling

Aykan Safoğlu takes his artistic friendship with Nihad Nino Pušija as the point of departure for Touching Feeling. Their friendship began in 2014 in the nGbK, an artists’ association in Berlin, where Pušija has been active since the 1990s as an artist, curator, activist, and photographer. Pušija has been recording the world around him for years with his camera: queer life in Kreuzberg, the life of the Romani in the former Yugoslavia and in German refugee shelters; everyday occurrences, but also scenes of flight and migration. Pušija’s photographs form the basis for the film; mark by mark, Safoğlu uncovers them on the black screen. The scratches on the picture’s surface turn into contours and fragments: prompting Safoğlu’s reflection on his role as observer, the defiant beauty of everyday life, and the terrible rupture that war and destruction left in their trail in the 1990s across the Balkans.

Touching Feeling

NR 2019
Halmaspiel

A collage of associations evoked by finds. One’s family, three different Germanys including their insidious subchapters, the taste of life. The mother used to be a passionate Chinese checkers player. On the one hand. On the other she was a tailor and fashion designer in the GDR. Her journeyman’s piece: a showpiece with piping, cording, tabs and embroidery around the neckline. One has to love this film, if only for the tender re-animation of these words we presumed obsolete. And for everything else!

Halmaspiel

NR 2017