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Zyzz & Chestbrah: The Poster Boys

The meteoric rise of legendary bodybuilders and viral internet sensations Zyzz and Chestbrah, brothers Aziz and Said struggle to find their place in a hostile world. They discover a sense of belonging on bodybuilding forums, where they create their online alter egos—Zyzz and Chestbrah—building a dedicated global following. But Zyzz’s relentless pursuit of perfection threatens everything. When tragedy strikes, Chestbrah is left to piece together the complex legacy they created.

Zyzz & Chestbrah: The Poster Boys

NR N/A
The Great Southern Country

It was Lachlan Morton’s greatest feat of endurance yet. Last September, Lachy set a new Around Australia Record, riding 14,200-kilometers around his home country in just 30 days, nine hours, and 59 minutes. That’s more than 460 kilometers per day, every day, for a month. Lachy’s brother Gus was there with him for the ride, filming all of his pre-dawn starts, the lonely time trials down outback highways, headwinds, tailwinds, gas station meals, and all of the people who Lachlan met along the way. The Great Southern Country, our film about Lachlan's Around Australia Record, presented by Cannondale and POC, is a story of endurance, how great challenges bring people together. And it is a story about Australia in all of its rugged beauty.

The Great Southern Country

10.0 2025
Waking Up Thirty

As Lizzy's twenties come to a close, an aspiring author facing a streak of misfortune finds herself gripped by fear at the prospect of turning thirty. Suddenly thrust into three vivid fever dreams, she awakens in the lives of an accountant, a young mother, and an E-Girl Influencer, each reality offering a glimpse into alternate paths she could have taken. Through her journey within these dreams, she searches for traces of familiarity, longing for the comfort of her dog, Baby, and the life she had previously resented. Yet, as she navigates these surreal scenarios, Lizzie ultimately finds peace in realizing that her life is fulfilling. "Waking up Thirty" isn't as daunting as she feared.

Waking Up Thirty

NR 2024
Conversations with my Mother

An intense and sometimes disturbing series of encounters between the filmmaker and his mother as they relive the traumatic years of his childhood and adolescence. Following the migration of the family to Australia from Holland in the difficult postwar years they had to grapple with problems of housing, social injustice and adjustment made more difficult by the father's mental illness. For the filmmaker 'the sentiment had to be uncompromisingly true' although he became aware that 'all film is fiction'. National Film and Video Lending Service Catalogue, ACMI.

Conversations with my Mother

NR 1990
Mira

Follows the journey of a spirited Nepali village girl on her pursuit to being a world-recognized mountain runner. Growing up in a remote mountain village in Nepal, Mira always dreamed of being successful in sport despite all the challenges that she & other Nepali girls face. After running away from home, Mira joined the Maoist army until as a young adult, she traveled the long distance to Kathmandu to try her luck. Out of money, she was about to return home to her village, when by chance on a morning run, she meets another runner who tells her about a long running race in the local hills. She wins it and soon begins to realize her tough mountain village upbringing has prepared her perfectly for this sport.

Mira

NR 2016
Love in Full Colour

Each year, Melbourne’s ‘Same Sex Formal’ is attended by young people from across the state who have missed out on the one rite-of-passage most teenagers take for granted - either because their school explicitly refused to let them bring a same-sex partner, or because they just didn’t feel safe to do so. With breathtaking insight, honesty and humour, 12 LGBT teens reveal the highs and lows of their experiences with falling in love, coming out at high school and coming of age.

Love in Full Colour

NR 2015
Mourning For Mangatopi

Because of work commitments and the influence of Christian Missions, traditional mourning ceremonies among the Tiwi people of Melville Island were becoming rare at the time of making this film (1974). The full, elaborate ceremony, called the Pukumani ceremony, lasted several days and involved large numbers of people in ritual roles. It was performed here with full awareness that this may be one of the last times such a ceremony would be staged in the traditional way. The ceremony was prepared by the Mangatopi family of Snake Bay after the death of a 35-year old family member killed by his wife. The dead man’s father, Geoffrey Mangatopi, and his family requested this film to be made as a public record of a disappearing tradition. Unique to the Tiwi people of Melville and Bathurst islands, the Pukumani ceremony was not only performed to safe-guard the passage of the dead person into the spirit world, but to re-affirm kinship relationships and traditional Tiwi culture.

Mourning For Mangatopi

NR 1974
Vigil

Close-up stills of white Hollywood stars – including Elizabeth Taylor, Cary Grant, Julie Christie and Donald Sutherland, looking aghast and horrified – are intercut with news shots of boats crowded with refugees. Peering through slatted blinds and homing in with binoculars, the wide-eyed and troubled movie characters seem to survey crowded decks. The images of the refugees are manipulated, cropped, recoloured, sometimes reduced to almost abstract blobs. Vigil is short, terse and, with its increasing tempo, extremely powerful. The more you watch, the worse it gets. Stuck in their roles and behind their windows, the stars act out their emotions. Meanwhile, genuine human misery goes on, visibly manipulated for our consumption.

Vigil

NR 2017