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Guests

Three Tajik brothers, Ali, and Kamil Fedor, settled 150 km from Moscow in a makeshift hut, hidden behind a fence. Their life is hard, they speak Russian poorly and live away from their families. Their job is to cut and transport the wood from the forest next door. Every day life is punctuated by the hard work, the daily tasks, card games, drinking and bickering with the Russians in the neighboring village. The film speaks of economic exile, bitter life out of another time, double family for some, and the feeling of not quite here nor longer quite out there…

Guests

NR 2014
Plot 35

Plot 35 is a place that was never mentioned in my family; it is where my elder sister, who died aged three, is buried. The sister about whom I was told nothing, or nearly nothing, and of whom my parents had oddly never kept a single photograph. It was to make up for the missing images that I decided to make this film. Thinking that I would simply chronicle a forgotten life, in fact I opened up the hidden door to a past that I was unaware of, to the subconscious memory that lies inside each of us and who makes us what we are.

Plot 35

7.3 2017
The Railroad Lady

Élise Lafontaine has a secret routine. Every morning and evening for many years, she has been waving at the express train that passes her house. One fateful day, she finds a letter from the train conductor in her garden and her lonely life is turned upside down. She engages in a promising correspondence through poetic and thoughtful letters where the two anonymous writers share their worlds with each other. But Elise’s fairytale is cut short when the train line permanently detours for a shorter route to Paris. Not willing to do without her daily delight, Elise prompts a daring escape from her comfort zone and sets out to find the train conductor.

The Railroad Lady

6.6 2016
Place de la République, 45 ans plus tard

In 1972, Louis Malle adopted the direct cinema approach to film passers-by in the Place de la République in Paris, taking stock of their daily lives... Forty-five years later, as a tribute to Louis Malle, young director Hafid Aboulahyane repeats the experience in his own way, revealing the profound changes that have taken place since then. Worlds open up, respond to each other and collide, through a mosaic of characters blending their personal histories with that of this emblematic place.

Place de la République, 45 ans plus tard

NR 2018
BB X 20

BB X 20 is the compression of 20 films starring Brigitte Bardot, released between 1952 and 1970. Every film is reduced to 25 times the original length, resulting in approximately 4 minutes. BB X 20 is an absolutely complete compression: this anthology devoted to Brigitte Bardot doesn’t miss a single shot of the original films ! The work, presented in chronological order beginning with 1952, the year she first appeared on screen, slowly reveal the creation and transformation of Brigitte Bardot into an icon.

BB X 20

6.5 2010
Charlatan Magnifique

Charlatan Magnifique is a film that brings an entertaining mix of excellent music, spontaneous comical situations as well as comments given by the key people in Magnifico’s life. The film written and directed by Maja Pavlin takes us through Magnifico’s rich, diverse and successful career – from late 1980s, when he began his path in music as member of the band U’REDU, through his solo career marked by numerous hits, such as 24.000 bacci, Kdo je Čefur, Halo gospodična, Silvija, and many others, all the way to his contract with the multinational Sony, his global success with Hir Aj Kam Hir Aj Go, and his focus on music for film.

Charlatan Magnifique

NR 2016
Body Double 32

For Body Double 32, Dellsperger takes the second scene from Carrie. Played by androgynous model Alex Wetter, a happy gang of girls are whooping it up under the showers in a high school locker room where the rows of lockers seem to double up and form a space-time loop. The loop comes to an end as, one by one, they disappear into the steam and turn into infinite variations on one of their number : Carrie. Still under the shower, Carrie herself seems unaware of what is going on around her. With a touch of sensuality the camera suggests that the child is becoming a woman. Terror-stricken, Carrie sees that her hands are covered with blood.

Body Double 32

NR 2017
A Radiant Life

1952, The Radiant City of Marseille receives its first occupants, eighty civil servants and compensated from war, coming from the four corners of France. Some are led by the promise of Le Corbusier’s ideals. Upon arrival, a couple experiments the location, facilities, and space allotted to them. They each respond to the new habitat. Its uniqueness, its details. The body questions the utopia. New Eden born under the reconstruction, the radiant city floats on the after-war as nothing happened. On board, settled cold, loneliness and sterility.

A Radiant Life

5.7 2013