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13 Fragments & 3 Narratives from Life

A portrait of alienation is sketched out, focusing on a young art student who passively, but consciously, rejects responsibility for the political storms swirling about her. The epitome of bourgeois mentality, she insists she is, or at least will be, an artist. She says, all she is responsible for is “art”—though she admits she cannot tell you what it is. Beginning with TV images from Viet Nam being turned off, the film ends with the 13th fragment, TV images of Viet Nam being turned on again. We are bracketed by history, like it or not. (Jon Jost)

13 Fragments & 3 Narratives from Life

6.0 1968
Flower Child

"... about a girl who photographs a young man in Central Park who sits in a tree and plays a pipe. He resents her photography and follows her home to get the film from her. They make love. Whilst he is asleep she develops the negative, but in the resulting print he is missing. Was he the god Pan?" – Ken Gay, Films and Filming "... has much to do with nuance of the most ineffable kind: appearance as against behavior; oddities and crudities of expression, diction and composition in the service of a texture that's unpleasant or embarrassing one moment and elaborately touching the next, with the gap never bridged. The performers are Joy Bang ... and Frank Meyer, a bored cherub who could become a key ambivalent figure for modern films." – James Stoller, The Village Voice Exhibition: Int'l Festival of Short Films, London, 1968 [Overview Selection Courtesy of the Film-Makers' Cooperative]

Flower Child

NR 1967
Labyrinth

Labyrinth is an opera in one act by composer Gian Carlo Menotti. The work was commissioned for television by the NBC Opera Theatre and uses an English language libretto by the composer. Unlike Menotti's previous television operas, such as Amahl and the Night Visitors, this opera was written with no intention of being moved to live stage performance later. Menotti intended for this work to utilize the special effects unique to television which could not be recreated in live theatre. As a result, NBC's television production of the opera was the only performance the work had received until Ventura College mounted a production in June of 2020, directed by Brent Wilson. After its March 3, 1963 broadcast the opera was mainly criticized by the press for its trite use of allegory and music which rejected the avant-garde in favour of romanticism.

Labyrinth

NR 1963
Excited Turkeys

"A realism like that of GREED is lifted to a level where it becomes poetry. This is done by stylization and a few well-chosen details... a masterpiece." –Jonas Mekas, Village Voice "A black comedy which, in its cruel ending, has been compared to Harold Pinter. It is a hilarious satire on the traditional Thanksgiving dinner. Everything is there but the soup, but it's nuts for sure. This is Mass' first comedy, and those who know his early classic works are in for some surprises. Also Hawkins' imitations of sobs, snores, and gobbles are fabulous, especially the ghostly turkey at the end, shot in negative. A favorite on Mass' recent tours of Texas, the Midwest and the South." –The Gryphon Film Group

Excited Turkeys

NR 1966
Slow Angle Walk (Beckett Walk)

A fixed camera turned on its side records Nauman repeating for nearly an hour a laborious sequence of body movements inspired by passages in works by Samuel Beckett that describe similarly repetitive and meaningless activities. Hands clasped behind his back, he kicks one leg up at a right angle to his body, pivots forty-five degrees, falls forward hard with a thumping noise, extends the rear leg again at a right angle behind, and begins the sequence again. As in many of his fixed-camera film and video works, parts of Nauman's body disappear from the frame as he moves close to the camera; occasionally, he walks off-screen completely while the sound of his footsteps continues on the sound tracks.

Slow Angle Walk (Beckett Walk)

NR 1968
In Love Again

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

In Love Again

5.0 1969
Inside Red China

In 1957 US Army veteran Robert Carl Cohen was studying Social Psychology in Paris. While visiting the USSR he was assigned by NBC-TV's Moscow Chief Irving R. Levine to film a group of young Americans touring China in defiance of the US State Dept.'s travel ban. ...the first American to film China since the 1949 Communist victory; documenting forbidden things such as bridges, aircraft, tanks, & the "brain washing" of political prisoners. INSIDE RED CHINA provides a rare insight into that vast nation's tumultuous past.

Inside Red China

NR 1960
Encounter with Saul Alinsky - Part 2: Rama Indian Reserve

Indigenous youth, led by Duke Redbird, argue their ideas against the blunt pragmatism of American activist and writer Saul Alinksy. Author of the book “Rules for Radicals”, Alinsky is widely considered the father of community organizing who spent his life advocating for improved living conditions in poor communities across the United States. In this impassioned debate, the young activists question the corrupting influence of power, and ask why Indigenous people cannot live traditionally and peacefully on the land. Alinsky responds, “You have got to be part of the world in order to change it. You are not going to make any changes by staying in your corner.” In Alinsky’s view, equality only happens when the disenfranchised have the strength to show the ruling powers that it will be more costly for them to withhold it. Encounter with Saul Alinksy offers fascinating insights into a conversation about power and activism that has lasting resonance today.

Encounter with Saul Alinsky - Part 2: Rama Indian Reserve

NR 1967
Journey to Jerusalem

This color documentary chronicles the musical concert on Mount Scopus in Israel a mere three weeks after the Six Day War. Leonard Bernstein and Isaac Stern join the Yoi Yisrael Philharmonic Orchestra, the Israel Philharmonic, and the Tel Aviv Philharmonic Choir for stirring classical renditions by Mahler and Mendelssohn. The concert was recorded by Columbia records for release at a later date and accurately captured the live music in all its classic splendor. Prime Minister David Ben-Gurion sits proudly in the front row as the symphonies play to a capacity crowd. Scenes of the war, the Wailing Wall, schools and hospitals are also included as Bernstein and Stern tour the country and meet the people of Israel.

Journey to Jerusalem

8.0 1968