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Owen Wingrave

Scandal, anger, violence: around 1880, Victorian era, the young Owen Wingrave, heir to a long line of soldiers, has just announced to his master that he had decided to renounce the profession of arms of his ancestors, and by therefore to immediately leave the school which prepared him for it... Owen Wingrave is a boy of great beauty and hides, beneath a delicate appearance, an astonishing inner strength. Why did he decide to abandon the military career for which everything, since childhood, had destined him?

Owen Wingrave

NR 1976
Threshold

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

Threshold

6.3 1972
The Metropolitan Opera: Don Giovanni

Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.

The Metropolitan Opera: Don Giovanni

9.0 1978
Metro-Land

METRO-LAND is a colourful eulogy by Sir John Betjeman to the people and places served by London's Metropolitan Line. Sir John Betjeman takes you on a journey into Metro-Land in his own eccentric and much loved style. Betjeman explores and contrasts the earlier and later ways of life while following the Neasden Nature Trail, calling in to the Pinner Village Hall and enjoying a round of golf on the great Moor Park course near Rickmansworth. Join Sir John with this quintessential guide on an unmissable journey along the Metropolitan Line from Baker Street to Quainton Road (now forgotten).

Metro-Land

8.0 1973
Virikuta

Virikuta is an astonishing documentary where we will have the opportunity to accompany a group of Huichol Indians in their annual pilgrimage to Virukuta hunting ritual peyote cactus that ingestion causes hallucinogenic effects. Before our eyes see a millennial pilgrimage, will accompany men, women and children in a community in its journey. The Huichol are a traditional people, who have a mature relationship with the natural elements that lead to ecstasy. This is a touching ritual, one of the live testimony deeper meaning in indigenous Mexican tradition

Virikuta

7.0 1976
Verspielte Heimat

The deputy editor-in-chief of an SPD newspaper in West Germany, Karl Waldner, recognizes the former Henlein leader Meißner, who is guilty of the murder of his father, at a meeting of Sudeten Germans. He wants to open the case and hand Meißner over to the courts. But he encounters resistance, even in the SPD, whose right-wing leaders do not want any conflict with the CDU, in which Meißner has an influential position. Waldner, who has been in the party for thirty years, has to rethink his own position. Discussions with his childhood friend Sepp Lukas and memories of their joint attempts to unite the Young Communists and Young Socialists against the Henlein Youth help him to do so. He realized where the failure of social democracy had already led back then.

Verspielte Heimat

8.0 1971
The Sweet: All That Glitters

In 1973, Sweet were the subject of a documentary All That Glitters for BBC Schools series Scene. Being intended for “educational purposes,” the program had to pose a relevant topic for debate among its teenage audience—in this case, “Is the music business really that glamorous?” Over a period of two to three days, Scene followed the band members Brian Connolly (vocals), Steve Priest (bass/coals), Andy Scott (guitar) and Mick Tucker (drums) as they rehearsed for a Top of the Pops appearance (which led to an outcry over Priest’s Nazi outfit) and their (now hailed as “legendary”) Christmas show at London’s Rainbow Theater.

The Sweet: All That Glitters

NR 1974