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Julia Benz: Everything Amazing - Nobody Happy

Painting, the process and what actually happens before the work is complete. Julia Benz is a young painter who has been living in Berlin for two years now. Painting is the center of her life. After several exhibits outside the capital, she is now preparing for her first solo exhibition at the Urban Spree gallery in Berlin. One person, one exhibit and everything in between. Andreas Lamoth and Frederic Leitzke from editude pictures, a film production company from Berlin, accompanied Julia Benz and her work with the canvas in the two weeks leading up to the start of her exhibition, in order to record a very important part of her artistic work: the process.

Julia Benz: Everything Amazing - Nobody Happy

NR 2014
Medea.Matrix

The performance Medea.Matrix is directed by Susanne Kennedy and was developed in collaboration with visual artist Markus Selg. They break through the traditional Medea interpretations and create their own universe of theater and art installation. The show is a co-production with the Vienna Festival. It is a multimedia solo performance performed by the German actress Birgit Minichmayr. Ammodo supports Medea.Matrix to contribute to the creation of new work by Susanne Kennedy.

Medea.Matrix

NR 2016
Killer-Keime - Gefahr aus dem Tierstall

Animals in factory farming are susceptible to disease. This is why antibiotics are used. This massive use leads to the development of more and more germs that become resistant to antibiotics. This means that even more antibiotics have to be administered. A vicious circle. Antibiotics and resistant germs also reach humans through the consumption of meat. In the event of illness, or even an emergency, it is becoming increasingly difficult for doctors to find medication for patients, as widespread resistance has already developed.

Killer-Keime - Gefahr aus dem Tierstall

8.0 2014
Polen und seine Deutschen

Germans in Poland? For many in Germany, this does not sound like the European present, but rather like the past, after war and expulsion, after political and ideological disputes. In fact, German-Polish relations are often still overshadowed by the past, especially by the Second World War, which began exactly 70 years ago with the invasion of the Wehrmacht. Yet a surprising European success story has taken place in western Poland, in the former German Silesia, in recent years.

Polen und seine Deutschen

NR 2014
Workers Leaving the Factory (again)

Katharina Gruzei combines a sociopolitical issue and a precise formal concept, which is rare in experimental film. Inspired by the Lumière brothers’ first film, La sortie de l’usine Lumière à Lyon, which shows a large number of workers leaving their factory’s gate, Gruzei begins in the interior, in a passageway (made to seem incredibly long by the editing) that emerges from the darkness. Solely portions of the corridor — a production line at the closed Austria Tabak factory — flash into view in the buzzing neon light. The impressive sound and choreography of light were taken from an installation by the artist in the empty spaces.

Workers Leaving the Factory (again)

NR 2012
Jellyfish

Jellyfish is a cinematic novel; a meditative approach to talk about notions of gender by translating cognitive knowledge and literary elements into filmic narrative. The film depicts two types of characters: inhabitants of the fictional planet of gender utopian society that are gender fluid, and real characters who find themselves outside of cisnormativity. It offers another way of seeing gender with its possibility to float between different forms without limitations and restrictions.

Jellyfish

NR 2019