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Bart LaRue's The Ark of Noah

A ship half the size of the Queen Mary, made of hand-tooled oak, lies frozen in a glacier on Mt. Ararat in northern Turkey. In this documentary, producer-director-actor Bart LaRue advances the theory that this ruined ship is Noah's Ark. LaRue became so obsessed with this theory that he risked his life to photograph every scrap of evidence he could glean, even bribing an entire company of Turkish soldiers on the Russian frontier to "look the other way" while he took a team of 17 pack horses and his film crew up the mountain. The legend of Noah and his magnificent ship has endured for centuries; now there is scientific proof that the legend is indeed reality. Now you can decide for yourself. Is this the real ARK OF NOAH?

Bart LaRue's The Ark of Noah

5.0 1975
The Looking Glass Murders

Made for Scottish TV and airing in 1970, "The Looking Glass Murders" is a filmed version of the mime improv play "Pierrot in Turquoise", which Lindsay Kemp and David Bowie first staged in 1967. Pierrot is a freaky mime who ventures into a mirror where he falls in love and rolls around with the equally grotesque Columbine. But when Columbine spurs him for Harlequin, Pierrot's jealousy takes over and drives him to murder. Cloud, perched on a ladder, watches over the proceedings and narrates in song.

The Looking Glass Murders

NR 1970
Zerreissprobe

He ended the period of creating works exclusively using the body as a medium with the “Zerreissprobe” (Breaking Test) in 1970. His 43rd Aktion was the last and at the same time the most radical of his analyses of self-painting and self-mutilation. In it, Günter Brus actually carried out the injury that had previously often only been intimated by cutting along the back of his head with the razor blade in front of the public. Physical pain was thus not only suggested or acted out by the artist but actually experienced.

Zerreissprobe

NR 1970
Dallas Texas / After the Goldrush

"Wyborny trained as a mathematician, worked as a cameraman on Werner Herzog's Kasper Hauser. He first attracted the attention of the New York and London avant-gardes … for his elliptical narratives, Dallas Texas - After The Gold Rush (1971) and The Birth of a Nation (1973). Their plots, 'collapsed' by the optical transformation and repetition of individual shots, move from anecdotal narrative to an examination of narrative construction itself. His method was analogous, in a way, to that of novelists like Robbe-Grillet (e.g. Jealousy), though Wyborny was far more interested in the actual materials of film than were the french 'new novelists' when they turned to cinema. His work was further characterised by a romantic appreciation for desolate, ruined vistas." - J. Hoberman

Dallas Texas / After the Goldrush

8.0 1971
Mobile Homes

"The movie opens with a banana still-life vignette seen ripening through time-lapse photography for several days on a rooftop. The energy-charged New York Marathon follows, suggesting the rush of locations and pace about to unfold. The sense of traveling is persistent, we are taken from the marathon in New York, to breakfast in Maine, back to busy city streets, to the Grand Canyon, sky, the dancer Dana Reitz working out in the woods, poets posing, and the journey goes on. There is hardly a breather. Lines of David Shapiro's poem 'When a Man loves a Woman' are printed occasionally across the screen In one segment we hear Alice Notley read her poem 'A Woman comes into the Room.' Essentially a collage of images and sound, the precise order of events is unimportant. Overlays of time, season and location become fulfilling and cumulative experience, the particular sequences like cuts on a diamond." – Joe Giordano

Mobile Homes

NR 1979
Glass Puzzle

This complex and enigmatic work, which is performed by Jonas and Lois Lane, explores female gestures, poses, the body and narcissism. Mirroring each other with synchronized movements as they perform as alter-egos, Jonas and Lane reference archetypal female gestures and poses from popular and traditional cultures. Throughout the performance, space is dislocated and altered as a formal device — segmented by a swinging bar, superimposed in layers, transformed by subtle changes in light and shadow, or flattened by the video screen. With its evocative personal theater and idiosyncratic vocabulary of gestures, ritual and symbolism, Glass Puzzle is a quintessential Jonas work.

Glass Puzzle

6.0 1973
Sea/Shore

The notion of a line which divides the land from the sea is a notion of convenience which is only valid in certain circumstances. If there is a line at all, it only exists for a second or so, and is never repeated again. This film was shot on this imaginary line, but the leading or trailing edge of the wave is never represented. The shore line is replaced by a frame line which divides each one-second "take" from its neighbour. The frame is either filled with water or littered with stones and sand exposed after the wave has receded. The image on the screen, the organic rhythm of the waves, is not destroyed by the violence of the structures imposed upon it. Nature emerges uninhibited, revealing yet further complexities of shape and form. The illusory shore line remains invisible, trapped on celluloid, hidden by the mechanics of the projector, and de-materialised by the illusion of cinematographic movement.

Sea/Shore

NR 1979
Let George Do It

The film conversation centers around workplace safety and the concept of personal responsibility. Ron and Mary discuss Ron's recent vacation and then transition to a review of recent workplace accidents. These incidents include an electrician falling due to a missing safety cone, a worker getting a shock from faulty equipment, and a drill press operator injuring his finger due to an improperly secured backup bar. They identify a common issue: the "let George do it" syndrome, where employees assume someone else will handle safety checks. They emphasize the importance of personal responsibility in safety practices and propose using these cases in training programs to illustrate the need for vigilance and proactive safety measures. The conversation ends with a story from Ron about a past mistake, highlighting the critical lesson of not taking safety for granted and ensuring one's own and others' safety by not relying on others to always handle safety checks.

Let George Do It

NR 1978
John Baker's Last Race

John Baker emerges as a fine runner while in High School in Albuquerque, New Mexico, and then continues setting records at the University of New Mexico. His ability is world-class, and after receiving his university degree he accepts a position as a coach and physical education teacher at Aspen Elementary School while continuing to train (with the 1972 Olympics in sight). He becomes very popular with parents and students alike, for seeking ways to involve all his students, even those with an apparent lack of ability. Learning that he has terminal cancer he contemplates suicide, but instead chooses to dedicate himself even more to the kids, helping even the handicapped to participate, and co-founding and coaching the Duke City Dashers, an all-girl AAU track team. He hopes his "last race"...already beating the odds by a year, will not end before seeing this team win the national title.

John Baker's Last Race

8.0 1976