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The Steppe

Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.

The Steppe

6.2 1962
The Survivor

Kal Tumi Aleya’ is the story of rise of Dhirapada Chakroborty from his humble background to the post of general supervisor in Mr. Himanshu Mitra’s company. It’s his journey which shows his various relations with his neighbor whom he calls Sona boudi, Charu di who helps him get this job, Labanya Sarkar, the lady doctor of the company and Amit, Charu’s nephew. The film shows how he faces and handles different circumstances of life and business. It’s the story of Dhirpada’s journey in this delusionary world.

The Survivor

8.0 1966
World in Action: End of a Revolution

A World in Action documentary filmed in Bolivia immediately after Che Guevara’s death. Directed by Brian Moser, it documents the political aftermath and centers on the trial of Régis Debray, incorporating interviews conducted before the proceedings alongside testimony from Bolivian officials, the U.S. ambassador, and U.S. special forces personnel. (Note: Produced within World in Action, the film has a distinct title, subject, and on-location production and is documented in archives and film databases as a self-contained reportage work, justifying treatment as a separate film.)

World in Action: End of a Revolution

NR 1967
Torture Me But Kill Me with Kisses

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.

Torture Me But Kill Me with Kisses

6.7 1968
Batu Durhaka

Omar Rojik’s ‘Batu Durhaka’ tells the story of Wira and his ultimate fate of committing disloyalty and sin towards his mother and family. His nemesis is Perkasa, a vicious and lustful tyrant in the village community who has kidnapped his younger sister Indah. The kidnap was witnessed by Wira’s handicapped brother Mala, who could do nothing other than watch and be rapped by Perkasa’s followers. When Wira confronts Perkasa, he is defeated and put away on a boat to nowhere. After drifting afloat for a long distance, he is rescued by Mahaguru Bentara who brings him to a cave to recuperate. Under the tutelage of the Mahaguru, who is a martial arts exponent, Wira becomes one of his leading disciples and falls in love with his daughter Desawati. He betrays Desawati's love and their consummation when he decides to return to his village, to seek vengeance against Perkasa.

Batu Durhaka

NR 1962
Hoodlum Priest And The Gold Mint

It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!

Hoodlum Priest And The Gold Mint

6.0 1968
Make Like a Thief

Arrested for a murder he didn't commit, American adventurer Bart Lanigan is about to be deported from Finland on a freighter. In the Helsinki harbor, he himself becomes a target for a hit man but manages to escape back to land. Lanigan contacts Arvo Mäki, a womanizing local con man recommended to him as a man he could trust. Lanigan is in Finland to catch an American millionaire businessman, Leonard Weston alias Lawrence Walker, who has fled the USA with the company's monies and begun investing them in Finland. Looking for the mysterious L.W. character while trying to get rid of various hit men, Lanigan and Mäki travel around picturesque southern Finland, joined by a pretty night club singer Marja Salo who won't leave Lanigan alone and insists on marrying him.

Make Like a Thief

3.7 1964
The Day the Tree Blooms

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

The Day the Tree Blooms

8.0 1961
Miriam

Daniel Schmid's actual first feature, made during his (later abandoned) studies at the German Film and Television Academy Berlin (DFFB), is an attempt at an unusual horror film: A little girl asks an older lady to buy her a cinema ticket. They discover that their names are both Miriam. The precocious girl forces her way into the lady's flat at night and demands a snack and presents. When the impudent child wants to move in with her the next day, the lady asks her neighbors for help.

Miriam

NR 1969